Langue: anglais
Edité par Edinburgh University Press, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierPaperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Langue: anglais
Edité par Edinburgh University Press, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Langue: anglais
Edité par Edinburgh University Press, Edinburgh, 2022
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Ajouter au panierPaperback. Etat : new. Paperback. Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly. The book offers a radical rethinking of Michelangelo Antonioni's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Langue: anglais
Edité par Edinburgh University Press, GB, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierPaperback. Etat : New. Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.Matilde Nardelli teaches at the University of West London.
Langue: anglais
Edité par Edinburgh University Press, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierPAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
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Ajouter au panierPaperback. Etat : New. Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.Matilde Nardelli teaches at the University of West London.
Langue: anglais
Edité par Edinburgh University Press, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Langue: anglais
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Ajouter au panierPaperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.
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Ajouter au panierPaperback. Etat : Brand New. 248 pages. 9.21x6.14x0.53 inches. In Stock.
Langue: anglais
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Langue: anglais
Edité par Edinburgh University Press, GB, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierPaperback. Etat : New. Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.Matilde Nardelli teaches at the University of West London.
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Ajouter au panierEtat : New. Über den AutorMatilde Nardelli is Senior Lecturer at University of West LondonKlappentext While the term is too frequently deployed in contexts such as this, brilliant is the most accurate word with which.
Langue: anglais
Edité par Edinburgh University Press, Edinburgh, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierPaperback. Etat : new. Paperback. Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly. The book offers a radical rethinking of Michelangelo Antonioni's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Langue: anglais
Edité par Edinburgh University Press Mai 2022, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierTaschenbuch. Etat : Neu. Neuware.
Langue: anglais
Edité par Edinburgh University Press, GB, 2022
ISBN 10 : 1474444059 ISBN 13 : 9781474444057
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Ajouter au panierPaperback. Etat : New. Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.Matilde Nardelli teaches at the University of West London.
Langue: anglais
Edité par Edinburgh University Press, 2020
ISBN 10 : 1474444040 ISBN 13 : 9781474444040
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Ajouter au panierHRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.