matthew caley (120 résultats)

Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. Throughout Rake, Matthew Caley's fifth collection, it can appear as if we are glimpsing into the oblique diary of an immortal time-travelling rake, one who is seeking his 'one true beloved' through an heroic tally of amorous encounters, desperately trying to get beyond appetite - or possibly an entire pack [proper collective noun] of immortal time-travelling rakes. Or maybe someone imagining themselves to be such a rake, having drunk too many espressos. Be that as it may, what results is a series of beautifully skewed, left-field, back-handed love poems. Throughout, the forms used are equally promiscuous - tanka, sonnets, refrains, poems sifted from or alluding to Les Liaisons Dangereuses or Barthes' Lover's Discourse, versions of Baudelaire, Bonnefoy and Corbiere, an 'echo sonnet', sonnet-strings, mono-rhymers, a 'tonnet' - hybrid of sonnet and tanka - and most frequently, tanka used as a run-on stanza-unit. Throughout the boudoirs of La Belle Epoch, 80s Cold War Russia, ancient Egypt and the Wild West to London 1910 or LA in the 90s, but more often than not from these locations to the 24 hour neon of the contemporary city and back again in a micro-second - desire feeds lack [and vice-versa] yet yearns for escape. Poems from the diary of an immortal time-travelling rake, or someone imagining themselves to be such a rake, having drunk too many espressos? A series of beautifully skewed, left-field, back-handed love poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. Throughout Rake, Matthew Caley's fifth collection, it can appear as if we are glimpsing into the oblique diary of an immortal time-travelling rake, one who is seeking his 'one true beloved' through an heroic tally of amorous encounters, desperately trying to get beyond appetite - or possibly an entire pack [proper collective noun] of immortal time-travelling rakes. Or maybe someone imagining themselves to be such a rake, having drunk too many espressos. Be that as it may, what results is a series of beautifully skewed, left-field, back-handed love poems. Throughout, the forms used are equally promiscuous - tanka, sonnets, refrains, poems sifted from or alluding to Les Liaisons Dangereuses or Barthes' Lover's Discourse, versions of Baudelaire, Bonnefoy and Corbiere, an 'echo sonnet', sonnet-strings, mono-rhymers, a 'tonnet' - hybrid of sonnet and tanka - and most frequently, tanka used as a run-on stanza-unit. Throughout the boudoirs of La Belle Epoch, 80s Cold War Russia, ancient Egypt and the Wild West to London 1910 or LA in the 90s, but more often than not from these locations to the 24 hour neon of the contemporary city and back again in a micro-second - desire feeds lack [and vice-versa] yet yearns for escape.

Paperback. Etat : New. Trawlerman's Turquoise, Matthew Caley's sixth collection, features various seemingly recherché elements - telepathy, Madame Blavatsky, epistolary novels, muse worship, Balzac's coffee addiction and Thomas Merton's accidental electrocution amongst them - not always as straightforward 'subject matter', but caught up in the backdraft of the poems' acceleration. The book's title derives from the long, central, hyper-associative poem, 'from The Foldings' - trawlerman's turquoise being a phrase to describe a psychic glimpse of the ocean for perennial inner-city dwellers, who have only ever heard rumour of one. Caley's lyrics and love poems are poised between sincerity and its inverse, and a seeming 'parallel world', which gradually emerges, sits at odds with, and sheds light on, the current state of our actual world - full of melting borders, random dangers, shifting identities, misread communiqués, false reports and information overload - destabilising and exhilarating in equal measure.

Paperback. Etat : new. Paperback. Trawlerman's Turquoise, Matthew Caley's sixth collection, features various seemingly recherche elements telepathy, Madame Blavatsky, epistolary novels, muse worship, Balzac's coffee addiction and Thomas Merton's accidental electrocution amongst them not always as straightforward 'subject matter', but caught up in the backdraft of the poems' acceleration. The book's title derives from the long, central, hyper-associative poem, 'from The Foldings' trawlerman's turquoise being a phrase to describe a psychic glimpse of the ocean for perennial inner-city dwellers, who have only ever heard rumour of one. Caley's lyrics and love poems are poised between sincerity and its inverse, and a seeming 'parallel world', which gradually emerges, sits at odds with, and sheds light on, the current state of our actual world full of melting borders, random dangers, shifting identities, misread communiques, false reports and information overload destabilising and exhilarating in equal measure. Trawlermans Turquoise, Matthew Caleys sixth collection, brings together elements as diverse as telepathy, Madame Blavatsky, epistolary novels, muse worship and Balzacs coffee addiction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. Every poem in Matthew Caley's "Apparently" begins - or occasionally ends - with the word 'apparently'. In conversation this word usually precedes a scurrilous piece of gossip or hearsay, allowing the speaker to voice what cannot be substantiated, for in our increasingly mediated world, what is "apparent" often has more authority than "what actually is". From this instantly split beginning, a poem might extol glaciers and cult post-punk singers, mishear W.B. Yeats, get drunk, argue with Roman consuls, empathise with Roadrunner, crash several vehicles, chronicle a parallel Proust, or watch Jon Snow lose his equilibrium. There are odes to dead flies, obscure Western actors, Louis Zukofsky and the pancreas. Or are there? It's not that the poems are about these things so much as that these things get caught up in each poem's need to be. Through this can be glimpsed the self fighting the self, desire and darker intimations. Against any notion of "poetic truth" these poems luxuriate in the fabulous lie. Apparently. This is a highly unusual book: every poem in Matthew Caley's "Apparently begins" - or occasionally ends - with the word 'apparently'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. Every poem in Matthew Caley's "Apparently" begins - or occasionally ends - with the word 'apparently'. In conversation this word usually precedes a scurrilous piece of gossip or hearsay, allowing the speaker to voice what cannot be substantiated, for in our increasingly mediated world, what is "apparent" often has more authority than "what actually is". From this instantly split beginning, a poem might extol glaciers and cult post-punk singers, mishear W.B. Yeats, get drunk, argue with Roman consuls, empathise with Roadrunner, crash several vehicles, chronicle a parallel Proust, or watch Jon Snow lose his equilibrium. There are odes to dead flies, obscure Western actors, Louis Zukofsky and the pancreas. Or are there? It's not that the poems are about these things so much as that these things get caught up in each poem's need to be. Through this can be glimpsed the self fighting the self, desire and darker intimations. Against any notion of "poetic truth" these poems luxuriate in the fabulous lie. Apparently.

Paperback. Etat : New. To Abandon Wizardry, Matthew Caley's seventh collection, explores a world where it's harder and harder to tell what's real and what's not. Where our political and cultural reality seems so unbelievable, we search for a plot and find one that comes from the Harry Potter playbook. Our sky proves CGI, our touchstones AI. Our screens full of wonders, our streets full of decay. We could nod at Deep Fake, QAnon, fake news versus the 'truth' of official news, all manner of waning national myth or ponder the elsewhere we always think of escaping to, that will no doubt prove equally illusory.Set within this almost parallel world, To Abandon Wizardry features a long central poem where someone enjoys an alfresco Americano in Shadwell, London, while in dialogue with a mesh-protected sapling that transmits all the polyglot talk of the city. Either side of this we encounter revenants, disembowelled wizards, talking horses and flying houses, as the book forges its aesthetic out of the simulation, hyper-association, and over-stimulation of living in the 21st century. And it's all true.

Etat : New.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Trawlerman's Turquoise, Matthew Caley's sixth collection, features various seemingly recherché elements - telepathy, Madame Blavatsky, epistolary novels, muse worship, Balzac's coffee addiction and Thomas Merton's accidental electrocution amongst them - not always as straightforward 'subject matter', but caught up in the backdraft of the poems' acceleration. The book's title derives from the long, central, hyper-associative poem, 'from The Foldings' - trawlerman's turquoise being a phrase to describe a psychic glimpse of the ocean for perennial inner-city dwellers, who have only ever heard rumour of one. Caley's lyrics and love poems are poised between sincerity and its inverse, and a seeming 'parallel world', which gradually emerges, sits at odds with, and sheds light on, the current state of our actual world - full of melting borders, random dangers, shifting identities, misread communiqués, false reports and information overload - destabilising and exhilarating in equal measure.

Paperback. Etat : new. Paperback. To Abandon Wizardry, Matthew Caley's seventh collection, speeds through a world where it's harder and harder to tell what's 'real' and what's not.Where our political and cultural reality seems so unbelievable, we search for a plot and find one that comes from the Harry Potter playbook.Our sky proves CGI, our touchstones AI. Our screens full of wonders, our streets full of decay. We could nod at Deep Fake, QAnon, fake news versus the 'truth' of official news, all manner of waning national myth or ponder the elsewhere we always think of escaping to, that will no doubt prove equally illusory. Set within this almost parallel world, To Abandon Wizardry features a long central poem where someone enjoys an alfresco Americano in Shadwell, London, while in dialogue with a mesh-protected sapling that transmits all the polyglot talk of the city. Either side of this we encounter revenants, disembowelled wizards, talking horses and flying houses. To Abandon Wizardry forges its aesthetic out of the simulation, hyper-association, and over-stimulation of living in the 21st Century. And it's all true. To Abandon Wizardry, Matthew Caley's seventh collection, explores a world where it's harder and harder to tell what's real and what's not. Where our political and cultural reality seems so unbelievable, we search for a plot and find one that comes from the Harry Potter playbook. Our screens full of wonders, our streets full of decay. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. To Abandon Wizardry, Matthew Caley's seventh collection, explores a world where it's harder and harder to tell what's real and what's not. Where our political and cultural reality seems so unbelievable, we search for a plot and find one that comes from the Harry Potter playbook. Our sky proves CGI, our touchstones AI. Our screens full of wonders, our streets full of decay. We could nod at Deep Fake, QAnon, fake news versus the 'truth' of official news, all manner of waning national myth or ponder the elsewhere we always think of escaping to, that will no doubt prove equally illusory.Set within this almost parallel world, To Abandon Wizardry features a long central poem where someone enjoys an alfresco Americano in Shadwell, London, while in dialogue with a mesh-protected sapling that transmits all the polyglot talk of the city. Either side of this we encounter revenants, disembowelled wizards, talking horses and flying houses, as the book forges its aesthetic out of the simulation, hyper-association, and over-stimulation of living in the 21st century. And it's all true.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Brand New. 79 pages. 9.25x5.25x0.25 inches. In Stock.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Stapled Wrappers. Etat : Very Good. First Edition. 24pp. Fractionally handled.