Maulwurf (36 résultats)

14,9 x 9,0 cm (Plattengröße).

Hardcover. Etat : Very Good. 160 pages, 4to.No DJ. Minor shelfwear. Tight binding, no marks. Volume is in Very Good condition.

Softcover. 8°. Illustriertes Originalheft. 34 Seiten mit einfarbigen Abbildungen und ein loser Zettel des Kaffee Elsa, Adenauerplatz. Gut erhalten. Aus dem Nachlass des 2010 verstorbenen Berliner Antiquars Carlos Kühn. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! Gr381-229924.…

Softcover. Etat : Fine. Abnutzung / Risse - leicht.

18,5 x 11,0 cm. Rechter Rand gering angestaubt.

Paperback. Etat : Brand New. 102 pages. German language. 9.00x6.00x0.26 inches. In Stock.

Etat : Neu. Neu -Man entdeckt den Maulwurf als Schauspieler und er wird berühmt. Immer im Rampenlicht zu stehen ist zwar schön, doch viel lieber möchte der Maulwurf zurück zu seinen geliebten Freunden, dem Hasen, dem Igel und der Maus. Deutsch.

Etat : Neu. Neu -Seit der WDR den kleinen Maulwurf und seine Freunde in den 60er-Jahren in Prag entdeckte - geboren wurde er bereits 1957 -, gehört er zum festen Bestandteil des deutschen Kinderprogramms. Der kleine Maulwurf hat sich seit 1972 nicht nur einen Stammplatz in der Sendung mit der Maus erobert, sondern auch in den Herzen seiner kleinen und großen Zuschauer in über 80 Ländern weltweit. Deutsch.…

Large 4to, oblong, soft cover, illustrated (photographs), 65 p. In fine condition. K20.

Kartoniert. Etat : Sehr gut erhalten. Ohne Verlagsangaben ; 145 S.

Zwei Bildergeschichten um die tschechische Trickfilmfigur des kleinen Maulwurfs. Neben der Titelgeschichte ist auch "Der Maulwurf und der grüne Stern" enthalten. - Gutes Exemplar.

Magazine. 36p. includes covers, 8x11.5 inches, texts in German, articles, events, reports, services & resources, photos, ads, very good German Gay Magazine in stapled pictorial wraps with two covers and Giovanni's Room label affixed rear cover.

Etat : as new. Text by Benno Tempel, Friederieke Sanders Taylor & Jeroen Dijkstra. [The Hague] : L.S. Editions &The Hague : Livingstone Gallery, 2011. Orig. printed wrappers. 58 pp. (chiefly) illustrations. 21 x 30 cm. - Raquel Maulwurf (Madrid, 1975) has made a name for herself with large scale charcoal drawings of ruined cities. She captures the devastating aftermath of war, terrorism and weaponry in all their horror. However, in her recent work Maulwurf has turned from the city towards nature - at a moment when she herself moves to New York. In the city that never sleeps, Maulwurf felt a drive to take up new themes - themes in which nature is gaining prominence. Forest views and seascapes are worked out in series. In New York's urban jungle. Maulwurf's focus shifts towards depicting the harm mankind inflicts on his environment. The question is whether the primal force of nature will ultimately win; will nature emerge stronger from the destructive forces of man? In a sense, these themes could be a metaphor for Maulwurf's own working method, in which creation and destruction go hand in hand. In th seascapes, for instance, she literally attacks the board she works on. The violent breakers are built up by using heavy strokes of charcoal. Working the museum board with either a box cutter or sandpaper exposes the cor of the board. From the scratched surface arises the purest white, forming the foam of waves. Apart from seas and forests, New York has also brought new urban themes to Maulwurf's work. The drawing The End of Snow shows the transformation the city undergoes when the infamous snowstorms seize control. Maulwurf's Moving Landscapes are based on photographs of scenery taken from inside a moving car. These semi-abstract futuristic drawings evoke a sense of extreme velocity. This theme in particular showcases the artist's virtuosity and skills . The creative process itself is of great importance to the artist. Discussing her drawings she talks about how she feels almost engulfed by her large scale works, because of how she works very close up to the board. While drawing, she smudges the charcoal with her bare hands, sometimes abrading her skin until she almost bleeds. During this process the charcoal creeps underneath her fingernails and seeps into the pores of her skin. This poses not only a physical challenge, it requires a vast amount of endurance and shows her extreme dedication to her work. Condition : as new copy. ISBN 9789075884265. Keywords : ART.…

Etat : gut. Dark days Bright nights. Raquel Maulwurf In deutscher Sprache. pages.

Gebonden, Hardcover, 28,5 x 24,5 cm,160 bladzijden, Hardcover,Quadrichromie,Tweetalige editie Engels-Nederlands. ISBN 9789492081995. De Spaans-Nederlandse kunstenaar Raquel Maulwurf (1975) heeft het afgelopen decennium een eigen positie verworven met tekeningen die tegelijk de ontzaglijke kracht van de natuur en het menselijke falen verbeelden. Maulwurf is gefascineerd door de onontkoombare vernietigingszucht van de mensheid: het verwoesten van de eigen leefomgeving door oorlog en ecocide. Door het werken op zeer groot formaat en door muurtekeningen over meerdere wanden te maken, creeert zij het gevoel haar tekeningen in te kunnen lopen. Die derde dimensie werd letterlijk toegevoegd in haar tekeningen vanaf het moment dat zij het museumkarton waarop zij werkt, ging openkrassen met een stanleymes. Dit bijzondere boek bevat afbeeldingen van de werken uit Maulwurfs solotentoonstelling in het Gemeentemuseum Den Haag en een ruime keuze uit haar rijke oeuvre van de laatste tien jaar. Foto's van haar ateliers en prachtige close-ups van haar buitengewone krastechniek geven een goed beeld van het creatieve proces van de kunstenaar. De expo in Den Haag, waarvoor zij speciaal de installatie The Carbon War Room ontwikkelde, loopt van 18 maart tot 18 juni 2017. Met tekstbijdragen van Benno Tempel, directeur van het Gemeentemuseum Den Haag, en Jeroen Dijkstra van Livingstone Gallery, en met citaten van vooraanstaande kunstprofessionals en critici zoals Cherry Duyns en Hans den Hartog Jager. The Spanish-Dutch artist Raquel Maulwurf (1975) has acquired his own position over the past decade with drawings that simultaneously depict the immense power of nature and human failure. Maulwurf is fascinated by humanity's inescapable thirst for destruction: the destruction of one's own living environment through war and ecocide. By working on a very large format and by making wall drawings over several walls, she creates the feeling of being able to walk into her drawings. That third dimension was literally added to her drawings from the moment she started scratching open the museum cardboard on which she works with a box cutter. This special book contains images of the works from Maulwurf's solo exhibition in the Gemeentemuseum The Hague and a wide selection from her rich oeuvre of the last ten years. Photos of her studios and beautiful close-ups of her extraordinary scratching technique give a good idea of ??the artist's creative process. 0 g.…

hardcover, Size: 28,5 x 24,5 cm | Pages: 160 | English-Dutch . ISBN 9789492081995. The things mankind is capable of: endless procreating and killing, creating and fireraising, embracing and strangling, hating and loving. We are proficient in all of these. This is who we are. Raquel Maulwurf examines the dark side of human nature and shows us the havoc we wreak. She records our failings and depicts the doom that we call down upon ourselves. We look into the dark charcoal mirror that she holds in front of us.? Cherry Duyns, writer, theatre- and filmmaker Over the past decade, Spanish/Dutch artist Raquel Maulwurf (Madrid, 1975) has gained a unique position with her drawings depicting the untameable forces of nature as well as human shortcomings. Maulwurf is fascinated by humankind?s relentless urge for destruction that results in the devastation of his own habitat by war and ecocide. By working with a very large format and creating wall drawings that cover several walls, she previously captured the feeling of ?walking into a drawing? This third dimension was also added literally from the moment she began scratching the museum board she uses for her drawings with a box cutter. This publication is issued on the occasion of her solo exhibition at the Gemeentemuseum Den Haag for which she developed the installation The Carbon War Room. It arose from the desire to physically create the depth that is evoked in her charcoal drawings. This extraordinary book comprehends images of the works from the exhibition and a wide selection from Maulwurf?s rich oeuvre of the past ten years. Photos of her studios and magnificent close-ups of the special scratching technique which Maulwurf applies in her work, give a good impression of her creative process. With text contributions by Benno Tempel, director of the Gemeentemuseum Den Haag and Jeroen Dijkstra of Livingstone Gallery and quotes from renowned art professionals and critics like Cherry Duyns and Hans den Hartog Jager 0 g.…

Softcover, 56 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : Good. A lot of (full-page) illustrations, printed in 1000 copies (50), original boards. One of 50 SIGNED (on title-page), MONOGRAMMED and numbered (8/50) (both on frontcover) copies.

Etat : as new. Text by Cherry Duyns. The Hague : Livingstone Gallery, 2014. Orig. printed wrappers. 96 pages : illustrations (some color) ; 21x30 cm. English text. Copy signed by the artist. - Raquel Maulwurf (1975, Madrid, Spain) lives and works in Amsterdam. Her drawings spring from a fascination with the urge of humans to destroy themselves, each other and their surroundings. Her large-scale charcoal drawings on museum board, often scratched open, literally materialise destruction in both subject and method. Condition : as new copy. ISBN 9789075884265. Keywords : ART.…

Briefkarte mit kleiner E.ZEICHNUNG, Widmung, Datum, Unterschrift eigenhändig signiert 12.3.81.

Livingstone Editions, 2004. 27 x 21 cm. Softcover. 16 pages with illustratins in b/w and color - NEAR FINE COPY [Art / international artist [Buitenlandse Kunstenaars] ].

Hardcover. Etat : gut. 2010. Drawn to destruction *SIGNED* In deutscher Sprache. pages.

Den Haag/Eindhoven, L.S. Editions, 2011. Paperback, 21 x 30 cm. 64 pag. Photo's by Raquel Maulwurf, text by Benno Tempel. AS NEW [Photography / Dutch [Nederlandse Fotografie] ].

The Hague, Livingstone, 2014. Paperback, 21 x 30 cm. 96 pag. Photo's by Raquel Maulwarf, text by Cherry Duyns. SIGNED by Maulwurf in pencil on verso cover. [Photography / Dutch [Nederlandse Fotografie] ].

Livingstone/Stedelijk Museum Schiedam, 2008. Oblong: 22 x 30 cm. Hardback. With illustrations in color and b/w. 48 pages. FINE COPY * ** Signed dedication by Raquel maulwurg [Art / Dutch artist [Nederlandse Kunstenaars] ].

Livingstone Editions / Stedelijk Museum Schiedam, 2007. 27 x 21 cm. Richly illustrated in color and b/w. 56 pages. AS NEW [Art / international artist [Buitenlandse Kunstenaars] ].

Blattränder etwas angestaubt und etwas knitterfaltig.

kol. Stahlstich v. Hochdanz, 1869, 15,5 x 21.

altkol. Lithographie n. Buffon aus Oeuvres complètes de Buffon b. Lejeune in Brüssel, 1828, 11,1 x 9,6 (H) Etwas gebräunt und leicht fleckig.

altkol. Lithographie n. Buffon aus Oeuvres complètes de Buffon b. Lejeune in Brüssel, 1828, 12,2 x 9,8 (H) Etwas gebräunt und leicht fleckig.