Mcelroen christopher (2 résultats)

Affiner la recherche

  • Livres (2)

à

Fourchette de prix personnalisée (EUR)

à

  • Langue : anglais

    Edité par Creative Time Books, 2010

    3865608094 / 9783865608093

    • Couverture rigide

    Vendeur : Bay State Book Company, North Smithfield, RI, Etats-UnisBay State Book Company

    Vendeur avec une évaluation de 5 étoiles
    Contacter le vendeur

    Etat: Occasion - Satisfaisant

    EUR 43,30

     Frais de port gratuits 
    Expédition nationale : Etats-Unis

    Quantité disponible : 1 disponible(s)

    Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

  • Langue : anglais

    Edité par Walther König, Köln, 2010

    3865608094 / 9783865608093

    • Couverture rigide
    • Édition originale

    Vendeur : Antiquariat UEBUE, Zürich, SuisseAntiquariat UEBUE

    Vendeur avec une évaluation de 5 étoiles
    Contacter le vendeur

    Etat: Occasion - Bon

    EUR 98,50

    EUR 26,90 expédition 
    Expédition depuis Suisse vers Etats-Unis

    Quantité disponible : 1 disponible(s)

    Hardcover. Etat : Gut bis sehr gut. 1. Auflage. B : 20 x 25 cm, 352 pages, 165 color & 46 b/w illustrations - In November 2006, the artist Paul Chan visited New Orleans, in particular those parts of the city devastated by Katrina. "Friends said the city now looks like the backdrop for a bleak science-fiction movie. (.) I realized it didn't look like a movie set, but the stage for a play I have seen many times." That play was Samuel Beckett's Waiting for Godot, a play that has often been successfully staged in politically charged circumstances, such as a prison (San Quentin), and during a war (the Siege of Sarajevo, directed by Susan Sontag). In 2007, Chan staged four free outdoor performances of Godot in two New Orleans neighborhoods. This volume records Chan's project in essays and photographs, elucidating the terrible symmetry between Godot and post-Katrina New Orleans, and, as Chan writes, "the cruel and funny things people do while they wait: for help, for food, for hope.".