Meere michael (29 résultats)

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 2021 OUP hardcover edition. Unread copy in very good condition. Onstage Violence in Sixteenth-Century French Tragedy explores the ethical and poetic implications of violent performances during France's religious and civil wars (c.1550-1598). The book examines various biblical, historical, and mythological plays - including depictions of Cain and Abel, Medea, and contemporary events like the 1588 assassination of the Duke of Guise to analyze how theatrical violence addressed issues of politics, religion, and gender. Contents: Introduction: (Re)Centering Violence in Sixteenth-Century French Tragedy 1. Performance, Ethics, and Poetics of Violence: An Overview 1.1 A Definition of Violence 1.2 Performance: Some Theoretical and Historical Considerations 1.3 The Ethics of Onstage Violence 1.4 The Poetics of Offstage versus Onstage Violence 2. Biblical Violence in Catholic and Calvinist Tragedy 2.1 Lecoq's Tragedie de Cain: Violence as Counterexample on the Catholic Stage 2.2 From Catholic Mystery to Calvinist Tragedy: The Case of David and Goliath 2.2.1 David and Goliath on the Catholic Stage 2.2.2 Staging the Duel in Coignac's Desconfiture de Goliath and Des Masures' David combattant 2.2.3 'Thou Shalt (Not) Kill': Calvin on Violence 2.2.4 Militant and Transcendent Violence 3. Women Who Kill 3.1 The Genesis of La Peruse's Medee 3.2 Medee and the Question of Performance 3.3 MEDEE TU'ENFANT: Staging Medee's Double Filicide 3.4 Coda: Medea, Alive and Well 4. State-Inflicted Violence and the Ethics of Suffering 4.1 Bounin's Soltane 4.1.1 Performing Moustapha's Murder 4.1.2 The Other as Example 4.2 Beaubreuil's Regulus 4.2.1 The Legend of Regulus 4.2.2 The Rise and Demise of Atilie 4.2.3 Atilie: From Rash Warrior to Model of Virtue 5. The Duke of Guise's Murder and the Imperative of Vengeance 5.1 The Assassination of the Guise Brothers 5.2 Legitimizing 'Henricide' 5.3 Belyard's Guysien: Staging the Assassination 5.4 The Imperative of Vengeance 5.5 Coda: Topical French Tragedy after the Edict of Nantes Concluding Remarks: Onstage Violence at the Turn of the Seventeenth Century.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. This collection is dedicated to John D. Lyons, Commonwealth Professor of French at the University of Virginia and a preeminent scholar of early modern France and Italy. Lyons's long and influential academic career has been instrumental in shaping generations of undergraduates, postgraduates and early career researchers through his teaching, advising, mentorship and critical reading. Bringing together original chapters from leading scholars in North America, Great Britain and France in the fields of medieval and early modern literature and culture, this volume will build upon the breadth and depth of Lyons's wide-ranging corpus that spans a remarkable array of genres, including philosophy, the novel, theatre and history. The studies are organized around the key themes of Lyons's research throughout his illustrious career and engage with authors ranging from Saint Augustine, Giovanni Boccaccio, Niccolò Machiavelli and María de Zayas to François Rabelais, Michel de Montaigne, Madeleine and Georges de Scudéry, René Descartes, Blaise Pascal, Marie-Madeleine de Lafayette, Pierre and Thomas Corneille, Molière, Jean Racine, Jean le Rond d'Alembert and Voltaire. …

PF. Etat : New.

Etat : New.

Etat : New. Brand New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : New. Etat de la jaquette : New. First Edition. Dark blue hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.…

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This collection is dedicated to John D. Lyons, Commonwealth Professor of French at the University of Virginia and a preeminent scholar of early modern France and Italy. Lyons's long and influential academic career has been instrumental in shaping generations of undergraduates, postgraduates and early career researchers through his teaching, advising, mentorship and critical reading. Bringing together original chapters from leading scholars in North America, Great Britain and France in the fields of medieval and early modern literature and culture, this volume will build upon the breadth and depth of Lyons's wide-ranging corpus that spans a remarkable array of genres, including philosophy, the novel, theatre and history. The studies are organized around the key themes of Lyons's research throughout his illustrious career and engage with authors ranging from Saint Augustine, Giovanni Boccaccio, Niccolò Machiavelli and María de Zayas to François Rabelais, Michel de Montaigne, Madeleine and Georges de Scudéry, René Descartes, Blaise Pascal, Marie-Madeleine de Lafayette, Pierre and Thomas Corneille, Molière, Jean Racine, Jean le Rond d'Alembert and Voltaire.…

Hardcover. Etat : new. Hardcover. The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). The study begins with an overview of the origins of French vernaculartragedy and the complex relationships between violence, performance, ethics, and poetics. The volume focuses on specific plays and analyzes biblical, mythological, historical, and politically topicaltragedies--including the stories of Cain and Abel, David and Goliath, Medea, the Sultan Sueleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588--to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time, such as religion, gender, politics, and militantism. Studies the representation of violence in tragedies written for the French stage during the sixteenth century, and explores its connection with issues such as politics, religion, gender, and militantism to place the plays within their historical, cultural, and theatrical contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : New.

Paperback. Etat : New. This collection is dedicated to John D. Lyons, Commonwealth Professor of French at the University of Virginia and a preeminent scholar of early modern France and Italy. Lyons's long and influential academic career has been instrumental in shaping generations of undergraduates, postgraduates and early career researchers through his teaching, advising, mentorship and critical reading. Bringing together original chapters from leading scholars in North America, Great Britain and France in the fields of medieval and early modern literature and culture, this volume will build upon the breadth and depth of Lyons's wide-ranging corpus that spans a remarkable array of genres, including philosophy, the novel, theatre and history. The studies are organized around the key themes of Lyons's research throughout his illustrious career and engage with authors ranging from Saint Augustine, Giovanni Boccaccio, Niccolò Machiavelli and María de Zayas to François Rabelais, Michel de Montaigne, Madeleine and Georges de Scudéry, René Descartes, Blaise Pascal, Marie-Madeleine de Lafayette, Pierre and Thomas Corneille, Molière, Jean Racine, Jean le Rond d'Alembert and Voltaire. …

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. In English.

Hardcover. Etat : Brand New. 272 pages. 9.45x6.69x0.79 inches. In Stock.

Etat : New.

Hardcover. Etat : Brand New. 364 pages. 9.10x6.30x1.30 inches. In Stock.

Buch. Etat : Neu. Neuware - The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). The study begins with an overview of the origins of French vernacular tragedy and the complex relationships between violence, performance, ethics, and poetics. The volume focuses on specific plays and analyzes biblical, mythological, historical, and politically topical tragedies--including the stories of Cain and Abel, David and Goliath, Medea, the Sultan Süleyman the Magnificent, the Roman general Regulus, and the assassination of the Duke of Guise in 1588--to show how the multifarious uses of violence on stage shed light on a range of pressing issues during that turbulent time, such as religion, gender, politics, and militantism.…

Hardcover. Etat : New. Etat de la jaquette : New. First Edition .. Octovo hardcover, unworn unread and as NEW in AS NEW DJ. A crisp copy. "The performance of violence on the stage has played an integral role in French tragedy since its inception. Onstage Violence in Sixteenth-Century French Tragedy is the first book to tell this story. It traces and examines the ethical and poetic stakes of violence, as playwrights were experimenting with the newly discovered genre during decades of religious and civil war (c. 1550-1598). "- DJ Fast shipping in cardboard. ; 8vo 8" - 9" tall.…

Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Etat : new. Hardcover. The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them. French Renaissance and Baroque Drama helps us rethink pressing issues of the day, such as war, possession, sacrifice, religious conversion, law, and gender. This volume includes essays that employ a range of cutting-edge approaches to elucidate questions such as the social, re. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Etat : new. Hardcover. The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them. French Renaissance and Baroque Drama helps us rethink pressing issues of the day, such as war, possession, sacrifice, religious conversion, law, and gender. This volume includes essays that employ a range of cutting-edge approaches to elucidate questions such as the social, re. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorMichael Meere is visiting assistant professor of French at Wesleyan University.KlappentextFrench Renaissance and Baroque Drama helps us rethink pressing issues of the day, such as war, posse. …

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - French Renaissance and Baroque Drama helps us rethink pressing issues of the day, such as war, possession, sacrifice, religious conversion, law, and gender. This volume includes essays that employ a range of cutting-edge approaches to elucidate questions such as the social, religious, legal, and political functions of drama, how the staged body transmits emotions to the audience, and the ways in which drama creates communities of inclusion and exclusion, especially during times of conflict.…

Etat : new. Questo è un articolo print on demand.