Michael lailach (74 résultats)

paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. In the mid-60s, artists in the USA and Europe began planning works for sites outside the narrow boundaries of galleries and museums. It began with ephemeral enhancements or traces left in deserted landscapes, in the deserts of America, or in the moors of Scotland. Following this were spectacular earthen sculptures of gigantic proportions, some of which are still in the process of completion today. One distinguishing feature of "Land Art" is its critical preoccupation with the tradition of sculpture. Sculpture can now be an earthwork excavation, a field of metal poles, a buried hut, a trace in the grass, or even a book. Another of the movement's special characteristics is its emphasis on site-specific, outdoor works intended to lastingly alter our perception of places, and to set new parameters in art production and reception. About "Taschen's Basic Art" movement and genre series: Each book includes a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period. The body of the book contains a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work, a reference work, portrait of the artist, quotes, and biographical information. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

Paperback. Etat : Good. In the mid-60s, artists in the USA and Europe began planning works for sites outside the narrow boundaries of galleries and museums. It began with ephemeral enhancements or traces left in deserted landscapes, in the deserts of America, or in the moors of Scotland. Following this were spectacular earthen sculptures of gigantic proportions, some of which are still in the process of completion today. One distinguishing feature of "Land Art" is its critical preoccupation with the tradition of sculpture. Sculpture can now be an earthwork excavation, a field of metal poles, a buried hut, a trace in the grass, or even a book. Another of the movement's special characteristics is its emphasis on site-specific, outdoor works intended to lastingly alter our perception of places, and to set new parameters in art production and reception. About "Taschen's Basic Art" movement and genre series: Each book includes a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period. The body of the book contains a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work, a reference work, portrait of the artist, quotes, and biographical information.…

Softcover, 96 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9783822856130.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Etat : Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Paperback. Etat : Fine. 1st. 343 pages, illustrations (some colour); 22 cm. Text in German and English. Exhibition held at Kunstbibliothek Staatliche Museen zu Berlin, 4 September 2009 to 28 February 2010. Tight, clean copy. *** "Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects." -- Publisher. *** CONTENTS: Kiosk in der Kunstbibliothek Berlin = Kiosk at the Kunstbibliothek Berlin, by Michael Lailach; A perisher's nostalgia: Bucher und Kunst: Personliche Erfahrungen mit einer Beziehungskrise = Books and art: some smacks on a relational crisis, by Christoph Keller; Zeitgeno ssisches Grafikdesign im Spiegel von Kiosk = Contemporary graphic design reflected in Kiosk, by Anita Ku hnel; Kiosk, Xerox und Selbstermachtigung: ein Entwurf zur Geschichte der Kunstlerzeitschrift = Kiosk, Xerox and self-empowerment: an outline of the history of the artists' magazine, by Daniel Baumann; Ein fragmentarishces Handbuch alternativer Kunst-Publikationen: Beteiligte des Kiosk-Archivs = A fragmentary sourcebook of independent art publishing: contributors to the Kiosk archive, by Maja Wismer. Size: 8vo. Collectible.…

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Fine trade paperback in Fine stiff transparent plastic dust jacket. A clean attractive copy.

Couverture souple. Etat : Comme neuf. 1ère Édition. 96 pages sur papier glacé, nombreuses reproductions d'oeuvres en quadrichromie. 96 p. Livre.

Paperback. Etat : Very Good.

Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by TASCHEN, 2007. Quarto. Hardcover. Book is like new. Dust jacket is like new.

Encuadernación de tapa blanda. Etat : Bien. C63. Taschen - 94pp Con fotos a color. An (F).

Softcover. Many ills, in b/w and color. 178 p. -(The cover is slightly toned, but otherwise the book is in very good condition.). ISBN 3886095215.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

kart. Etat : Gut. 94 S. : zahlr. Ill. ; 23 cm Schönes, ordentliches, gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 390.

183, (1)pp. Prof. illus. (partly color). Lrg. sq. 4to. Boards. Parallel texts in German and English. Published in conjunction with an exhibition at the Kupferstichkabinett, Staatliche Museen zu Berlin, March-July 2007.

183, (1)pp. Prof. illus. (partly color). Lrg. sq. 4to. Boards. Parallel texts in German and English. Published in conjunction with an exhibition at the Kupferstichkabinett, Staatliche Museen zu Berlin, March-July 2007.

Paperback. Etat : new. New Copy. Customer Service Guaranteed.

Couverture rigide. Etat : Comme neuf. Edition originale. 143 p. ilustr. ; 25 cm. von Michael Lailach und Piotr Rypson ; [Übers.: Marcin Zastróny et al.] ; Polnisches Institut Berlin und Sammlung Marzona (Hrsg.).Zastrózny, Marcin. Tl. - Jan Brzekowski (1903 - 1983) war ein polnischer Dichter, Poesietheoretiker, Polonistik, Romanistik sowie Pharmazie an der Jagiellonen-Universität in Krakau. 1928 ging er nach Paris als Pressekorrespondent. Picasso, Ernst, Léger.illustrations (illustrateur). …

Softcover. Etat : Sehr gut. 1. Auflage. Z : 15 x 21 cm, 344 pages, 70 color & 115 b/w illustrations - Since 2001,Christoph Keller's famous archive "Kiosk Modes of Multiplication" has been exhibited 27 times all around the world, in institutions such as the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and some biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. It contains today more than 7000 publications by approximately 500 independent art publishing projects such as smaller, non commercial publishers, magazines, fanzines, newspapers, journals, audio- and video-labels, corporate and institutional publishing etc. The focus has never been set on exhibiting the most interesting individual artists' publications but the whole bandwidth of publishing possibilities, the motivations and strategies of the people "behind the scenes", the editors, publishers, designers, multipliers. On the occasion of the final public presentation of the archive at the Kunstbibliothek, Berlin, who has now taken over the archive as a special collection, this handbook represents an overview and reflection on independent art publishing activities today. It contains a lot of textual statements by the protagonists of this scene, some theoretical texts, documentary illustrations and a broad source-part with comprehensive information on the contributing publishing projects.…

96pgs, 22x18. Fotos color y blanco negro. Rústica.

paperback. Etat : Very Good. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Erste Auflage. 21 x 15 cm. 343 S. OKarton mit OKunststoff-Umschlag. Sehr gutes Exemplar. Texte in Deutsch und Englisch. Mit Beiträgen von Moritz Wullen, Michael Lailach, Christoph Keller, Anita Kühnel, Daniel Baumann und Maja Wismer. Abbildungen in Farbe und Schwarz-Weiß. Sprache: Deutsch und Englisch.…