michaela hansen (71 résultats)

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Etat : Très bon. Ancien livre de bibliothèque avec équipements. Edition 2013. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2013. Ammareal gives back up to 15% of this item's net price to charity organizations.

Etat : New.

Hardback or Cased Book. Etat : New. Fashioning Chinese Women: Empire to Modernity. Book.

Etat : acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

HC. Etat : Sehr gut. 64 S. B208-195 9783872874580 Sprache: Deutsch Gewicht in Gramm: 340.

Etat : New.

Hardcover. Etat : Fine. Exploring imagination, artistic process, and innovation in fashion and art. Contectualizing McQueen designs within art history.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

SC. Etat : Gut. Obr., 66s., in gutem Zustand, [SAP133]., Deu 400g.

SC. Etat : Gut. Obr., 65s., in gutem Zustand, [SAP133], Deu 400g.

SC. Etat : Gut. Obr., 65s., in gutem Zustand, [SAP380]. (Slg)., Deu 400g.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : new. Hardcover. A visual chronology of modern Chinese fashionfrom the fall of the Qing dynasty to the Cultural Revolutionas seen through 70 rare ensemblesPublished with Los Angeles County Museum of Art.This sumptuous publication showcases Chinese women's high fashion designs from the late Qing dynasty at the turn of the 20th century through the 1960s, examining how women's dress evolved amid seismic shifts in Chinese society. With more than 120 images, it traces transformations in silhouette, tailoring and textile innovation, revealing the ways Chinese fashion responded to globalization, modernization and women's changing roles. A special point of interest throughout the book is the qipao, the form-fitting, often ornately designed gown that is an iconic signifier of modern Chinese femininity. The volume charts its emergence in the 1920s and its adaptation across the diaspora from the 1940s to the 1960s.New Yorkbased Taiwanese Canadian fashion designer Jason Wu developed special 3D-printed mannequins (with nine different historically inspired hairstyles) to sport many of the ensembles, bringing to life fashionable women's body types across seven decades. Wu also pens the book's preface. Two essays by design historians and curators, Mei Mei Rado and Michaela Hansen, offer original research and nuanced analyses of modern Chinese fashion design. Rado investigates fashion's interplay with rapid historical and cultural changes in China, while Hansen analyzes how industrial and technological advances reshaped Chinese textile design. Interspersed throughout the volume are archival images including book illustrations, textile prints, magazine covers and calendar posters. Altogether, Fashioning Chinese Women offers an in-depth visual chronology of a dynamic chapter in Chinese fashion history that has been largely overlooked by Western art museums and publishers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Etat : New. A visual chronology of modern Chinese fashion-from the fall of the Qing dynasty to the Cultural Revolution-as seen through 70 rare ensemblesPublished with Los Angeles County Museum of Art.This sumptuous publication showcases Chinese women's high fashion designs from the late Qing dynasty at the turn of the 20th century through the 1960s, examining how women's dress evolved amid seismic shifts in Chinese society. With more than 120 images, it traces transformations in silhouette, tailoring and textile innovation, revealing the ways Chinese fashion responded to globalization, modernization and women's changing roles. A special point of interest throughout the book is the qipao, the form-fitting, often ornately designed gown that is an iconic signifier of modern Chinese femininity. The volume charts its emergence in the 1920s and its adaptation across the diaspora from the 1940s to the 1960s.New York-based Taiwanese Canadian fashion designer Jason Wu developed special 3D-printed mannequins (with nine different historically inspired hairstyles) to sport many of the ensembles, bringing to life fashionable women's body types across seven decades. Wu also pens the book's preface. Two essays by design historians and curators, Mei Mei Rado and Michaela Hansen, offer original research and nuanced analyses of modern Chinese fashion design. Rado investigates fashion's interplay with rapid historical and cultural changes in China, while Hansen analyzes how industrial and technological advances reshaped Chinese textile design. Interspersed throughout the volume are archival images including book illustrations, textile prints, magazine covers and calendar posters. Altogether, Fashioning Chinese Women offers an in-depth visual chronology of a dynamic chapter in Chinese fashion history that has been largely overlooked by Western art museums and publishers.

Saddle stitch. Etat : Fine. Abnutzung / Risse - leicht; Vergilbt / ausgeblichen. Verna laska nezna prekazky Edice S knizeci korunkou 12/95.

Saddle stitch. Etat : Fair. Unbekannte Unterschrift / Widmung / Aufkleber; Leichte Kratzer / Abnutzungen / Druckstellen; Vergilbt / ausgeblichen. Verna laska nezna prekazky Edice S knizeci korunkou 12/95.

Hardback. Etat : New. A visual chronology of modern Chinese fashion-from the fall of the Qing dynasty to the Cultural Revolution-as seen through 70 rare ensemblesPublished with Los Angeles County Museum of Art.This sumptuous publication showcases Chinese women's high fashion designs from the late Qing dynasty at the turn of the 20th century through the 1960s, examining how women's dress evolved amid seismic shifts in Chinese society. With more than 120 images, it traces transformations in silhouette, tailoring and textile innovation, revealing the ways Chinese fashion responded to globalization, modernization and women's changing roles. A special point of interest throughout the book is the qipao, the form-fitting, often ornately designed gown that is an iconic signifier of modern Chinese femininity. The volume charts its emergence in the 1920s and its adaptation across the diaspora from the 1940s to the 1960s.New York-based Taiwanese Canadian fashion designer Jason Wu developed special 3D-printed mannequins (with nine different historically inspired hairstyles) to sport many of the ensembles, bringing to life fashionable women's body types across seven decades. Wu also pens the book's preface. Two essays by design historians and curators, Mei Mei Rado and Michaela Hansen, offer original research and nuanced analyses of modern Chinese fashion design. Rado investigates fashion's interplay with rapid historical and cultural changes in China, while Hansen analyzes how industrial and technological advances reshaped Chinese textile design. Interspersed throughout the volume are archival images including book illustrations, textile prints, magazine covers and calendar posters. Altogether, Fashioning Chinese Women offers an in-depth visual chronology of a dynamic chapter in Chinese fashion history that has been largely overlooked by Western art museums and publishers.

Hardcover. Michaela Helms (illustrateur). 1.Auflage. Aus dem amerikanischen v. Birgitt Kollmann,238 S.Geschichte über die Freundschaft v. Rentier Cäsar und Spatzenmutter Bette,deren Mann v.d.Futtersuche nicht wieder heimgekehrt ist. Da ihre beiden Küken noch nicht flügge sind,wird das Nest kurzerhand in Cäsars Geweih gesteckt,und eine abenteuerliche Reise beginnt.Neupreis 26 DM , nur geringe Gebrauchsspuren.

Etat : As New. Unread book in perfect condition.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : New.

Hardback. Etat : New. McQueen's iconic fashion juxtaposed with historic textiles and works of art, revealing the designer's dynamic approach to storytellingPublished with Los Angeles County Museum of Art.One of the most significant contributors to fashion between 1990 and 2010, British designer Lee Alexander McQueen was both a conceptual and a technical virtuoso. His critically acclaimed collections synthesized his unique training in Savile Row tailoring, theatrical design and haute couture with a remarkable breadth and depth of encyclopedic and autobiographical references spanning time, geography, mediums and technology. McQueen's singular viewpoint produced exquisitely constructed, thought-provoking, often subversive or allegorical fashion.Taking a reflective look at McQueen's artful design process, this book documents the designer's diverse sources of inspiration by displaying McQueen's imaginative fashions alongside related artworks. McQueen's encyclopedic references range from ancient Greece and Rome to Tibetan silk brocade patterns, 17th-century Dutch painting, the prints of Goya and the films of Stanley Kubrick. In each of these cases and beyond, examples of McQueen's imaginative and extraordinary work are displayed alongside artworks from LACMA's permanent collection. Spanning art from a multitude of mediums, eras and cultures, this publication provides a new and innovative assessment of McQueen's work and highlights his mindful approach to storytelling and construction through fashion.Lee Alexander McQueen (1969-2010) was one of the most important fashion designers at the turn of the 21st century. In 2011, following his death, the Costume Institute in New York organized an enormously successful retrospective of his work at the Metropolitan Museum of Art.

Etat : New. In.

Etat : New.

Hardcover. Etat : new. Hardcover. McQueens iconic fashion juxtaposed with historic textiles and works of art, revealing the designers dynamic approach to storytellingPublished with Los Angeles County Museum of Art.One of the most significant contributors to fashion between 1990 and 2010, British designer Lee Alexander McQueen was both a conceptual and a technical virtuoso. His critically acclaimed collections synthesized his unique training in Savile Row tailoring, theatrical design and haute couture with a remarkable breadth and depth of encyclopedic and autobiographical references spanning time, geography, mediums and technology. McQueens singular viewpoint produced exquisitely constructed, thought-provoking, often subversive or allegorical fashion.Taking a reflective look at McQueens artful design process, this book documents the designers diverse sources of inspiration by displaying McQueens imaginative fashions alongside related artworks. McQueen's encyclopedic references range from ancient Greece and Rome to Tibetan silk brocade patterns, 17th-century Dutch painting, the prints of Goya and the films of Stanley Kubrick. In each of these cases and beyond, examples of McQueens imaginative and extraordinary work are displayed alongside artworks from LACMAs permanent collection. Spanning art from a multitude of mediums, eras and cultures, this publication provides a new and innovative assessment of McQueens work and highlights his mindful approach to storytelling and construction through fashion.Lee Alexander McQueen (19692010) was one of the most important fashion designers at the turn of the 21st century. In 2011, following his death, the Costume Institute in New York organized an enormously successful retrospective of his work at the Metropolitan Museum of Art. McQueens iconic fashion juxtaposed with historic textiles and works of art, revealing the designers dynamic approach to storytelling Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Etat : New. McQueen's iconic fashion juxtaposed with historic textiles and works of art, revealing the designer's dynamic approach to storytellingPublished with Los Angeles County Museum of Art.One of the most significant contributors to fashion between 1990 and 2010, British designer Lee Alexander McQueen was both a conceptual and a technical virtuoso. His critically acclaimed collections synthesized his unique training in Savile Row tailoring, theatrical design and haute couture with a remarkable breadth and depth of encyclopedic and autobiographical references spanning time, geography, mediums and technology. McQueen's singular viewpoint produced exquisitely constructed, thought-provoking, often subversive or allegorical fashion.Taking a reflective look at McQueen's artful design process, this book documents the designer's diverse sources of inspiration by displaying McQueen's imaginative fashions alongside related artworks. McQueen's encyclopedic references range from ancient Greece and Rome to Tibetan silk brocade patterns, 17th-century Dutch painting, the prints of Goya and the films of Stanley Kubrick. In each of these cases and beyond, examples of McQueen's imaginative and extraordinary work are displayed alongside artworks from LACMA's permanent collection. Spanning art from a multitude of mediums, eras and cultures, this publication provides a new and innovative assessment of McQueen's work and highlights his mindful approach to storytelling and construction through fashion.Lee Alexander McQueen (1969-2010) was one of the most important fashion designers at the turn of the 21st century. In 2011, following his death, the Costume Institute in New York organized an enormously successful retrospective of his work at the Metropolitan Museum of Art.