mike metz henry korn richard (15 résultats)

Soft cover. Etat : Very Good. 1st Edition. First Edition, 1975. Thick issue of Assembling with over 100 different contributors. This issue was compiled and published in reaction to the publications inability to get funding, and includes an introduction providing context for the landscape of small press / independent publishing circa mid 1970s. Many interesting works containing text, image, & both combined throughout by some known and lesser known folks. One small tear to front cover. Covers show light wear, with one small closed crease to bottom corner of back cover. Binding is solid. A less common issue of this impressive publication.

Softcover. Etat : Gut. 288 Seiten. Original-Broschur mit Klammer-Bindung. - Originalausgabe. - Auflage 1000 Exemplare. - Mit einer handschriftlichen Widmung von Richard Kostelanetz an einen bekannten Kölner Buchhändler. - Druck auf verschiedenen Papieren. Mit künstlerischen Beiträgen der konkreten und visuellen Poesie. - Zusammengestellt von Henry Korn, Richard Kostelanetz und Mike Metz. - 288 pp. Original paperback with staple binding. - Original edition. - Edition of 1000 copies. - With a handwritten dedication by Richard Kostelanetz to a well-known bookseller in Cologne. - Printed on various papers. With artistic contributions of concrete and visual poetry. - Compiled by Henry Korn, Richard Kostelanetz and Mike Metz.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. SECOND ASSEMBLING, A Collection of Otherwise Unpublishable Manuscripts, compiled by Richard Kostelanetz, Henry Korn, and Mike Metz, soft cover, first edition of 1000 copies, 1971. BOOK CONDITION: very good. The text block is in near fine condition with no marks, dog-ears, or tears. There is no bookplate or signature of a prior owner. Not a remainder or former library book. The wraps are in fairly good condition (foxing, spotting, rubbing, crinkled fore-edge). 11 x 8 1/2, unpaginated but easily over 100 pages, 17 ounces XX [From the preface] The 52 contributors were invited to submit 1000 copies of up to 4 pages of anything they wanted to include, printed at their own expense. Submissions were collated alphabetically. Biographical notes identify most of the contributors. No manuscript was refused so names and views expressed are not the responsibility of assembling press or the editors. Assembling appears annually in the early fall. Its primary purpose is the publication of works too eccentric to be accepted elsewhere. XX stories, poems concrete poetry, visual poetry, drawings, photographs, letters, and miscellaneous other written or visual material comprise this very avant-garde publication. Contributors include Henry Korn, Russell Edson, Raymond Federman, Jochen Gerz, Roni Hoffman, Richard Kostelanetz, Ruth Krauss, Richard Meltzer, Mike Metz, Bern Porter, Stan Vanderbeek, and 41 others.

Softcover. White wraps. 160 pages : illustrations. compiled by Richard Kostelanetz, Henry Korn, Mike Metz. Good. ex-lib copy. Associated library markings. Cover has discoloration, staining, tearing along spine. Interior pages have age toning, corner/edge damage, water damage.

Paperback. Etat : Near Fine. 1st. ca. 160 pages, illustrations; 29 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** Fluxus-related conceptual art, concrete poetry, xerox art by dozens of avant-garde artists. Size: 4to. Collectible.

4to, unpaginated. Colour and black & white illustrations. A good paperback copy. Some wear to base of spine. Assembling's primary purpose was the production of printed work that is "otherwise unpublishable" because it was too unconventional to be published elsewhere. Prospective contribuors were invited to submit 1000 copies of up to 3 pages containing anything they wished to included, printed at their own expense. Each copy was then assembled from these submissions.

Soft cover. Etat : Very Good. 1st edition. VG. 4to, ~250pp, stapled wrappers. Rare 1974 installment of this collaborative magazine of experimental writing, includes work from a range of prominent practitioners. Unmarked copy from the collection of contributor Opal Louis Nations, closed tear at base of spine, a bit of general wear. Not Signed.

Soft cover. Etat : Good. No Jacket. 1st Edition. THIRD ASSEMBLING, A Collection of Otherwise Unpublishable Manuscripts, compiled by Richard Kostelanetz, Henry Korn, and Mike Metz, soft cover, first edition of 1000 copies, 1972. BOOK CONDITION: good. The text block is in near fine condition with no marks except faint pencil marks on first page, No dog-ears, but the edges of several entries exceeded the width and/or length prescribed by the compilers. Those few entries are edge-crinkled or torn. There is no bookplate or signature of a prior owner. Not a remainder or former library book. The wraps are in fairly good condition (foxing, spotting, rubbing, and small stain at bottom of spine where a label was). The wraps, while still attached, have begun pulling away from the spine because of the glue no longer holding. 11 x 8 1/2, unpaginated but easily over 150 pages, 28 ounces XX [From the preface] Contributors were invited to submit 1000 copies of up to 4 pages of anything they wanted to include, printed at their own expense. Submissions were collated alphabetically. Biographical notes identify most of the contributors. No manuscript was refused so names and views expressed are not the responsibility of assembling press or the editors. Assembling appears annually in the early fall. Its primary purpose is the publication of works too eccentric to be accepted elsewhere. XX Stories, poems concrete poetry, visual poetry, drawings, photographs, letters, and miscellaneous other written or visual material comprise this very avant-garde publication. The 86 contributors include Russell Edson, Jochen Gerz, Roni Hoffman, Henry Korn, Richard Kostelanetz, Ruth Krauss, Richard Meltzer, Mike Metz, Bern Porter, and 77 others.

Softcover. Etat : Very Good. First edition. Quarto. Illustrated. Wrappers with some soil and wear and neatly reattached to textblock, a couple of leaves standing proud have some toning and wear, very good or better; the interior is otherwise fine. Includes an introduction to the process, as well as a 10-point preface by Richard Kostelanetz. Each contributor prints 1,000 copies of their piece at their own expense and the issue is bound using those contributions. According to the introduction, no piece is refused. (N.B. In this case, "unpublishable" means "eccentric" and not "NSFW.") An interesting publication.

Etat : Very good. First edition. Fifth issue of Kostelanetz's noted contributor's journal of concrete, visual poetry, and other art works. Coming down from writing his controversial END OF INTELLIGENT WRITING, Kostelanetz remarks in the introduction to FIFTH ASSEMBLING that "whole classes of literature were excluded from the dominant channels of cultural communication" because "the literary-industrial complex" was "subservient to the demands of fashion and commerce." In this work we see the material he would prefer to see in print, assembled by taking submissions from artists willing to send in 1000 copies of their pieces. 11'' x 8.5''. Original staple-bound photographic wrappers. Illustrated variously throughout. [142] leaves. Original $3.95 price on cover crossed out, repriced "4.95" in ink. Lightly scuffed with mild soiling and small tears around spine ends. Else sound and bright.

Encuadernación de tapa blanda. Etat : Muy bien. 1ª Edición. Assembling Press, New York, 1974. 1ª Ed. Este número con colaboraciones de Roger Erickson, Craig Ellis, Lee Dejasu, Jean-Jacques Cory, Geoffrey Cook, Michael Cooper, Allan Coleman, Betty Bressi, John M. Bennett, Roy Arenella, Bruce Andrews, Eric Andersen, Roberta Gould, Richard Kostelanetz, David Melnick, Frank Parman, Sylvia Salazar Simpson, John Vieira, Seth Wade y otros. Dos pequeñas grietas en el lomo, resto en buen estado. 27,5x21,5. Sin paginar. Rústica editorial con grapas.

Soft cover. Etat : Good. 1st Edition. A set six of the avant-garde periodical Assembling. Instead of selecting from submissions presented to it, Richard Kostelanetz (and, at various times, Henry James Korn, Mike Metz, Scott Helmes, and David Cole) invited potential contributors to submit a thousand copies of whatever they wanted to include, which were then alphabetically assembled into 8.5 by 11 inch books. Published by Ghilbmessa Inc. (First number) and then by Assembling Press, New York between 1970-1981. Edition of 1000. Overall excellent, well-preserved copies with minor edge-wear and age-toning, some mildly bumped corners, oversized pages in some issues creased at fore-edges. Very Good or better with no major flaws, no internal markings - all in custom protective mylar. Notably - front panel of Issue 1, which is printed on lighter paper than subsequent issues, has small closed tears at the staples - loosely attached thus. Issue 4 has a closed, diagonal tear with creasing at the spine near bottom edge - not affecting binding. Please inquire for further, thorough descriptions of condition of individual issues. Issue 1 (1970) features mixed-media contributions from Edward Ruscha (Chocolate smear by the artist), Dan Graham, Bernadette Mayer, Vito Acconci, Madeline Gins, Arakawa, Hannah Weiner, Robert Lax et al. Second Assembling (1971) features the work of Jochen Gerz, Davi Det Hompson, Clemente Padin, Alan Sondheim and Nicholas Zurbrugg et al. Third Assembling (1972), which was collated and bound by an anonymous fireman and his family, includes contributions from artists such as John Baldessari, John Furnival, Roni Hoffman, Elizabet Ginsberg, Ruth Krauss and Joseph Phillips. Fourth Assembling (1973) contains work by: Jean-Jacques Cory, Wally Depew, Dick Higgins, Nancy Henderson, Mad Dog et al. Fifth Assembling (1975) features artistic contributions by Eric Anderson, Bruce Andrews, Scott Hyde, Shoichi Kiyokawa, Thomas Macauley, Jonathan Price and Karl Young among many others. Sixth Assembling features works by Bob Aab, Anna Banana, A.F. Caldiero, Robin Crozier, Veronica Drew, Bill Gaglione & Tim Mancusi, Joe Johnson etc. Seventh Assembling features contributions by, among others, Rene Aeberhard, Bruce Andrews and Eduardo Ballerini. Eighth Assembling (1978) was split into two (A-J) and (K-Z) and includes avant-garde contributions from artists such as Charlton Burgh, Charles Ewert, Michael Gibbs and Richard Grayson in the first, and Valery Oisteanu, Douglas Turnbaugh and Nancy Wolf in the second. Ninth Assembly (1979) constitutes a 'critical' anthology. Tenth Assembling features contributions by Allan Coleman, Bonnie Donohue, Rimma & Valery Gerlovin and Tom Persons. Eleventh Assembling (1981), subtitled "Pilot Proposals" includes contributions by Agnes Denes, Bern Porter and Richard Meltzer, among others. Signed by Author(s).

4°. Ca. 160 n.n. S. meist Typsokriptreproduktionen. Originalbroschur Band 2 der der jährlich erschienenen Anthologie mit Arbeiten "of works that are too exxentric to be accepted elsewhere". Die Künstler wurde aufgefordert ihre Beiträge im Umfang von 4 Seiten in 1000 gedruckten Exemplaren den Herausgebern zur Verfügung zu stellen. - Mit Originalbeiträgen von 52 Künstlern, viele Beiträge zur Konkreten Poesie, darunter Raymond Federman - Jochen Gerz - Roni Hoffman - Peter Koper - Richard Kostelanetz - Richard Meltzer u.a. - Rücken leicht angerissen. Sprache: n.

4°. Ca. 160 n.n. S. meist Typsokriptreproduktionen. Originalbroschur. Band 3 der der jährlich erschienenen Anthologie mit Arbeiten "of works that are too exxentric to be accepted elsewhere". Die Künstler wurde aufgefordert ihre Beiträge im Umfang von 4 Seiten in 1000 gedruckten Exemplaren den Herausgebern zur Verfügung zu stellen. - Mit Originalbeiträgen von 52 Künstlern, viele Beiträge zur Konkreten Poesie, darunter Raymond Federman - Jochen Gerz - Roni Hoffman - Peter Koper - Richard Kostelanetz - Richard Meltzer u.a. - Rücken leicht angerissen. Sprache: n.

4to, unpag; staple-bound and glued into printed glossy wrappers. As with other iterations of this irregularly issued anthology, contributors were invited to submit up to 4 pages for an edition of 1000. As long as it could fit into the 8-1/2 X 11 inch format, no restrictions were imposed and no contributions were refused. Contributors to this volume include Russell Edson, Raymond Federman, Jochen Gerz, Roni Hoffman, Richard Meltzer, Bern Porter, Ruth Krauss, and many others, including of course the editors themselves. Spine and rear panel toned, otherwise fine.