Millgate michael editor (18 résultats)

Paperback. Etat : Very Good. Pages unmarked. Covers glossy. Binding square & firm. Book.

paperback. Etat : Very Good. Ex-Library copy with some moderate shelf wear. A portion of your purchase of this book will be donated to non-profit organizations.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.…

First edition thus (some material previously published in The Mississippi Quarterly #26, Summer 1973 issue). x, 166 pages. Hardcover: H 23.75cm x L 15.75cm. Brown dust jacket lightly soiled, short closed tear at front panel's top left with removal of past bookseller's sticker causing patch of peeling at front panel's top right, some bumping at edges. Beige cloth with vibrant gilt and black stamping to spine. Yellowish-brown top edge; brown endpapers. Interior pages are bright and clean. Binding retains some crispness. A fine copy in a very good- dust jacket. Features a "collection ⦠[of] texts, criticism, and biographical studies of a number of the unpublished writings of William Faulkner" with the following: Editor's Foreword; "William Faulkner's 'Marionettes'" by Noel Polk; "The Elmer Papers: Faulkner's Comic Portraits of the Artist" by Thomas L. McHaney; "A Census of Manuscripts and Typescripts of William Faulkner's Poetry" by Keen Butterworth; "Faulkner on the Literature of the First World War" by Michael Millgate; "Faulkner and the World War II Monument in Oxford" by James B. Meriwether; "New Material for Faulkner's 'Intruder in the Dust'" by Patrick Samway, S.J.; "Faulkner's Typescripts of 'The Town'" by Eileen Gregory; "William Faulkner's Own Collection of His Books in 1959" by James B. Meriwether; "'Hong Li' and 'Royal Street:' The New Orleans Sketches in Manuscript" by Noel Polk; plus five essays by William Faulkner - "And Now What's to Do;" "Nympholepsy;" "An Introduction to 'The Sound and the Fury;'" "A Note on 'A Fable;'" and "Faulkner's Speech of Acceptance for the Andres Bello Award, Caracas, 1961." {LitCrit Shelf #4} ISBN 0878050515.…

First edition thus (some material previously published in The Mississippi Quarterly #26, Summer 1973 issue). x, 166 pages. Hardcover; H 23.75cm x L 15.75cm. Dark brown dust jacket lightly soiled, circular impression from removed sticker at top right of front panel. Beige cloth with vibrant gilt and black stamping upon spine. A near fine copy in a very good dust jacket. Summarized upon the dj front panel as a "collection ⦠[of] texts, criticism, and biographical studies of a number of the unpublished writings of William Faulkner." Features the following: Editor's Foreword; "William Faulkner's 'Marionettes'" by Noel Polk; "The Elmer Papers: Faulkner's Comic Portraits of the Artist" by Thomas L. McHaney; "A Census of Manuscripts and Typescripts of William Faulkner's Poetry" by Keen Butterworth; "Faulkner on the Literature of the First World War" by Michael Millgate; "Faulkner and the World War II Monument in Oxford" by James B. Meriwether; "New Material for Faulkner's 'Intruder in the Dust'" by Patrick Samway, S.J.; "Faulkner's Typescripts of 'The Town'" by Eileen Gregory; "William Faulkner's Own Collection of His Books in 1959" by James B. Meriwether; "'Hong Li' and 'Royal Street:' The New Orleans Sketches in Manuscript" by Noel Polk; plus five essays by William Faulkner - "And Now What's to Do;" "Nympholepsy;" "An Introduction to 'The Sound and the Fury;'" "A Note on 'A Fable;'" and "Faulkner's Speech of Acceptance for the Andres Bello Award, Caracas, 1961." {LitCrit Shelf #1} ISBN 0878050515.…

Soft cover. Etat : Almost Like New. Etat de la jaquette : Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy.

paperback. Etat : New. ~ NEW inside and Out! Clean & Crisp Pages w/No markings. (Email for more info./pics).

Second printing (as stated upon copyright page). xvi, 299 pages. Hardcover. Dust jacket with chips and tears and some patches of surface abrasion; front flap retains publisher's printed price at top right with date code at bottom right. Black cloth. Staining to green top edge; deckle fore-edge. Interior pages are clean. Binding is firm. …

Etat : Very Good.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st. First Edition, First Printing; 604 clean, unmarked pages/index. Frontis Portrait (illustrateur).

Paperback. Etat : Brand New. 360 pages. 9.00x6.00x0.90 inches. In Stock.

hardcover. Etat : Fair.

Soft cover. Etat : Very Good. New Oxford English Series. 217 pages. ---------- Orders over $100.00 are shipped using tracked courier delivery services. Size: Approx 4½ " Wide - 7" Tall.

Hardback. Etat : New. It has been said that both Thomas Hardy's wives were livlier letter-writers than he was himself. They were certainly less discreet, especially on the subject of their marital grievances, with the result that Hardy's intensely private life and personality are uniquely illuminated in the letters of the two women who knew him best. Their characteristic voices-and their opinions on many other subjects besides their husband-sound clearly through this generous selection of their letters: it is the first time they have spoken extensively in print. Hardy married Emma Lavinia Gilford in 1874, when he was thirty-four and she thirty-three; two years later after her death in 1912 he married Florence Emily Dugdale, thirty-nine years his junior. Relatively few of Emma's letters survive, but those included vividly register not only her distinctive personality and ideas but also, if less directly, the deteriorating later phases of her marriage. Florence Hardy's leters are far more numerous, largely because of her husband's immense fame in old age, and her own role as the doorkeeper of Max Gate.Those she wrote as Florence Dugdale-some to Emma Hardy herself-are eloquent of the painful dilemmas created by Hardy's growing dependence on her during Emma's lifetime. The ones written as Florence Hardy - to Sydney Cockerell, Siegfried Sassoon, and many others - constitute a remarkable record of literary marriage, reflecting fully and poignantly both the rewards and, especially, the costs of being (as her Times obituary put it) the helpmate of genius.…

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Hardback. Etat : New. It has been said that both Thomas Hardy's wives were livlier letter-writers than he was himself. They were certainly less discreet, especially on the subject of their marital grievances, with the result that Hardy's intensely private life and personality are uniquely illuminated in the letters of the two women who knew him best. Their characteristic voices-and their opinions on many other subjects besides their husband-sound clearly through this generous selection of their letters: it is the first time they have spoken extensively in print. Hardy married Emma Lavinia Gilford in 1874, when he was thirty-four and she thirty-three; two years later after her death in 1912 he married Florence Emily Dugdale, thirty-nine years his junior. Relatively few of Emma's letters survive, but those included vividly register not only her distinctive personality and ideas but also, if less directly, the deteriorating later phases of her marriage. Florence Hardy's leters are far more numerous, largely because of her husband's immense fame in old age, and her own role as the doorkeeper of Max Gate.Those she wrote as Florence Dugdale-some to Emma Hardy herself-are eloquent of the painful dilemmas created by Hardy's growing dependence on her during Emma's lifetime. The ones written as Florence Hardy - to Sydney Cockerell, Siegfried Sassoon, and many others - constitute a remarkable record of literary marriage, reflecting fully and poignantly both the rewards and, especially, the costs of being (as her Times obituary put it) the helpmate of genius.…

Hardcover. Etat : Brand New. 1st edition. 322 pages. 9.75x6.50x1.00 inches. In Stock.

Paperback. Etat : Brand New. 360 pages. 9.00x6.00x0.90 inches. In Stock. This item is printed on demand.

Hardcover. Etat : new. Hardcover. It has been said that both Thomas Hardy's wives were livlier letter-writers than he was himself. They were certainly less discreet, especially on the subject of their marital grievances, with the result that Hardy's intensely private life and personality are uniquely illuminated in the letters of the two women who knew him best. Their characteristic voices-and their opinions on many other subjects besides their husband-sound clearly through this generous selection of their letters: it is the first time they have spoken extensively in print. Hardy married Emma Lavinia Gilford in 1874, when he was thirty-four and she thirty-three; two years later after her death in 1912 he married Florence Emily Dugdale, thirty-nine years his junior. Relatively few of Emma's letters survive, but those included vividly register not only her distinctive personality and ideas but also, if less directly, the deteriorating later phases of her marriage. Florence Hardy's leters are far more numerous, largely because of her husband's immense fame in old age, and her own role as the doorkeeper of Max Gate.Those she wrote as Florence Dugdale-some to Emma Hardy herself-are eloquent of the painful dilemmas created by Hardy's growing dependence on her during Emma's lifetime. The ones written as Florence Hardy - to Sydney Cockerell, Siegfried Sassoon, and many others - constitute a remarkable record of literary marriage, reflecting fully and poignantly both the rewards and, especially, the costs of being (as her Times obituary put it) the helpmate of genius. A fully annotated selection of the letters of Emma and Florence Hardy, successively the wives of Thomas Hardy. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…