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Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. Ridiculous Critics is an anthology of eighteenth-century writings on the figure of the literary critic, and on the critic's mixed and complex role. The collection assembles critical texts and satirical images chronologically to suggest a vision of the history of eighteenth-century literary criticism. Including comic, vicious, heartfelt and absurd passages from critics, poets, novelists and literary commentators celebrated and obscure, the writings range through poetry, fiction, drama, and periodical writing. The anthology also includes two original essays discussing and illustrating the irrepressible spirit of critical ridicule in the period, and commending its value and effect. The first offers an evaluation of the merciless and sometimes shockingly venomous satirical attacks on critical habits and personalities of the eighteenth century. The editors argue that such attacks are reflexive, in the sense that criticism becomes increasingly supple and able to observe and examine its own irresponsible ingenuities from within. The volume's concluding essay supplies an analysis of modern modes of criticism and critical history, and suggests applications across time. We propose that humor's vital force was once an important part of living criticism. The eighteenth-century mockery of critics casts light on a neglected common thread in the history of criticism and its recent manifestations; it prompts questions about the relative absence of comedy from the stories we presently tell about critics dead or alive. The passages invite laughter, both with the critics and at their expense, and suggest the place that ridicule might have had since the eighteenth century in the making of judgments, and in the pricking of critical pretension. For this reason, they indicate the role that laughter may still have in criticism today and provide an encouraging precedent for its future.…

Etat : New.

Hardcover. Etat : As New. Like New. Dust jacket, black cloth boards and book's interior are in fine condition. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Very Good. 2008 Ashgate hardcover edition. Light reading wear else very good condition.

Hardcover. Etat : Fair. 2008 Ashgate hardcover edition. Ex library copy with stamps and labels else good condition.

Paperback. Etat : Brand New. reprint edition. 245 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Etat : New. Ridiculous Critics is an anthology of eighteenth-century writings on the figure of the literary critic, and on the critic's mixed and complex role. The collection assembles critical texts and satirical images chronologically to suggest a vision of the history of eighteenth-century literary criticism. Including comic, vicious, heartfelt and absurd passages from critics, poets, novelists and literary commentators celebrated and obscure, the writings range through poetry, fiction, drama, and periodical writing. The anthology also includes two original essays discussing and illustrating the irrepressible spirit of critical ridicule in the period, and commending its value and effect. The first offers an evaluation of the merciless and sometimes shockingly venomous satirical attacks on critical habits and personalities of the eighteenth century. The editors argue that such attacks are reflexive, in the sense that criticism becomes increasingly supple and able to observe and examine its own irresponsible ingenuities from within. The volume's concluding essay supplies an analysis of modern modes of criticism and critical history, and suggests applications across time. We propose that humor's vital force was once an important part of living criticism. The eighteenth-century mockery of critics casts light on a neglected common thread in the history of criticism and its recent manifestations; it prompts questions about the relative absence of comedy from the stories we presently tell about critics dead or alive. The passages invite laughter, both with the critics and at their expense, and suggest the place that ridicule might have had since the eighteenth century in the making of judgments, and in the pricking of critical pretension. For this reason, they indicate the role that laughter may still have in criticism today and provide an encouraging precedent for its future.…

Etat : New.

Etat : Sehr gut. Zustand: Sehr gut | Seiten: 266 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Etat : New. pp. 244.

Etat : New.

Hardcover. Etat : Brand New. 254 pages. 9.10x6.10x1.10 inches. In Stock.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Brand New. 244 pages. 9.00x6.25x1.00 inches. In Stock.

Etat : New. pp. 240.

Etat : As New. Unread book in perfect condition.

Etat : New. pp. 240.

Etat : New. Explores the idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. This title provides an examination of Christopher Smart's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Num Pages: 240 pages, black & white illustrations. BIC Classification: 2AB; DSBD. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 14. Weight in Grams: 596. . 2008. 1st Edition. hardcover. . . . . …

Etat : New.

Etat : New. pp. 240.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. Explores the idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. This title provides an examination of Christopher Smart's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Num Pages: 240 pages, black & white illustrations. BIC Classification: 2AB; DSBD. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 14. Weight in Grams: 596. . 2008. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Etat : Brand New. 231 pages. 9.25x6.25x1.00 inches. In Stock.