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Hardcover. Etat : Very Good. No Jacket. Reprint Edition. Size: 8vo - over 7¾" - 9¾" tall. Vol. I only, reprint of the edition of 1892. Scott (1811-1890), British poet and artist, is best known for his connection with Rossetti's circle. He spent the last years of his life working on these memoirs, which were published after his death. Red gilt stamped cloth over boards, xi + 356 pp., illustrated with etchings and photogravures, and facsimiles of sketches. This is a very nice copy, clean, no writing or marks, binding tight, but it has a faint musty odor, and the previous owner has written his name at the top of the front free end paper. Quantity Available: 1. Shipped Weight: 1 lb 7 oz. Category: Art & Design; Autobiography/Biography/Memoirs; Books; ISBN: 040405644X. Pictures of this item not already displayed here available upon request. Inventory No: 006309. …

Hardcover. Etat : Good. -------------Dark green cloth covers, gilt spine lettering, books are 9" tall. 356 pages, 346 pages, frontispiece in each book plus total of 23 other illustrations.--------------GOOD CONDITION, clean books, no markings, tight texts. Note that in each book the front paper on the hinge is broken, yet the bindings are totally solid. The books are heavy for their size, they weigh a total of a full 6 pounds, even without packaging for shipping -- when wrapped will weigh about 7 pounds.…

Hardcover. Etat : Good. No Jacket. Green cloth hardcover, light edge and corner wear. Not ex. library. 434 pages, illustrated with tissue guarded frontispiece. Contents clean, tight and bright. Book.

First American Edition. Complete in 2 volumes. Large 8vo. x, [2], 356; viii, [2], 346 pp. Index. From the library of George Wharton James as indicated in a gift inscription on the ffep. Illustrated plates with tissue guards. Turquoise cloth with gilt lettering to spines. A fine set. William Bell Scott (18111890) was a Scottish artist in oils and watercolour and occasionally printmaking. He was also a poet and art teacher, and his posthumously published reminiscences give a chatty and often vivid picture of life in the circle of the Pre-Raphaelites; he was especially close to Dante Gabriel Rossetti. After growing up in Edinburgh, he moved to London, and from 1843 to 1864 was principal of the government School of Art in Newcastle upon Tyne, where he added industrial subjects to his repertoire of landscapes and history painting. He was one of the first British artists to extensively depict the processes of the Industrial Revolution.…