Monteyne joseph (91 résultats)

Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Softcover, 128 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Soft cover. Etat : Near Fine. Slight rubbing to edges otherwise in excellent condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries.

Hardcover. Etat : Near Fine. Near Fine. A nice, solid copy. ; Color Plates; 6.25 X 0.9 X 9.25 inches; 301 pages.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New. Explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In this text, the author considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 288 pages, 55 colour images + 101 black-&-white illustrations. BIC Classification: 1DBKESL; 3JF; ACQ; AFH. Category: (G) General (US: Trade). Dimension: 199 x 262 x 25. Weight in Grams: 1218. . 2013. First Edition. Hardcover. . . . .…

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. pp. 292 156 Illus. (55 Col.).

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : new.

Hardback. Etat : New. From Still Life to the Screen explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In his lively and insightful text, Joseph Monteyne considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. The desire for goods emerged in tandem with modern notions of identity, in which things were seen to mirror and symbolize the self. Prints, particularly graphic satires by such artists as Matthew and Mary Darly, James Gillray, William Hogarth, Thomas Rowlandson, and Paul Sandby, were actively involved in this shift. Many of these images play with the boundaries between the animate and the inanimate, self and thing. They also reveal the recurring motif of image display, whether on screens, by magic lanterns, or in "raree-shows" and print-shop windows. The author links this motif to new conceptions of the self, specifically through the penetration of spectacle into everyday experience.Published for the Paul Mellon Centre for Studies in British Art. …

Etat : New. Explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In this text, the author considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 288 pages, 55 colour images + 101 black-&-white illustrations. BIC Classification: 1DBKESL; 3JF; ACQ; AFH. Category: (G) General (US: Trade). Dimension: 199 x 262 x 25. Weight in Grams: 1218. . 2013. First Edition. Hardcover. . . . . Books ship from the US and Ireland.…

First Edition. Fine cloth copy in a near-fine, slightly edge-torn dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 280 pages : illustrations (some colour) ; 27 cm. Notes; Includes bibliographical references (pages 255268) and index. Subjects; Consumer goods. Printing. London. Social life and customs. 17th century. Early modern England. British history. Material culture. Urban history. Paper history. 1 Kg. …

Hardcover. Etat : Fine.

Hardcover. Etat : new. Hardcover. From Still Life to the Screen explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In his lively and insightful text, Joseph Monteyne considers such themes as the display of objects in still lifes and markets, the connoisseurs fetishistic gaze, and the fusion of body and ornament in satires of fashion. The desire for goods emerged in tandem with modern notions of identity, in which things were seen to mirror and symbolize the self. Prints, particularly graphic satires by such artists as Matthew and Mary Darly, James Gillray, William Hogarth, Thomas Rowlandson, and Paul Sandby, were actively involved in this shift. Many of these images play with the boundaries between the animate and the inanimate, self and thing. They also reveal the recurring motif of image display, whether on screens, by magic lanterns, or in raree-shows and print-shop windows. The author links this motif to new conceptions of the self, specifically through the penetration of spectacle into everyday experience.Published for the Paul Mellon Centre for Studies in British Art Explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In this text, the author considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. In English.

Etat : New.

Hardcover. Etat : Brand New. 288 pages. 10.25x8.00x1.00 inches. In Stock.

First Edition. Fine cloth copy in a near-fine, slightly edge-torn dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 280 pages : illustrations (some colour) ; 27 cm. Notes; Includes bibliographical references (pages 255268) and index. Subjects; Consumer goods. Printing. London. Social life and customs. 17th century. Early modern England. British history. Material culture. Urban history. Paper history. 1 Kg. …

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New. pp. 292.

Etat : new.