Morgan bert (27 résultats)

Hard Cover. Etat : vg+. Etat de la jaquette : vg. 1st ptg. unpaginated; b/w photos; contents clean & tight; b/w photo il'd dj with light shelf wear at edges. Hardcover (dj).

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. Small remainder mark on bottom edge of page block. Trace of wear to jacket edges. This collection from photographer Bert Morgan includes many never before published photographs of a young Jacqueline Bouvier with her horses in competitions, her dogs, and her family. The photos are followed by a Chronology section that outlines her life from birth to her marriage to John F. Kennedy in 1953.…

Paperback. Etat : Very Good. Ships quickly. Mild shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Paperback. Etat : Very Good. Very Good softcover, photography book.

Hardcover. Etat : As New. Etat de la jaquette : As New. This enchanting book presents a rare collection of photographs - many previously unpublished - of the young Jacqueline Bouvier making some of her earliest appearances in New York society. Society photographer Bert Morgan began taking photographs of her for the social columns of local newspapers when she was three years old and followed her from one social event to the next throughout her childhood and young adulthood. This moving collection of photographs evokes the social whirl that marked the first twenty years of Jackie's life. Profusely illustrated with historic photographs. First printing with full number line. As new hardcover in a as new, mylar covered, unclipped dust jacket. Always carefully packaged and shipped quickly.…

hardcover. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Etat : Near Fine. Near Fine. First. 9.38 X 0.6 X 9.38 inches; 96 pages.

Etat : Very Good. Softcover, unpaginated (176 pages). This irresistible celebration captures dogs in their finest moments, at the charming and idiosyncratic society dog shows of the 1930s and '40s, when both dogs and owners were at their dapper best. Selected from the collection of the late, renowned society photographer Bert Morgan, these more than 150 exquisite duotone photographs evoke an era of refined leisure with the famous and fabulous-and their dogs-in competition and at home: eight-year-old Jacqueline Bouvier, Band-Aid on her knee, stands beaming on her front lawn with her enormous Great Dane; firehouse Dalmations line up at the Westminster Kennel Club's annual show; and descendents of Napoleon Bonaparte admire their distinguished pup on a park bench. Pedigreed pets vault walls, preen and promenade, all for the admiration of their owners-and the judges. Record # 371572. …

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Book Club Edition. 437 + pp. A Book-Club-Edition copy! A great, almost spotlessly clean copy and dust jacket! Solidly and tightly bound, essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers. Dust jacket shows very minimal, minor or light wear and use with very small cuts at the bottom. Morgan Tane (Jacket Photo0; Tony Greco and Associates (Jacket Design); Bert Briskin (Photo) (illustrateur). …

DVD. Etat : Used - Good.

Cloth. Etat : Fine. Etat de la jaquette : Fine. First Edition. New York: Studio Books, 2002. First edition, first printing. Squared-off 8vo. Cloth binding, 96 pp. mostly black and white full-page photographic plates of Jackie. Fine in fine dust jacket, protected with an archival-quality mylar cover. Morgan, Bert (illustrateur). …

Cloth. Etat : Fine. Etat de la jaquette : Fine. First Edition. New York: Studio Books, 2002. First edition, first printing. Squared-off 8vo. Cloth binding, 96 pp. mostly black and white full-page photographic plates of Jackie. Fine in fine dust jacket, protected with an archival-quality mylar cover. Morgan, Bert (illustrateur). …

Cloth. Etat : Fine. Etat de la jaquette : Fine. First Edition. New York: Studio Books, 2002. First edition, first printing. Squared-off 8vo. Cloth binding, 96 pp. mostly black and white full-page photographic plates of Jackie. Fine in fine dust jacket, protected with an archival-quality mylar cover. Morgan, Bert (illustrateur). …

First printing. xvi, 398 pages. Hardcover: H 24cm x L 16cm. No dust jacket (presumably as issued). Green cloth with vibrant blue and silver stamping to spine and front board. Pages are bright and clean. Binding retains some crispness. Laid-in errata sheet curled and creased at top margin. A near fine copy. With Preface, Selected Bibliography, Index, and About the Editors and Contributors. {Chapter #1} "A Knyght Ther Was" by Michael A. Calabrese; {Chapter #2} "A Yong Squier" by Peggy Huey; {Chapter #3} "A Yeman Had He" by John W. Conlee; {Chapter #4} "Ther Was Also A Noone, A Prioresse" by Maureen Hourigan; {Chapter #5} "Another Nonne With Hire Hadde She" by Rebecca Stephens; {Chapter #6} "And Preestes Thre" by Catherine Cox; {Chapter #7} "A Monk Ther Was, A Fair for the Maistrie" by John P. Hermann; {Chapter #8} "A Frere Ther Was, A Wantowne and a Meryee" by Karl T. Hagen; {Chapter #9} "A Merchant Was Ther With a Forked Berd" by Nancy M. Reale; {Chapter #10} "A Clerk Ther Was of Oxenford Also" by Bert Dillon; {Chapter #11} "A Sergeant of the Lawe, War and Wyse" by Joseph Hornsby; {Chapter #12} "A Frankelyn Was In His Compaingnye" by Elizabeth Mauer Sembler; {Chapter #13} "An Haberdasher . . . " by Robert T. and Laura C. Lambdin; {Chapter #14} ". . . And a Carpenter . . . " by Julian N. Wasserman and Marc Guidry; {Chapter #15} ". . . A Webbe. . . " by Gwendolyn Morgan; {Chapter #16} ". . . A Dyere. . . " by Diana R. Uhlman; {Chapter #17} ". . . And a Tapycer" by Rebecca Stephens; {Chapter #18} "A Cook They Had With Hem For the Nones" by Constance B. Hieatt; {Chapter #19} "A Shipman Ther Was, Wonynge Fer By Weste" by Sigrid King; {Chapter #20} "With Us Ther Was a Doctour of Phisik" by Edwin Eleazar; {Chapter #21} "A Good Wive Was Ther of Biside Bath" by Judith Slover; {Chapter #22} "And Was a Povre Persoun of a Toun" by Esther M.G. Smith; {Chapter #23} "With Hym Ther Was a Plowman, Was His Brother" by Daniel F. Pigg; {Chapter #24} "The Millere Was a Stout Carl for the Nones" by Robert T. and Laura C. Lambdin; {Chapter #25} "A Gentil Maunciple Was Ther of a Temple" by John H. Fisher; {Chapter #26} "The Reve Was a Sclendre Colerik Man" by Richard B. McDonald; {Chapter #27} "A Sumonour Was Ther With Us In That Place" by James Keller; {Chapter #28} "With Hym Ther Rood a Gentil Pardoner" by Elton E. Smith; {Chapter #29} "Harry Bailly: Chaucer's Innkeeper" by Thomas C. Richardson; {Chapter #30} "I Demed Hym Som Chanoun For To Be" by Christien N. Chism; {Chapter #31} "His Yeman Eek Was Ful of Curteisye" by Robert T. and Laura C. Lambdin; {Chapter #32} "What Man Artow?": The Narratorr as Writer and Pilgrim" by Katharine Wilson. ISBN 0313293341.…

Paperback. Etat : Brand New. 169 pages. 8.25x7.75x0.75 inches. In Stock.

Paperback. Etat : Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Archive Farms, 2014. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

No Binding. Etat : VG. None. This is an original two-page vintage print trade ad that measures approximately 12.5" x 18" when combined and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. Size: 8" x 11". Paper. …

Soft cover. Etat : Fine. 2nd Edition. 1 vocal score (247 pages) ; 31 cm OCLC 12770247 ; pictorial stiff paper wrappers ; Publisher's number: HL00359260; For voice and piano with guitar chord diagrams ; Contents: 12th Street Rag -- A Cottage For Sale -- A Foggy Day -- A Ghost Of A Chance -- A String Of Pearls -- All Of Me -- Amapola -- Bye Bye Blues -- Careless -- Charmaine -- Cherokee -- Darn That Dream -- East Of The Sun -- Everything Happens To Me -- Got A Date With An Angel -- Harbor Lights -- Here's that Rainy Day -- Honeysuckle Rose. How High the Moon -- I Can Dream, Can't I? -- I Can't Get Started -- I Didn't Know What Time It Was -- I Don't Want to Set The World On Fire -- I'll Be Around -- I'll Get By -- I'll Remember April -- I'm A Dreamer Aren't We All -- I'm Beginning To See The Light -- I'm Confessin' -- I'm Gonna Sit Right Down and Write Myself A Letter -- Imagination. In A Shanty In Old Shanty Town -- In The Mood -- Indiana -- It's Only A Paper Moon -- Jersy Bounce -- Juke Box Saturday Night -- Let's Call the Whole Thing Off -- Lili Marlene -- Love Is Here To Stay -- Lullaby Of The Leaves -- Manhattan -- Moonglow -- Moonlight and Roses -- Moonlight In Vermont -- More Than You Know -- My Heart Belongs To Daddy. -- My Prayer -- Nevertheless -- Nice Work If You Can Get It -- Oh, Johnny Oh -- Old Devil Moon -- Opus One -- Paper Doll -- Pennies From Heaven -- Poinciana -- Polka Dots And Moonbeams -- Put Your Dreams Away -- Red Sails In The Sunset -- Sleepy Lagoon -- Somebody Else Is Taking My Place -- Stompin' At The Savoy -- Sunday, Monday or Always. Sweet Sue Just You -- T'ain't What You Do -- The Breeze and I -- The Music Goes 'Round And Around -- The Object Of My Affection -- The Story Of A Starry Night -- The Varsity Drag -- There Are such Things -- There'll Be Some Changes Made -- There's A Small Hotel -- These Foolish Things -- They All Laughed -- They Can't Take That Away From Me. Things We Did Last Summer -- Three Little Fishies -- Till The End Of Time -- Together -- Tuxedo Junction -- Under A Blanket Of Blue -- What A Diff'rence A Day Made -- Where The Blue Of The Night (Meets The Gold Of The Day) -- Willow Weep For Me -- Yes, Indeed -- You Better Go Now -- You Turned The Tables On Me -- You'd Be So Nice To Come Home To -- You're My Everything. You're The Cream In My Coffee -- Yours ; a few marks, else FINE. Book.…

No Binding. Etat : Very Good. None. This is an original vintage print trade ad that measures approximately 10 x 13 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped USPS ground advantage in a cardboard mailer. Paper.

Softcover. First Edition; First Printing. Near Fine in wraps.

Leinen mit SU. Etat : Gut. SU mit Gebrauchsspuren. Ecken gestoßen. Dezenter Stempel aus privater Bibliothek (Durchmesser 14mm) an der Innenseite des vorderen Buchdeckels.

Soft cover. Etat : Good. 1st Edition. Oversized paperback 25x20 cm, 127 pages, copiously illustrated with b&w photos, NOT ex-library. Good condition with limited wear, book is clean and bright with unmarked text and firm binding, free of inscriptions and stamps. Short corner creases, a touch of rubbing. Price blacked out on the back. -- This is a curated photographic chronicle of Southampton's elite society during the mid-20th century, drawn from the vast archive of noted society photographer Bert Morgan. Spanning the years 1930 to 1960, the collection documents the private and public lives of America's most prominent dynasties - including the Fords, Dukes, and Bouviers - at a time when the "summer colony" was at its peak of social influence. Curated by Mary Cummings, manager of the Southampton Historical Museum research center, and Patrick Montgomery, owner of the Morgan archive, the book provides a rare, candid look into the exclusive venues that defined the era, such as the Southampton Bathing Corporation and the Meadow Club. The narrative focuses on the social rituals of the "Blue Book" set, from equestrian events and local horse shows - featuring a young Jacqueline Bouvier - to high-society weddings, beach parties, and debutante galas. Beyond its appeal as a luxury chronicle, the work functions as a significant historical and social document, offering visual insight into the rigid structures of American class, fashion, and leisure during the transformative decades of the Great Depression and the post-war boom. Bert Morgan (illustrateur).…

Etat : Wie neu. Standard Version. OVP B3465-177 5051890012418 Sprache: Deutsch Gewicht in Gramm: 70 DVD, Maße: 13.4 cm x 2 cm x 19 cm.

Later printing of the twelfth of the Oz books, remarkably signed by the seven principal stars of the classic 1939 film, The Wizard of Oz. Quarto, original brown cloth with pictorial label to the front panel, printed black title andÂTin Man vignette to spine, illustrated by John R. Neill. Presentation copy, signed on the verso of the front free endpaper and on the half-title by the filmâs seven leading players, Judy Garland (Dorothy), Ray Bolger (the Scarecrow), Jack Haley (the Tin Woodman), Bert Lahr (the Cowardly Lion), Frank Morgan (the Wizard), Billie Burke (Glinda), and Margaret Hamilton (the Wicked Witch of the West). Several have inscribed their signatures to âBillâ or âWilliam,â Jack Haley writing âBill, greatest wishes,â Margaret Hamilton âTo Bill, best wishes,â and Judy Garland, on the half-title, âTo William, warmest wishes, Judy Garland.â The 1939 film adaptation The Wizard of Oz, directed by Victor Fleming and produced by Metro-Goldwyn-Mayer, was revolutionary in its visual and technical achievements. While it was not the first color film, it was among the earliest and most influential to use Technicolor as a deliberate artistic device rather than a novelty. The dramatic shift from the sepia-toned realism of Kansas to the vibrant, multicolored world of Oz symbolized Dorothyâs passage from ordinary life into the realm of imagination and self-discovery. This use of color served both aesthetic and thematic purposes, illustrating the emotional and psychological contrasts between confinement and freedom. The filmâs combination of groundbreaking visuals, memorable music, and universal moral lessons elevated it beyond a childrenâs fantasy, turning it into a defining moment in cinematic history. The Wizard of Oz thus demonstrated how emerging technologies could be harnessed to deepen narrative meaning and create enduring cultural myths. In good condition, the front free endpaper and half-title loose but holding, with light dampstaining, minor toning, and a few stray stains, the cloth bumped and lightly frayed at the extremities with light wear to the cover label, lacking the dust jacket. Greene and Hanff XII. ÂAn exceptional example, rare and desirable signed by seven leading members of the groundbreaking cinematic masterpiece including Judy Garland. The Tin Woodman of Oz, first published in 1918, was the twelfth of Baum?s Oz books and the one in which he at last told the poignant backstory of the Tin Woodman, once a living man named Nick Chopper who lost his limbs one by one to an enchanted axe until he was made entirely of tin. Though Baum died in 1919, the Oz series continued for decades under other hands, and it was the 1939 MGM film, starring Judy Garland as Dorothy, that carried the story to worldwide and enduring fame. Consistently ranked among the greatest films ever made, celebrated for its unforgettable songs and its magical transition from sepia Kansas to Technicolor Oz, The Wizard of Oz made lasting stars of its cast and remains one of the most watched and beloved motion pictures of all time. …

First edition, first printing of this classic work in L. Frank Baumâs celebrated Oz series, the last of the series to appear during Baumâs lifetime, as he passed away shortly before its release in 1919. First printing with the verso of the ownership page listing Baum titles through The Tin Woodman of Oz. Octavo, original publisher's full lime green cloth with pictorial label affixed to front board, spine stamped in black with "Reilly" of the publisher's imprint measuring 7/8 in., black-and-white pictorial endpapers, illustrated with frontispiece and 9 colored plates by John R. Neill. Signed by seven leading cast members from The Wizard of Oz (1939) film Judy Garland (1922-1969), Billie Burke (1884-1970), Ray Bolger (1904-1987), Frank Morgan (1890-1949), Bert Lahr (1895-1967), Margaret Hamilton (1902-1985), Jack Haley (1897-1979), and director Victor Fleming (1889-1949), additionally inscribed by Fleming on frontispiece verso. The 1939 film adaptation The Wizard of Oz, directed by Victor Fleming and produced by Metro-Goldwyn-Mayer, was revolutionary in its visual and technical achievements. While it was not the first color film, it was among the earliest and most influential to use Technicolor as a deliberate artistic device rather than a novelty. The dramatic shift from the sepia-toned realism of Kansas to the vibrant, multicolored world of Oz symbolized Dorothyâs passage from ordinary life into the realm of imagination and self-discovery. This use of color served both aesthetic and thematic purposes, illustrating the emotional and psychological contrasts between confinement and freedom. The filmâs combination of groundbreaking visuals, memorable music, and universal moral lessons elevated it beyond a childrenâs fantasy, turning it into a defining moment in cinematic history. The Wizard of Oz thus demonstrated how emerging technologies could be harnessed to deepen narrative meaning and create enduring cultural myths. In very good condition, lacking plates opposite pp. 48 & 236 (though it seems they were never inserted to begin with). Housed in a custom full morocco clamshell box by Asprey with pictorial morocco onlays. An exceptional example, rare and desirable signed by seven members of the groundbreaking cinematic masterpiece including Judy Garland. The Magic of Oz held a crucial place in the development of Baumâs imaginative universe, as it extended the themes and moral lessons that had characterized his earlier works. The novel portrayed a maturing vision of Oz, where the balance between innocence and corruption, power and responsibility, became increasingly complex. The story followed the young boy Kiki Aru, who discovered a magical word capable of transforming beings, and whose misuse of that power threatened the harmony of the Emerald City. Through the intervention of established figures such as Dorothy, Glinda, and the Wizard, Baum emphasized the redemptive power of community, empathy, and moral integrity. Written in lucid yet symbolically rich prose, the book reflected Baumâs persistent idealismâ"the belief that wisdom and cooperation could preserve a just society. Thus, The Magic of Oz functioned not only as a continuation of his fantasy world but also as a meditation on human nature and ethical order within a utopian framework.…

Ephemera. Fine. 8'' x 10''inch glossy photography. Photograph is in beautiful condition no flaws. Frame Ready.

Ephemera. Fine. 8'' x 10''inch glossy photography. Photograph is in beautiful condition no flaws. Frame Ready.