Morris oswald (22 résultats)

Etat : New.

Paperback. Etat : Brand New. 157 pages. 8.75x6.00x0.50 inches. In Stock.

Etat : new.

Hardback. Etat : New. In this captivating memoir, Oscar®-winning cinematographer Oswald ("Ossie") Morris looks back over his 58-film career as Director of Photography for such front rank directors as John Huston, Carol Reed, Joseph L. Mankiewicz, Stanley Kubrick, Ronald Neame, Vittorio De Sica, Franco Zeffirelli, Norman Jewison and Sidney Lumet. Though he eschews "kiss-and-tell," Ossie provides many personal and amusing insights into the making of many films, including Moulin Rouge, Moby Dick, The Guns of Navarone, Lolita, The Hill, Fiddler on the Roof, The Man Who Would be King and Oliver!Morris photographed many of the top stars-Elizabeth Taylor, Richard Burton, Sophia Loren, Marlon Brando, Humphrey Bogart, Gregory Peck, Robert Mitchum, James Mason, Paul Newman, Michael Caine, and Sean Connery, among others-and relates a fund of intimate anecdotes about them. He also recounts his run-ins with legendary producer, David O. Selznick, who battered him with his infamous memos throughout the making of Stazione Termini, Beat The Devil and A Farewell to Arms. Morris also offers many technical revelations about making films in the pre-digital era, including groundbreaking innovations and camera tricks. For all those interested in the history of film, both at a personal and technical level, this is a rich and rewarding look into the world of cinema. …

Etat : Wie neu. Minimale Gebrauchspuren an der Hülle ansonsten neu! Altersfreigabe FSK ab 12 Jahre Sprache: Deutsch Gewicht in Gramm: 83 DVD, Maße: 18 cm x 13.8 cm x 1.5 cm.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : Brand New. 320 pages. 9.00x6.00x1.00 inches. In Stock.

Etat : New. pp. xxi + 276 Illus.

No Binding. Etat : Very Good. No Jacket. 12 color stills from the Columbia Pictures Production, Taming of the Shrew. Produced by Franco Zeffirelli, Elizabeth Taylor & Richard Burton. Also staring Cyril Cusack, Michael Hordern, Alfred Lynch, Alan Webb with Victor Spinetti, Michael York and Natasha Pyne. Executive Producer Richard McWhorter. Directed by Franco Zeffirelli. A Royal Films International/F.A.I. Production Technicolor Panavision. From bottom border:"Property of National Screen Service Corp. Licensed for display only in connection with the exhibition of this picture at your theatre. Must be returned immediately thereafter." NS 67/18. Pictures are clean with no corner holes. Slight blue smudging on reverse. Stills include: Natasha Pyne as Bianca lifting her veil in a crowd scene, Richard Burton as Petruchio swinging from the ceiling during a fight, Elizabeth Taylor as Katharina falling backwards as Burton upends her, Taylor & Burton fighting amongst the shorn wool, Taylor & Burton during the marriage ceremony, Taylor & Burton kissing ending the ceremony, the wedding procession, Taylor & Burton riding in the rain, Taylor raising a copper pot over Burton's head, Taylor picks a hat and the three wives are presented in the final scene. Morris, Oswald (illustrateur).…

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. pp. xxi + 276 Acknowledgements.

Hardcover. Etat : new. New Copy. Customer Service Guaranteed.

Etat : New. &Uumlber den AutorOswald Morris was Director of Photography on nearly 60 films, including Sleuth, Oliver! and The Wiz, the latter two of which earned him Academy Award(R) nominations. In 1972 he won the Oscar(R) for Best Cinematography .

Hardback. Etat : New. In this captivating memoir, Oscar®-winning cinematographer Oswald ("Ossie") Morris looks back over his 58-film career as Director of Photography for such front rank directors as John Huston, Carol Reed, Joseph L. Mankiewicz, Stanley Kubrick, Ronald Neame, Vittorio De Sica, Franco Zeffirelli, Norman Jewison and Sidney Lumet. Though he eschews "kiss-and-tell," Ossie provides many personal and amusing insights into the making of many films, including Moulin Rouge, Moby Dick, The Guns of Navarone, Lolita, The Hill, Fiddler on the Roof, The Man Who Would be King and Oliver!Morris photographed many of the top stars-Elizabeth Taylor, Richard Burton, Sophia Loren, Marlon Brando, Humphrey Bogart, Gregory Peck, Robert Mitchum, James Mason, Paul Newman, Michael Caine, and Sean Connery, among others-and relates a fund of intimate anecdotes about them. He also recounts his run-ins with legendary producer, David O. Selznick, who battered him with his infamous memos throughout the making of Stazione Termini, Beat The Devil and A Farewell to Arms. Morris also offers many technical revelations about making films in the pre-digital era, including groundbreaking innovations and camera tricks. For all those interested in the history of film, both at a personal and technical level, this is a rich and rewarding look into the world of cinema. …

Etat : Good. Original photograph, 16.5 cm x 14 cm. Submitted by the author or their agent for inclusion in the publication "Contemporary Authors". Very Good.Provenance: From the collection of Frederic Gale Ruffner, Jr, the founder of Gale Research, Detroit.

Hardcover. Etat : Very Good. 1st Edition. Publisher's hardbound edition of Vol. 269 May 1950 issue of the periodical. This issue devoted entirely to the subject of gambling with numerous articles on the subject including "The Argot of the Dice Gambler" by David W. Maurer. 209 pages. Maroon cloth, no dj, presumably no printed dj was issued.…

Paperback. Etat : Good. First Edition. 50 pages. Features: ads for 'Cross of Iron' and 'The Last Tycoon'; The Right Look - interview with Oswald Morris on the changing role of the cinematographer as truth competes with illusion; 'In Nome del padre' (In the Name of the Father) - photos; article entitled 'Italnoleggio'; Photo-illustrated article on the cult movie 'Singin' in the Rain'; 'Jabberwocky' - photos; Reviews - 'Joseph Andrews', 'The Story of Adele H', 'The Sentinel', 'Shadowman', 'A Star is Born', 'The Little Girl Who Lives Down the Lane', 'The Fate of Lee Khan', 'Charlotte', 'When the North Wind Blows', 'The Pink Telephone', 'Le Puritan', 'Exhibition', 'Le Baron Fantome', 'Sweeney', 'Les Violons Du Bal', 'Blue Belle', 'Black Moon'; 'East of Elephant Rock' - photos; 'The Little Girl Who Lives Down the Lane' - photos; 'The Brute' - photos; 'The Devil's Playground' - photos; and more. Average wear. Unmarked. A sound vintage copy.…

Full-Leather. Etat : Near Fine. Etat de la jaquette : N/A. 1st Edition. First three volumes of the Early English Text Society in matched bindings, full tan calf, gilt spine compartments with five raised bands, lettered in gilt on burgundy and dark green labels, gilt "Via Veritas Vita" device stamped on front cover of each volume, gilt borders, marbled endpapers and text block edges. Leather shows minor rubbing along edges, minor surface loss at top rear corner of Vol. 1 and upper front joint of Vol. 3. xx 142,[2],xlviii,267 + xix,299,12,[10],viii,50,viii,113,vi,30 + [ix],c,359,5,xxxiii,49 pp. CONTENTS: King Horn, with Fragments of Floriz and Blauncheflur, and of The (1) Assumption of Our Lady (Lumby); Political, Religious, and Love Poems from the Archbishop of Canterbury's Lambeth MS. No. 306 and Other Sources (Furnivall); (2) The Romans of Partenay, or of Lusignen: otherwise known as The Tale of Melusine (Skeat); Parallel Extracts from Twenty-Nine Manuscripts of Piers Plowman (Skeat); Hali Meidenhad: An Alliterative Homily of the Thirteenth Century (Cockayne); Seinte Marherete: The Meiden ant Martyr, in Old English (Cockayne); The Book of Quinte Essence or The Fifth Being; That is to say, Man's Heaven (Furnivall); (3) Dan Michel's Ayenbite of Inwyt, or, Remorse of Conscience (Morris); English Prose Treatises of Richard Rolle de Hampole (Perry). Inside front cover of Vol. 1 is presentation book plate to Lawrence Thomson, alumnus of the Anglican University of Glasgow, May 1867. Size: 8vo - over 7¾" - 9¾" tall. Book.…

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 392. A perfect gift for your loved ones. Reprinted from 1949 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 392. …

LeatherBound. Etat : NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 424. A perfect gift for your loved ones. Reprinted from 1951 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 424. …

8vo, pp. 276. Original black boards, lettered in gilt to spine. Photographically illustrated dustwrapper. a fine copy in a fine dustwrapper. 16 pp. b&w illustrations. First edition, SIGNED BY THE AUTHOR, AND WITH AN INSCRIPTION (PROBABLY DICTATED) TO HIS FRIEND, THE DOUBLE OSCAR-WINNING CINEMATOGRAPHER FREDDIE FRANCIS: 'To Freddie, I taught you everything you know! Ossie Morris'. Forewords by Michael Caine and Sidney Lumet. Oswald Morris [1915-2014] was one of Britain's most distinguished and versatile cinematographers. Early credits include John Huston's Moulin Rouge (1952) and Beat the Devil (1953), two of eight films he made with Huston (and both of them employing Freddie Francis as Camera Operator). He worked with Stanley Kubrick on Lolita (1962); shot Look Back in Anger (1959), The Spy Who Came in from the Cold (1965), Oliver! (1968) and The Man with the Golden Gun (1974); and won the Oscar for his work on Fiddler on the Roof (1971) -- most of which he shot through hosiery stretched across the lens to give the film its required earthen tones. Early in his career Freddie Francis [1917-2007] had worked as Camera Operator on Powell and Pressburger's The Small Back Room (1949) and The Tales of Hoffmann (1951). Morris and Francis had met in 1936 working on quota quickies at Pinewood, and by the 1950s they were working together as Cinematographer and Camera Operator. Morris said of Francis: 'He was a wonderful operator, very experienced. [.] Our characters worked wonderfully well. Our interests were the same, we loved ribbing each other and there was great banter between us.' Their friendship lasted more than seventy years. Huston, We Have a Problem was published in 2006, when Morris was ninety-one. The signature is in a very shaky hand; the inscription uses a different ink and is much more assuredly written, and was almost certainly added by someone else in accordance with Morris's instructions, before being presented to his friend.…