Nancy rubins (46 résultats)

63 pp.; 25.4 x 20.3 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show Nancy Rubins: Airplane Parts and Building, A Large Growth for San Diego," held September 23, 1994 - May 1, 1995. Co-curated by Hugh M. Davies and Kathryn Kanjo. Introduction by Hugh M. Davies. Texts by Kathryn Kanjo and Lisa Liebmann. Includes selected bibliography and biography. Fine. Covers and contents clean and unmarked. …

Softcover, 64 pages; very good condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Paperback. Etat : Near Fine. 8 X 0.5 X 9.75 inches; 64 pages.

First Edition. First edition. Softcover. 63 pages. Exhibition catalog for a show that ran September 23, 1994 through May 1, 1995. Introduction by Hugh M. Davies. Text by Kathyrn Kanjo and Lisa Liebmann. Includes numerous color and black and white illustrations, list of plates, selected biography and bibliography. A very near fine copy in wrappers.…

Trade Paperback. Etat : Used - Very Good. Open copy. Interior pages in very nice condition. Book has minor to mild shelf wear. Scuffing on back cover. Sold as is.

Paperback. Etat : Very Good. Very Good with moderate wear to covers and no marks to text. ART12; Oblong 4to 11" - 13" tall; 53 pages.

Etat : Very Good. None. 64 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Full page color photographs throughout. Record # 471535.

Trade Paperback. Etat : Used - Very Good. Very nice clean, tight copy free of any marks. Front cover has a crease.

Softcover, 56 pages; very good condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Exhibition invite 8 x 10 inches; good condition; buckling to bottom edge from damp; an unmailed copy.

Paperback. Etat : Fine. 1st. 63 pages, chiefly illustrations; 26 cm. Published in conjunction with the exhibition held at the San Diego Museum of Contemporary Art from September 23, 1994 through May 1, 1995. Firm binding, clean inside copy. *** American sculptor Nancy Rubins (b. 1952) is known for creating gargantuan sculptures out of trash, and making them look visually appealing. Stylistically, her work resembles John Chamberlain's crushed automobiles, although her process is additive, like assemblage art. Size: 4to. Collectible.…

First Edition. First edition. Exhibition brochure for a show that ran March 14 through April 20, 1997. Single sheet folded three times to create 8 pages. Features an essay by Frances Colpitt. Includes color illustrations, a small photograph of the artist, list of previous exhibitions, and a selected bibliography. A very near fine copy. Uncommon with only 7 copies listed in OCLC.…

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran March 24 through April 21, 2001. Includes numerous color illustrations, a checklist and biographical information. A fine copy in French style wrappers.

Etat : New.

Hardcover. Etat : new. Hardcover. I realized that the materials for my work have been around a long time. Before it was in the earth, it was floating as a molecule in outer space-it was part of somebody's star, or part of somebody's exploding planet. - Nancy RubinsOver the past five decades Nancy Rubins has transformed everyday objects into dynamic, otherworldly assemblages in a multitude of scales, dimensions and mediums. Fluid Force presents a comprehensive survey of Rubins' gravity-defying practice and invites us to linger on her investigations of materiality-from early explorations of wood and clay to two-dimensional photo-collages, graphite sculptural drawings, and complex sculptures comprising found domestic objects (from televisions to toasters and hair dryers) and large salvaged objects such as boats, mattresses and airplane parts. Rubins' fascination with form and matter is unmistakable as she explores and challenges preconceived notions of what sculpture and drawing could and can be. With over 90 photographs and new texts by Phong H. Bui, Eric Shiner and Yayoi Shionoiri, Fluid Force is a much-needed publication that celebrates Rubins' extensive career and her brilliance in uniting the worlds of art and engineering-a reminder that what appears solid and static is in fact in a constant state of change. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Etat : Very good. No jacket. Spine is secure. Edges are slightly worn. Inside is clean and unmarked.

Soft cover. Etat : Very Good. Small (7" x 8.5") Published on the occasion of an exhibition at Gagosian, Beverly Hills, June 24 - August 6, 2021.

First Edition. First edition. Softcover. [16 pages.] Features a short text by David Pagel. Includes color and black and white illustrations, biographical information, and list of previous exhibitions. A clean near fine copy in stapled wrappers with some minor wear.

Hardcover without dustjacket as issued, 168; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

[16] pp.; 21 x 14 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "LAX," held at Galerie Krinzinger, Vienna, 1992. Text by David Pagel. Includes biography and exhibition history. Very Good. Light rubbing of covers and cover edges. 1.3 cm. crease on top edge of verso. Contents clean and unmarked.…

Etat : As New. Unread book in perfect condition.

Etat : New.

Softcover. Etat : As New. An exhibition catalog. Inscribed "For? Best, Nancy Rubins June 19, 1997". Autographed copies rarely offered. Introduction by Hugh M. Davies. Text by Kathyrn Kanjo and Lisa Liebmann. Includes numerous color and black and white illustrations, list of plates, selected biography and bibliography. American sculptor Nancy Rubins (b. 1952) is known for creating gargantuan sculptures out of trash, and making them look visually appealing. Stylistically, her work resembles John Chamberlain's crushed automobiles, although her process is additive, like assemblage art. Installations can be found in the public collections of the Museum of Contemporary Art, Los Angeles, the Museum of Contemporary Art, San Diego, the Museum of Modern Art, New York, the Museum of Contemporary Art, Chicago, and the Eli Broad Foundation, Los Angeles.[14] Large scale, outdoor sculptures are on permanent display at institutions throughout the world, including the Albright Knox Art Gallery, Buffalo, Université Paris Diderot, Paris and on the University of Texas at Austin campus. Signed by Author.…

Exhibition invite 4 x 6 inches; very good condition; an unmailed copy.

4°, gebundene Ausgabe. 136 Seiten, Das Buch ist in einem sehr guten Zustand. Als Geschenk geeignet. 9783969992128 Sprache: Englisch Gewicht in Gramm: 640.

Erste Auflage. 25 x 20 cm. OKarton. Unteres Kapital marginal bestößen, sonst gutes Exemplar. Text in Englisch / Text English. Mit einer Einleitung von Hugh M. Davis sowie mit Beiträgen von Kathryn Kanjo und Lisa Liebmann. Durchgehend mit meist farbigen Abbildungen versehen. Erschien anläßlich der Ausstellung " Nancy Rubins: Airplane Parts and Building, A Large Growth for San Diego", Museum of Contemporary Art, San Diego, 23. September 1994 - 1. Mai 1995.…

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Brand New. 136 pages. 10.00x8.00x0.63 inches. In Stock.

First edition. 12 x 9.5 inches. 100 pages. Profusely illustrated in color. Original cloth. Published in conjunction with the exhibition held at Gagosian Gallery in 2017. "Gagosian is pleased to present rarely seen sculptures by John Chamberlain. Following the New York showings of 'New Sculpture' at Gagosian in 2011, as well as 'Choices', his 2012 retrospective at the Guggenheim, this exhibition highlights a series of steel masks, the majority of which are on view for the first time since their creation in the 1990s, as well as abstract wall sculptures made between the 1970s and 2000s. Best known during his lifetime for his distinctive metal sculptures, often made of crushed and torqued automobile steel, Chamberlain used the detritus of American industry to create works that contain the bold energy of Abstract Expressionism, the pre-manufactured elements of Pop and Minimalism, and even the provocative curves and swells of the High Baroque. His multidimensional collages of foam, steel, or aluminum - from large floor sculptures to more intimate, interlocking arrangements - express an unwavering elegance, exuding both the strength and the fragility of everyday materials" (the publisher). A clean copy.…

Hardcover. Etat : Very Good. No Jacket. Clean cover boards, unmarked pages. Binding is tight. This book shows minimal sign of wear to the cover, binding, or pages. No dust jacket included with this book. Secure packaging for safe delivery.