nardini luisa (24 résultats)

Hardcover. Etat : Very Good.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : new.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : new. Hardcover. This book is the first comprehensive study of the neo-Gregorian chants for the Proper of the Mass that circulated in the Beneventan region between the tenth and the thirteenth centuries. This extensive repertory demonstrates in extraordinary ways the struggles of local cantors to mediate between conformity to a standardized liturgy pursued by the Carolingians and the papacy, and a desire to maintain elements of the local musical culture. Some neo-Gregorian chants were locally composed, while others were imported from other regions. Both imported and local chants reveal the stylistic preferences of local cantors and the interconnections between chant composition and saints' cults and thereby shed light on issues related to the oldest musical repertories of medieval Europe, such as the Byzantine, Roman, Ambrosian, and Beneventan chants. Ultimately, they lead us into a deeper understanding of the musical culture of medieval southern Italy, a territory that, at different times, had been the theatre of incursions and invasions by many peoples (Lombards, Byzantines, Muslims, Normans, Franks, and Romans) and that was also the home to several flourishing Jewish communities. The book's rigorous historical analysis is supported by comprehensive tables, appendices, and indexes; it is also enriched by musical and textual transcriptions as well as images from relevant manuscripts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Hardcover. Etat : Brand New. 444 pages. 9.25x6.25x1.50 inches. In Stock.

Etat : New. &Uumlber den AutorLuisa Nardini holds a doctorate in musicology from Universita degli Studi La Sapienza, Rome and a Diploma in Piano Performance from Conservatorio Statale di Musica Nicola Sala, Benevento, as well as a Licence in Medi.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : Gut. Zustand: Gut | Seiten: 328 | Sprache: Englisch | Produktart: Bücher | Chants, Hypertext, and Prosulas presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in medieval Beneventan manuscripts.

Etat : New.

Hardcover. Etat : Brand New. 272 pages. 9.40x6.40x1.10 inches. In Stock.

Hardcover. Etat : new. Hardcover. This book is the first comprehensive study of the neo-Gregorian chants for the Proper of the Mass that circulated in the Beneventan region between the tenth and the thirteenth centuries. This extensive repertory demonstrates in extraordinary ways the struggles of local cantors to mediate between conformity to a standardized liturgy pursued by the Carolingians and the papacy, and a desire to maintain elements of the local musical culture. Some neo-Gregorian chants were locally composed, while others were imported from other regions. Both imported and local chants reveal the stylistic preferences of local cantors and the interconnections between chant composition and saints' cults and thereby shed light on issues related to the oldest musical repertories of medieval Europe, such as the Byzantine, Roman, Ambrosian, and Beneventan chants. Ultimately, they lead us into a deeper understanding of the musical culture of medieval southern Italy, a territory that, at different times, had been the theatre of incursions and invasions by many peoples (Lombards, Byzantines, Muslims, Normans, Franks, and Romans) and that was also the home to several flourishing Jewish communities. The book's rigorous historical analysis is supported by comprehensive tables, appendices, and indexes; it is also enriched by musical and textual transcriptions as well as images from relevant manuscripts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Brossura. Etat : new. A cura di N. Tangari.Roma, 2012; br., pp. 324, ill. e tavv. b/n, cm 17x24.(Scritture e libri del Medioevo. 10). L'abbazia di Montecassino ha costituito nei secoli il centro di sviluppo e irradiazione di particolari tradizioni musicali, liturgiche, testuali, grafiche e artistiche. Ancora oggi il monastero, con il suo straordinario patrimonio librario, racconta la storia culturale dell'Europa meridionale dal medioevo fino ai nostri giorni. Gli studi sulla musica liturgica a Montecassino hanno ricevuto negli ultimi vent'anni un incremento notevole. Tali indagini hanno aperto nuovi interrogativi e nuovi filoni di ricerca che richiedono ulteriori approfondimenti. Questo libro illustra gli studi in corso e indica le più proficue prospettive di ricerca, mettendo in luce l'importanza delle fonti cassinesi per la storia liturgico-musicale dell'Europa medievale e facendo il punto sullo stato attuale delle conoscenze. Libro.

Etat : as new. Appears unread. May have a retail sticker on back cover or remainder mark on the text block.

Buch. Etat : Neu. Neuware - The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles. Chants, Hypertext, and Prosulas examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics of the city of Benevento. These texts shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality, and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond', and in their interconnectedness with the parent chant, these prosulas can be likened to modern hypertexts.In this book, author Luisa Nardini presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in Beneventan manuscripts. Discussing general features of prosulas in southern Italy and their relation to contemporary liturgical genres (e.g., tropes, sequences, hymns), Nardini firmly situates Beneventan prosulas within the broader context of European musical history. An invaluable reference for the field, Chants, Hypertext, and Prosulas provides a new understanding of the phonetic and morphological transformations of the Latin language in medieval Italy, and clarifies the use of perennially puzzling features of Beneventan notation.

Rilegato. Etat : nuovo. Pages: 444 p. Illustrations:7 b/w, 10 col. Language(s):English. Publication Year:2017. Brepols. ISBN: 978-0-88844-205-5. Hardback -- SUMMARY This book is the first comprehensive study of the neo-Gregorian chants for the Proper of the Mass that circulated in the Beneventan region between the tenth and the thirteenth centuries. This extensive repertory demonstrates in extraordinary ways the struggles of local cantors to mediate between conformity to a standardized liturgy pursued by the Carolingians and the papacy, and a desire to maintain elements of the local musical culture. Some neo-Gregorian chants were locally composed, while others were imported from other regions. Both imported and local chants reveal the stylistic preferences of local cantors and the interconnections between chant composition and saints' cults and thereby shed light on issues related to the oldest musical repertories of medieval Europe, such as the Byzantine, Roman, Ambrosian, and Beneventan chants. Ultimately, they lead us into a deeper understanding of the musical culture of medieval southern Italy, a territory that, at different times, had been the theatre of incursions and invasions by many peoples (Lombards, Byzantines, Muslims, Normans, Franks, and Romans) and that was also the home to several flourishing Jewish communities.

Hardcover. Etat : Brand New. 272 pages. 9.40x6.40x1.10 inches. In Stock. This item is printed on demand.

Hardcover. Etat : new. Hardcover. The liturgical chant sung in the churches of Southern Italy between the ninth and thirteenth centuries reflects the multiculturalism of a territory in which Romans, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were all present with various titles and political roles. Chants, Hypertext, and Prosulas examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants. Widespread in medieval Europe,prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics of the city of Benevento. These texts shed light on the creativity of local cantors to provide new meanings to theliturgy in accordance with contemporary waves of religious spirituality, and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological 'beyond', and in their interconnectedness with the parent chant, these prosulas can be likened to modern hypertexts.In this book, author Luisa Nardini presents the first comprehensive study to integrate textual and musicalanalyses of liturgical prosulas as they were recorded in Beneventan manuscripts. Discussing general features of prosulas in southern Italy and their relation to contemporary liturgical genres (e.g., tropes,sequences, hymns), Nardini firmly situates Beneventan prosulas within the broader context of European musical history. An invaluable reference for the field, Chants, Hypertext, and Prosulas provides a new understanding of the phonetic and morphological transformations of the Latin language in medieval Italy, and clarifies the use of perennially puzzling features of Beneventan notation. Chants, Hypertext, and Prosulas presents the first comprehensive study to integrate textual and musical analyses of liturgical prosulas as they were recorded in medieval Beneventan manuscripts. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.