Olson todd p (28 résultats)

hardcover. Etat : fine. very good(+). Illustrated in color and black & white. 316. Wide 4to, black boards, d.w. (edge worn on spine). New Haven: Yale University Press, (2002). A fine copy in a very good(+) dust wrapper. Poussin, Nicolas. (illustrateur).

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. Great condition, 20x28cm 316pp hardcover with very clean dust jacket, binding in near fine condition. Illustrated throughout. Internally, pages are clean. A very nice copy.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Oversized hardcover with unclipped dust jacket in very good condition. Jacket is slightly scuffed. Edges are a little creased. A few very light marks to the boards. Binding is sound and pages are clear. LW. Used.

Hardcover. Etat : New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Pp. Etat : Wie neu. 1119 S. : Ill. ; Sprache: englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 1460.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : new.

Etat : New.

Etat : New. 2024. hardcover. . . . . .

Etat : As New. Unread book in perfect condition.

Etat : New. In English.

Hardback. Etat : New. The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as "Lo Spagnoletto," or "the Little Spaniard." Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera's Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera's artwork and artistic methods and their connections to the Spanish imperial project.Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera's work in a broad context. He examines how Ribera's techniques, including rotation, material decay (through etching), and repetition, influenced the artist's drawings and paintings. Many of Ribera's works featured scenes of physical suffering-from Saint Jerome's corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera's art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera's material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire.Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera's art anew. …

Etat : New. 2024. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New.

Hardcover. Etat : Brand New. 248 pages. 10.25x8.25x1.00 inches. In Stock.

Hardcover. Etat : new. Hardcover. The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as Lo Spagnoletto, or the Little Spaniard. Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Riberas Repetitions, art historian Todd P. Olson sheds new light on the complexity of Riberas artwork and artistic methods and their connections to the Spanish imperial project.Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Riberas work in a broad context. He examines how Riberas techniques, including rotation, material decay (through etching), and repetition, influenced the artists drawings and paintings. Many of Riberas works featured scenes of physical sufferingfrom Saint Jeromes corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Riberas art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Riberas material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire.Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Riberas art anew. "Reassesses the complexity and creativity of seventeenth-century Spanish artist Jusepe de Ribera, examining how his extensive experimentation with repetition, rotation, and material decay in printmaking informed his drawings and famous paintings of the distressed, abject bodies of Saint Jerome, Marsyas, Tityus, and Saint Bartholomew"-- Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Etat : New. Special order direct from the distributor.

Etat : New. &Uumlber den AutorTodd P. Olson is Professor of Early Modern Art at the University of California, Berkeley. He is the author of Poussin and France: Painting, Humanism and the Politics of Style and Caravaggio s.

Hardcover. Etat : Brand New. 248 pages. 10.25x8.25x1.00 inches. In Stock.

Hardback. Etat : New. The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as "Lo Spagnoletto," or "the Little Spaniard." Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera's Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera's artwork and artistic methods and their connections to the Spanish imperial project.Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera's work in a broad context. He examines how Ribera's techniques, including rotation, material decay (through etching), and repetition, influenced the artist's drawings and paintings. Many of Ribera's works featured scenes of physical suffering-from Saint Jerome's corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera's art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera's material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire.Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera's art anew. …

Hardcover. Etat : new. Hardcover. The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as Lo Spagnoletto, or the Little Spaniard. Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Riberas Repetitions, art historian Todd P. Olson sheds new light on the complexity of Riberas artwork and artistic methods and their connections to the Spanish imperial project.Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Riberas work in a broad context. He examines how Riberas techniques, including rotation, material decay (through etching), and repetition, influenced the artists drawings and paintings. Many of Riberas works featured scenes of physical sufferingfrom Saint Jeromes corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Riberas art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Riberas material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire.Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Riberas art anew. "Reassesses the complexity and creativity of seventeenth-century Spanish artist Jusepe de Ribera, examining how his extensive experimentation with repetition, rotation, and material decay in printmaking informed his drawings and famous paintings of the distressed, abject bodies of Saint Jerome, Marsyas, Tityus, and Saint Bartholomew"-- Provided by publisher. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Etat : Neu. Neuware - 'Reassesses the complexity and creativity of seventeenth-century Spanish artist Jusepe de Ribera, examining how his extensive experimentation with repetition, rotation, and material decay in printmaking informed his drawings and famous paintings of the distressed, abject bodies of Saint Jerome, Marsyas, Tityus, and Saint Bartholomew'-- Provided by publisher.…

Hardcover. Etat : New.

Hard. Etat : Very Good. Etat de la jaquette : Good. Dust jacket clean and colourful, very lightly edgeworn, closed tear to head of spine 2.5 cms, black boards with gilt lettering to spine in very good condition, illustrated endpapers, frontispiece - colour illustration from 'The Testament of Eudamidas', 316 pages bright, unmarked, colour and black/white illustrations throughout, binding secure. Size: 4to.…

Etat : New. Brand New.