Osadtschy (44 résultats)

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Hardcover. Etat : new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Buch. Etat : Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.…

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Buch. Etat : Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.…

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Buch. Etat : Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.…

Edité par Buchhandlung Walther Konig -
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Koln, Walther Konig. DAN FLAVIN: Dedications in Lights. 256 pages, including 150 color plates. 4to, cloth. Koln, Walther Konig, 2024. This catalog looks at Flavin's oeuvre in a less familiar setting: the indoor and outdoor spaces of the Kunstmuseum Basel.

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Langue : anglais
Edité par Kunstmuseum Basel and Christoph Merian Verlag, 2020
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Hardcover. Etat : new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Buch. Etat : Neu. Neuware - an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.…

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Etat : New. Klappentextan Flavin began work with fluorescent light tubes from the early 1960s on arranged in so-called situations , he would then further develop them into series and large-scale installations. The colours and dimensions of the mat.

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Buch. Etat : Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.König, Walther, Dieselstraße 2, 50996 Köln 245 pp. Englisch.…

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Buch. Etat : Neu. Dan Flavin. Dedications in Lights (English) | Kunstmuseum Basel | Josef Helfenstein (u. a.) | Buch | 256 S. | Englisch | 2024 | König, Walther | EAN 9783753306094 | Verantwortliche Person für die EU: Buchhandlung Walther König GmbH & co. KG, Eva Möller, Ehrenstr. 4, 50672 Köln, verlag[at]buchhandlung-walther-koenig[dot]de | Anbieter: preigu. …

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Buch. Etat : Neu. Neuware -This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel. Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. 245 pp. Englisch.…

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