Pablo neruda text (14 résultats)

very large red hardcover ~ 2º (folio ~ 10"x13"). large "coffee table" book, international or priority shipping will cost extra. dustwrapper in protective plastic book jacket cover. fine cond. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in fine cond. 1cm tear top of spine, not price clipped. nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing so stated. glossy full color photo frontis. 189p. b&w map of andean region. illustrated throughout with over 100 full color glossy plates, many full page. almost every page illustrated. b&w site plans. chronological chart. glossary. recommended reading. recommended viewing. note on sources quoted. index. ancient history. archaeology. art history. history of architecture. religion. mythology. ~ The incredible splendors of the Andean civilization are vividly presented in this sumptuously illustrated volume, replete with over 100 full~color photographs taken especially for the book. The Andean remains not only one of the more enigmatic of the so~called lost civilizations, it is also one of the most remote. Its origins date back to 9000 B.C., and, throughout long and stormy centuries, great classical cultures flourished before finally being absorbed, physically and culturally, by the Inca Empire. In tracing the close relationships of the monuments to the societies that produced them, and the environment in which they emerged, we confront the theme of the book: that the Andean people were intent on controlling their environment, one way or another. The so~called monuments include great temples and pyramids, terraces and aqueducts, cities and sanctuaries, as well as smaller works: vases, textiles, sculptures, and literary works. The anthologies, running throughout the volume, tell what many of the early sixteenth and seventeenth century chroniclers observed ~ in songs, poems, prayers, and even in the famous drama Ollantay. Other special features include the chronological chart of pre~Hispanic history, a glossary of important words, descriptions of the Andean Indians as seen through Europeans' eyes, and a unique feature of this series~a list of museums in North America that have collections of art and artifacts from the Andean cultures. The recommended reading section and a map of key Andean sites help round out this volume.…

Spiral Binding. Etat : Fine. A neat and clean copy in ivory paper covers. Lovely flowing design by Barbara Carlson on front.

Etat : Gut. Jahr: 1982. Einband: Heft. Beschreibung: In memoriam Paul Dessau. Mit biographischer Notiz zum Komponisten. Umschlag hinten mit Überklebung und fleckig, vorn mit Namenseintrag. Die letzte Seite mit kl. Wasserrand, sonst innen gut und sauber erhalten. Sprache: de. 50 S.

80 s. Förlagsband med genomskinligt skyddsomslag. Förlagsny. Översatta från spanska av Hanna Nordenhök.

Second Edition. Front wrapper bears silhouette cut-out by Jim Dine; photographs of Neruda and the veiw from his desk by Hans Ehrmann 12mo. A very nice copy, despite slight impression on upper wrapper and tear to glassine wrap at head of spine Wrappers, in original glassine wraps.

Aus d. Spanischen v. Erich Arendt u. Stephan Hermlin; 215 S. mit 18 ganz- oder doppelseit. z.T. farb. Orig.Holzschnitten, Reclam, Leipzig 1973, 4°, Orig.Halbleinen mit Orig.Transparentumschlag, minime Gebr.Spuren ** Erstausgabe mit diesen Bildern >> Versand ab Deutschland möglich << 1220 Gramm.

Hardcover. Etat : Gut. Buch in sehr gut erhaltenem Zustand. Der Buchdeckel ist rundherum sauber. Der Einband/Buchdeckel ist unbeschadet, jedoch fehlt der Umschlag ---. nein.

Hardcover. Etat : Near Fine. Near Fine. Reprint; 3rd. printing. 3rd. Printing. Near fine in tan boards in near fine dust jacket. (Faint sticker ghost on front paste-down. Mild bump to upper corner tips. ) (Un-paginated) Small hardcover issue. ; 8vo 8" - 9" tall.

Softcover. Etat : Very Good. First Edition; First Printing. First American edition. A paperback original. Fine in pictorial printed wrappers. (64pp. ) Bilingual text. 2000 copies printed. ; 5" x 7"; 64 pages.

Hardcover. Etat : Near Fine. Near Fine. First Edition; First Printing. First British edition. Fine in fine dust jacket. (Previous owner's name inked at head of front end-paper. ) (47pp. ) ( 6" X 8 3/4") Preface by Robert Pring-Mill. Bilingual facing texts. ; 6" x 8 3/4"; 47 pages.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition; First Printing. First edition. Fine in fine dust jacket. Superb copy of this Neruda highspot. ; 6 1/2" X 8 3/4"; 71 pages.

Hardcover. Etat : Fine. Near Fine. First Edition; First Printing. First edition. Fine in fine dust jacket. Presented in facing bilingual text. Splendid copy. ; 5 1/2" X 8 1/4"; 151 pages.

Softcover. Etat : Very Good+. No Dust Jacket. First Edition; First Printing. Limited edition. Copy #194 of 200 SIGNED ny pablo Neruda in his preferred green ink, and by 3 ofthe features artists: Mario Carreno, Hector Herrera & mario Toral. Very good+ in oversize paper wrappers. (105pp. ) (15 1/4" X 13 1/2") Features 17 full-color tipped-in paintings that accompany Neruda's poems. (Near fine, but for some tears along the top and bottom seam at spine. A few short edge tears. ) Scarce in the limited issue. ; 15 1/4" X 13 1/2"; 105 pages.…

OHLwd. m. geprägtem Rückentitel u. bedrucktem Transparent-OU. 4°, Titelblatt in Holzschnitt, 215 S., 18 tlw. mehrfarbige Original-Holzschnitte (davon 6 doppelblattgross), 1 Bl., 2 Bl. Inhaltsverzeichnis. OU mit Verlust am Kopf, sonst tadellos in (etw. lädiertem) Schuber. EA dieser Ausgabe. Auf Schmutztitel verso von HAP Grieshaber in Bleistift signiert und datiert («13. V. 1973, Leipzig»), von Stephan Hermlin in blauem Kugelschreiber und von Erich Arendt in schwarzem Kugelschreiber signiert. Beiliegend 1. die Einladung zur «Pablo Neruda-Ehrung» mit der Buchpräsentation vom 13. Mai 1973 im Museum der bildenden Künste, Leipzig, diese ebenfalls von HAP Grieshaber in blauem Kugelschreiber signiert, und 2. drei Originalabzüge von wohl an diesem Anlass aufgenommenen Fotografien (7,5 x 10,5 cm); zwei zeigen HAP Grieshaber, eine auch Siegfried Lenz. Die «Gesamtgestaltung» und der Holzschnitt für das Titelblatt von Albert Kapr. Übersetzt von Erich Arendt und Stephan Hermlin. Mit einem Nachwort von Carlos Rincón.…