Parry robert williams (13 résultats)

Soft cover. Etat : Good. No Jacket.

dvd. Etat : Used - Good.

Paperback. Etat : Good. No Jacket. 1st Edition. No Dust Jacket Illustrated (Caernarfon Castle) stapled card covers, edges are rubbed, decorative front endpaper Acknowledgements on back endpaper, numerous black and white photographs showing various businesses, groups of workmen, staff of the various businesses, family portraits bilingual text, clean tight copy in good condition, 53pp. Produced by Gwynedd Archives Service dated 1975. Book#102939.…

Hardcover. Etat : Good. Fair. A readable copy of the book which has highlighting and notes. In fair condition, suitable as a study copy.

Soft cover. Etat : Very Good. FREE U.K. Shipping. FAMILY Business. FIRST Class Service. Full refund if not totally satisfied. Undated Paperback edition. Text is in English and Welsh. Two part female voices.

Hardcover. Etat : Fair. 2nd Edition. Fair. A readable copy of the book which may include some defects such as highlighting and notes. In fair condition, suitable as a study copy.

Paperback. Etat : Very Good. 55pp, illustrated, bound in black card covers; Oblong Large Octavo.

Soft cover. Etat : Very Good.

Soft cover. Etat : Very Good+. NO CHIPPING & NO SPLITTING to CLEAN covers. Light - medium wear only to extremities. Internally CLEAN with NO INSCRIPTIONS. NO LOOSE & NO MISSING leaves. A Clean copy.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Hbk, 114 p. ; 19 cm. Ysgrifen cyn-berchennog oddi mewn i'r clawr blaen ond ar wahan i hynny cyflwr yn dda iawn. Argraffiad cyntaf / Previous owner's inscription on verso o front cover o/w very good condition. 1sr ed. r620 / m14817.

Hard Cover. Etat : Near Fine. Limited. Hardback, bound by Sangorski and Sutcliffe in quarter olive goatskin. 29 x 19cm. 112pp, [1]. Six wood-engravings by Peter Reddick, each titled in pencil. Number 1 of 200 copies. Printing by Ieuan Rees. Text in Welsh. This was Lord Kenyon's copy with his signature to front free endpaper. This copy includes an additional loose plate 'The Fox'. Just a touch of fading to spine. A lovely copy.…

Limited edition of 200, this being number 72. Bound by Sangorski and Sutcliffe in quarter olive goatskin, green cloth boards. Text in olive, red and black. Illustrated with woodcuts. 4to. Contains signed presentation letter from Eric Gee, the controller of Gwasg Gregynog, to a Librarian. There are three neat cancellation stamps to front blank endpapers o/w no other sign of library or any other use. Fine.…

One of 15 numbered and specially bound copies, with a further two unnumbered copies in the special binding, from a total edition of 230 copies. 6 full-page wood engravings by Peter Reddick, printed calligraphic title page, poem titles and pressmark after Ieuan Rees in brown and green. 4to., 19 x 29.5cm, 136pp. Binding designed by Joan Rix Tebbutt and bound by Sydney Cockerell in full green goatskin with a flower pattern blocked in black and tooled with thirty gilt circles on upper cover, green leather spine label lettered in gilt, green and white silk end bands, hand-made paper doublures and endpapers, turn-ins ruled in black with gilt dot at each outer corner, signed at foot of lower doublure with the monogram of Elizabeth and Sydney Cockerell and Joan Tebbutt, dated 1980, with original cloth drop-back box. Newtown, Gwasg Gregynog. Spine of box slightly faded and some light soiling, binding fine as is the book, aside from some light spots of finger soiling to verso of title page.  The second of the special bindings issued by the reformed Gwasg Gregynog. Sydney Cockerell had served a brief period at the Gregynog Press bindery in 1925, immediately preceding the arrival of Douglas Cockerell's former student, George Fisher; Sydney went on to become a partner in his father's business, renamed to 'Douglas Cockerel & Son', and continued the firm's reputation as one of the foremost binderies of its time. It was Sydney Cockerell's own student, James Brockman, who took charge of the Gwasg Gregynog bindery from 1982. Joan Rix Tebbutt, a graduate of Lettering and Book Design at the Glasgow School of Art, was one of the most distinctive mid-century designers and calligraphers 'and her skills melded admirably with those of Sandy [Sydney] Cockerell in the long series of bindings on which they collaborated' (Anthony Dowd, The Special Bindings of Gwasg Gregynog).…