Paschal huston (55 résultats)

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : good. Good condition. A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine and cover may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation. If you're not satisfied with purchase please return with no hassle.…

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Very Good. Etat de la jaquette : Includes dust jacket.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Oversized Hardcover. Etat : Good.

Etat : Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : Very Good. Etat de la jaquette : No Jacket as Issued. First Edition. A VERY GOOD, clean, tight copy. PROLIFICALLY ILLUSTRATED in black-and-white and full color photography with accompanying descriptive captions. Book published in conjunction with the exhibition of the same name exhibited at the North Carolina Museum of Art, Nov. 2, 2003 - Mar. 7, 2004. From the Director's Foreword: "Defying Gravity," brilliantly conceived and executed by curators Huston Paschal and Linda Johnson Dougherty, brings together artists from around the world who, in our own time, find inspiration in a force unleashed in North Carolina 100 years ago. Whether makng the fantastic object that flies or tries to, the photograph that captures the sensation of flight, or the installation that communicates the complexity of human issues altered by flight, "Defying Gravity" is grand opera for artistic possibilities. May its many expressions bring reflection, curiosity, inspiration, and a laugh or two." 220 pages. *NOTE: Due to size/weight of book significant additional shipping cost will be required for out-of-U.S. shipment. GH4.…

paperback. Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Etat : Used Very Good. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Trade Paperback. Etat : Used - very good.

Etat : Good. 24 pp., Paperback, library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Soft cover. Etat : New. 1st Edition. Condition: New, unread, in original shrink wrap with no visible wear.

Etat : Very Good. 24 pp., Paperback, ownership markings to front cover and title page else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Soft cover. Etat : Very Good. Soft cover book (150 pages) illustrated with color reproductions. Light rubbing on covers with small scuff mark on back. Bookseller since 1995 (LL-1-Bottom-R) rareviewbooks.

Soft cover. Etat : Very Good. No Jacket. Good condition. No owner's names or library marks. Clean wraps. Square and tight. No creases on the spine.

Etat : New. Slim, stapled softcover in new, unread condition, with no marks or flaws. No sign of handling or wear.

Trade Paperback. Etat : Near Fine. Etat de la jaquette : wraps. First Edition. This is a near fine, unmarked, large paperback copy, gray wraps. MEDIA SHIPPING ONLY.

Hardcover. Etat : Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Near mint condition! A crisp, tight, and bright copy. Photographs selected by Huston Paschal, with an accompanying poem by the North Carolina poet Jeffrey Beam. (84 pages.) Ships from NC. All hardcover books are sealed in recycled plastic, packaged securely, and shipped promptly with tracking information. (J-2.…

Paperback. Etat : Very Good. --ALL INVENTORY 40% OFF in Sept--Unmarked. French flaps. 500 illustrations, 412 in color. 296p. Tom Phillips, an English artist, is a painter and collagist, who also works in other media. Portraits in book include Iris Murdoch, Edward Lucie-Smith, Sir Peter Hall and others. Includes the introduction to his exhibition at the National Portrait Gallery published in the 1989 and written by Bill Hurrell.…

Etat : New. Shrink wrapped! NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Trade Paperback. Etat : Near Fine. No Dust Jacket. First Edition. Signed. A Near Fine copy of this large-format paperback. Photo-illustrated in color throughout. Signed by contributor Margaret Maron at her entry. Signed by Author(s). Book.

Cloth. Etat : Fine. Etat de la jaquette : Fine. 1st edition. 1st edition. A Fine copy in Fine dust jacket. Square 4to., 71 pp., illustrated with b&w photographs. Grey cloth in white dust jacket. The dj is now protected in a mylar sleeve.

Hardcover. Etat : NEW. Etat de la jaquette : NEW. 1st. Cloth, xix, 220 pages, illustrations (some colour); 29 cm. Exhibition held November 2, 2003 to March 7, 2004. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "The North Carolina Museum of Art and Blue Cross and Blue Shield of North Carolina launched the nation's most ambitious contemporary art exhibition celebrating the centennial of powered flight. Defying Gravity: Contemporary Art and Flight presents approximately 91 major works and several special commissions derived from the interaction between aviation and the imagination and exploring the human desire to fly.Works included in Defying Gravity were created during the last quarter of the 20th century and the first years of the 21st, and span a diverse range of styles, approaches and media, including painting, sculpture, installations, photography, video and film. Artists featured in the show range from American masters Jonathan Borofsky, Roger Brown, James Rosenquist, Frank Stella and Wayne Thiebaud to international art figures such as Alighiero Boetti, Andreas Gursky, Malcolm Morley and Panamarenko, and to young masters and emerging artists including Lawrence Gipe, Margot Gran, Vera Lutter and Robert and Shana ParkeHarrison. Also featured are several artists with North Carolina connections, such as Brent Cole, Kara Hammond, Marvin Jensen and Michael A. Salter. While straightforward imagery of the airplane is represented in the show, the exhibition also investigates aviation's wide-ranging symbolic implications. For instance, a plane can be a source of anxiety and fear, as revealed in such works as Exploding Plane by Heide Fasnacht and a modern-day Saint Sebastian - an airman whose body is pierced by airplanes rather than arrows - by the late Michael Richards, an artist killed in the attacks on the World Trade Center. It can also triumphantly be a symbol for creativity and transcendence, as in Rosemary Laing's color photographs of an effervescent human figure, reveling in being airborne as seen in the picture above. Man's personal desire to fly is also explored with a video of a self-propelled flight over Greenland by Simone Aaberg K rn and works by Jamaica-born Albert Chong and North Carolina resident Hoss Haley, who were each inspired by the myth of Icarus and Daedalus. Flight's effect on artistic perspective can be detected in aerial views such as Ed Ruscha's maplike painting of Los Angeles streets and in the video component of Brent Cole's installation, which simulates flight by taking viewers on a virtual journey through the Museum, out the door and around the grounds. And equally engaging perspectives can be found at airports themselves: striking, large color photographs taken from inside airport terminals by the Swiss team of Peter Fischli and David Weiss will be joined by Julian Schnabel's photographs, taken from the tarmac, of passengers seen through plane porthole windows and by Leo Rubinfien's views of passengers taken aloft. Additionally, several artists use actual airplane parts and materials to create art, including Donald Lipski, who draws materials from the salvage yard of Grumman Aero-space Corporation, and Mark Newson, who uses the aluminum and rivets more commonly associated with a fuselage to construct futuristic furniture. And Chilean Eugenio Dittborn uses the airplane in a much different manner - folding each of his paintings to fit into an envelope and sending them around the world via airmail, a practice he began in the mid-1980s to circumvent the censorship of the Augusto Pinochet regime and the resulting cultural boycott. Two paintings, each with its envelope detailing the work's itinerary, will be on view. The Museum has commissioned several pieces specifically for the exhibition." - Publisher. Size: 4to. Collectible.…

Self-Wraps. Etat : Very Good. Tall 4to, 296 pp., color plates throughout. Wrappers handled and edgeworn, page edges tanned and lightly dustsoiled.

Paperback. Etat : Very Good. 1st edition. 1st edition, 1984. A Very Good copy. 4to., 72 pp., bound in publishers stiff wraps. Some uneven fading to covers, text unmarked.