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Peellaert guy pascal thomas and eric losfeld ed (1 résultats)

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    Edité par Rotocaldo Europa, Milano, 1968

    • Couverture rigide

    Vendeur : Libertine Books, Shelton, WA, Etats-UnisLibertine Books

    Vendeur avec une évaluation de 5 étoiles
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    Etat: Occasion - Bon

    EUR 87,78

    EUR 8,52 expédition 
    Expédition nationale : Etats-Unis

    Quantité disponible : 1 disponible

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    Hardcover. Etat : Near Fine. Near fine copy with small bumps to corners and faint rubbing/shelfwear to front and back cover boards. Scattered fixing to top of text block. Binding and spine are straight. All interior pages are unmarked. No dust jacket as issued. 74p. Written by Guy Peellaert and Pascal Thomas Edited by Eric Losfeld About the book: "Pravda la Survireuse" emerges as an experimental comic strip created in Paris by the Belgian artist Guy Peellaert. Serialized from January to December 1967 in the monthly magazine Hara-Kiri, it was later published as an album by Éric Losfeld in 1968. Serving as a continuation of Peellaert's earlier work, "Les Aventures de Jodelle," both pieces form the fundamental pillars of the artist's pop art era. At the heart of this avant-garde creation is Pravda, an allegorical figure embodying the quest for truth, emancipation, and transcendence that defined the Western youth of the 1960s. Peellaert appropriates the angular visage and slender physique of singer Françoise Hardy, guiding his liberated heroine through a dreamlike, dystopian city influenced by the signs of consumerism and spectacle. Pravda, liberated and solitary, explores this dystopian world atop a roaring motorcycle, transforming into a black panther as her adventures unfold. In perpetual discord with her environment, she provokes fascination, desire, and chaos wherever she goes. "Pravda la Survireuse" is more than a comic; it is a radical exploration intricately tied to the critical gaze of pop art. Peellaert confronts the grand myths and utopias of his time, expressing his own ambiguity toward consumer society, oscillating between fascination and contestation. Pravda, as Peellaert admits, serves as his alter-ego, strongly influenced by the psychotropic substances he experimented with during that period. With immediate success in pre-May 1968 France and across Europe, "Pravda la Survireuse" became a symbol of the sexual revolution in comics. However, its impact transcended these origins, transforming Pravda into an iconic figure of pop art and counterculture. The character inspired creators in diverse fields, including cinema, fashion, music, and performing arts.…