Perfetti antonio (16 résultats)

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

paperback. Etat : Mediocre (Poor). ST1180NBrossura editoriale,prefaz. di F. Perfetti, volume in discrete condizioni a causa di sottolineature all'interno, copertina in buone condizioni125  pagine circacopertina come da foto. Book.

Sin Encuadernar. Etat : Muy Bien. 15 cm x 21 cm.

First edition. Tall stab-stapled softcover 4to in black wrappers. With varying page sizes, some of which are mimeographed, and a few offset printed. Featuring several tipped in items, including two small silk screened posters, and a large piece of photostat film with an abstract pattern. 58 pp. Text Italian, English, and German. Issue no. 1 of this Italian avant-garde artists' magazine edited by Eugenio Miccini. Tèchne was established as a response to commercial publishing with its assembled nature and featured both artistic and political contributions by a global network of artists in the late '60s and early '70s. This issue with contributions by experimental and concrete poets, writers, and artists from around the world, including Bianca Garinei, John Cage, Luigi Ferro, Piere Luigi Tazzi, Egidio Mucci, Mario and Maria Luisa Santella, the Spanish avant-garde collective 'poesia n.o.' which at the time included Julio Campal, Juan Carlos Aberasturi, José Antonio Cáceres, Enrique Uribe, Jokín Díez, Fernando Millán, Francisco J. Zabala, and Jesús García Sánchez, Franco Vaccari, Michele Perfetti, Nicola Andreace, Gruppo Stanza, Umberto Eco, and Eugenio Miccini among others. Very good overall given its assembled nature, with wear along extremities, rubbing to covers, bumps to corners, a small closed tear at left margin of back cover, and two faint stains at front cover which have penetrated the first two pages. With partial darkening to back cover and age toning throughout on account of the paper quality, save for signatures printed on better paper.…

Print. An etching by Antonio Perfetti and S. P. Lorenzi after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 12 x 15 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good+.; Folio.

Print. An etching by Antonio Perfetti and Gustavo Sanguinetti after a drawing by Lorenzo Metalli from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 12 x 16 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good+.; Folio.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1868 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 20 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian. …

Print. An etching by Antonio Perfetti and Vincenzo Della Bruna after a drawing by Lorenzo Ceresa from La Reale Galleria di Torino illustrata da Roberto D'Azeglio. Image area measures roughly 15 x 21 cm. Plate measures 32 x 52 cm. Mild scattered foxing to edges. Very good+.; Folio.

Etat : very good. texts by sarenco & de vree. Brescia : Edizioni Amodulo, 1971. Orig. printed wrappers. ca. 200 leaves. 19x19 cm. Italian text. Collection of 14 artist books, previously published between 1969-1971. Edition of 500 copies. Some light wear on edges. Very good copy. - Contains : [I.] : l'astratto : l'abstrait : het abstracte : the abstract. 1. antonio calderara . e in principio erano le figure geometriche (1969); 2. antonio calderara. verde + verde + verde (1970); 3. ad dekkers. + book (1970); 4. herman de vries. vlakvolumen (1970); [II]. il poetico : le poétique : het poëtische : the poetic : a - concept. 5. jiri valoch. optical book (1970); 6. franci zagoricnik. opus zero (1971); [III]. [il poetico : le poétique : het poëtische : the poetic] : b - text. 7. ugo carrega. teoria del segno grafico come cosa (1970); 8. michele perfetti. virus (1971); 9. jochen gerz. resurrection (1970); 10. sarenco. prossimamente (1969, 2nd edition); [IV]. [il poetico : le poétique : het poëtische : the poetic] : c - image. 11. paul de vree 12. giusi coppini & eugenio miccini. il popolo e forte (1971); 13. nahl nucha. chairman mao (1971); 14. luciano ori. situazione corrente (1971). Condition : very good copy. Keywords : ART, concrete art concrete poetry. …

Etat : Very Good +. Edgardo Antonio-Vigo (ed.), Diagonal Cero No. 28, Senalamiento III, Diagonal Cero, La Plata, Argentina, undated circa 1968, 195 x 230 mm. Contributors include: Herman Damen, Annalisa Alloatti, Max Bense, Vigo, Michele Perfetti, Francisco Garzón Cespedes. Issued with brown card parcel tag, attached to cover with yellow string. Condition: some light ageing to the portfoilo cover, some wear and minor creasing to the corners. Insides: very minor ageing - a clean copy. Overall: Fine.…

1 S. 4to. Mit eh. Adresse (Faltbrief). In italienischer Sprache an den Berliner Kupferstichhändler Kaspar Weiß-Conz, dem er eine Sendung von Kupferstichreproduktionen nach Rafael, Domenico u. a. ankündigt; erwähnt auch seinen Lehrer Raffaello Morghen. Etwas gebräunt und mit kleinen Randläsuren; mit einem kleinen Ausriß durch Siegelbruch (keine Textberührung).…

Leather Bound. Etat : New. Language: ita. Language: ita,fre. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1769. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - ita,fre, Pages: - 178, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 178 178.…

Etat : Neuf. Antwerpen, Internationaal Cultureel Centrum, 1980-1981, 297 x 210mm, 8p. (2 feuilles pliées) ppour chaque numéro. Libellus est une revue mensuelle d'art postal, éditée par Guy Schraenen, à laquelle contribuent la quasi-totalité des artistes postaux européens. Douze numéros entièrement illustrés ont été publiés, chacun présentant une compilation d'images, de courts textes et de timbres d'artistes. La revue a précédé le « Festival international d'art postal d'Anvers », qui s'est tenu en octobre 1981 à Anvers et qui constitua la première et la dernière grande rétrospective consacrée à l'art postal des années 1970, période marquée par la réalisation de nombreux projets collectifs. Anvers, ASPC ; ICC, 1980-1981. Format : 29,7 × 21 cm par numéro. (105865).…