Peter halley (325 résultats)

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

[24] pp.; 26.5 x 18.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 10 - April 22, 1990. Essays by I. Michael Danoff and Peter Halley. Includes exhibition history and an exhibition checklist. Good / Very Good. Light rubbing of covers and cover edges and 6.7 x 1.9 cm. label and tape on recto. Contents clean and unmarked.…

[24] pp.; 26.5 x 18.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 10 - April 22, 1990. Essays by I. Michael Danoff and Peter Halley. Includes exhibition history and an exhibition checklist. Very Good / Fine. Light rubbing of covers and cover edges, otherwise Fine. Contents clean and unmarked.…

Softcover, staple-bound exhibition catalog 24 pages, very good condition; clean and crisp; no internal marks.

Etat : Very Good. 64 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

paperback. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Etat : Used: Like New.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : Very Good. 1st Edition. This is a 1996 paperback catalogue of portrait photography. Copy no. 677 of 1,000 only. Printed and bound in Munich, Germany. 11.5 x 8.25 inches. Fully-illustrated wrappers, with wrappers lightly soiled. Unbumped spine head and tail, and with sharp corners. Apparently inscribed on the title page in pencil by the photographer, "With great admiration. TGS", but uncertain. Introductory essay by Peter Halley. With 25 full page portrait photographs, including 8 in color, not counting a color photo front and back on the wrappers. All on heavy-duty card stock. Also includes a list of the photographer's exhibitions, collections, books and publications, and a selected bibliography. A Very Good copy. 11 oz. This is a catalogue for an exhibition held January 19 to February 25, 1996, at Kunst-Station Sankt Peter Köln [Saint Peter's Art Station, Cologne]. Timothy Greenfield-Sanders [b. 1952] is an American documentary filmmaker and portrait photographer based in New York City. The majority of his work is shot in large format. "St. Peter's [in Cologne, Germany] is the art station, a unique place in the world for dialogue between faith and liturgy with contemporary art and new music. The late Gothic church space, which has repeatedly found new forms over the centuries, is now largely free of images and pews - an empty space of spirituality. Contemporary artists are constantly redesigning this emptiness with their creative power. Their works, which they entrust to the congregation for a certain period of time, confront people with existential questions and inspire the lives of believers in worship.". Greenfield-Sanders, Timothy (illustrateur). Inscribed by Illustrator(s). …

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Near Fine. 1st. 1 volume (unpaged), illustrations; 27 cm. Exhibition held February 10 to April 22, 1990. Near fine. Firm binding, clean inside copy. Wraps lightly rubbed. *** Includes: A Recent Direction in Social and Political Art, by I. Michael Danoff; and, Ronald Jones, Marcel Duchamp, and the New South, by Peter Halley. Size: 4to.…

Oversized Hardcover. Etat : Good.

Softcover, 96 pages, very good condition; except small stains to top outer page edge; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 296 pages; very good condition; crimp at bottom of spine and lower right corner of front cover; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : Fine. Softcover, 34 pgs. 9" x 6.25". Brief essays, color illus. Fine.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Softcover. Etat : As New.

Etat : New.

Paperback. Etat : new. Paperback. Ive always had a sense of humor about my work. It amuses me to think that someone looking at one of these paintings might think, Peter Halley has finally given up and become an abstract painter. Peter HalleyPeter Halley: Cell Grids immerses us in the colorful staging of the eponymous 202122 exhibition curated by Peter Doroshenko at Dallas Contemporary. This publication, Doroshenko observes, aims to elucidate the true essence of Halleys Cell Grid paintings through thoughtful interpretation, unlocking the complex interplay between the visual and the conceptual in his work. According to art critic and historian Barry Schwabsky, the exhibited artworks, realized between 2015 and 2021, mark a new phasewhich time will reveal as either a momentous shift or ultimately a continuationin the career of Halley, a protagonist of contemporary abstract and geometric painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good. 34 pp. Oblong large format paperback. Slight nick to spine and wear to corners. Full-colour illustrations throughout. 0955493129 Oblong 4to. Exhibition Catalogue.

Etat : New. pp. 256.

95 pp.; 16.8 x 10.9 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the work of Peter Halley with texts by Arturo Schwarz. Foreword by Demetrio Paparoni. Includes full color illustrations, a list of primary and secondary sources and an index of works. Very Good. Light edge wear and rubbing of covers. Discrete small rubber stamp logo on page 94, otherwise contents clean and unmarked.…