Peter perry director (7 résultats)

Two vintage studio still photographs from the 1962 film. Both photographs with provenance stamps on the versos, one also with three labels on the verso obscuring a previous provenance stamp. Al Hopson stars as Mr. Peters, who acquires "animal ambrosia" from a maharaja, allowing him to transform into any animal and spy on naked women. 8 x 10 inches. Very Good plus.…

Two vintage studio still photographs from the 1965 film. A henpecked maintenance man continually finds himself in compromising situations with beautiful women who are partially clad or naked. 8 x 10 inches. One photograph with a faint crease in the bottom margin, else Near Fine.

Three vintage studio still photographs from the 1969 film, with one of the photographs a compilation photograph of two studio still photographs. Photographs with provenance stamps on the versos. Very loosely based on the Shakespeare play. A group of thesbians begin a production of Romeo and Juliet, but everyone is in the production is incredibly randy, and the play quickly descends into debauchery. 8 x 10 inches. Near Fine overall. …

Vintage borderless reference photograph from the 1964 film, showing Frank A. Coe as Frankenstein's monster, holding a nude woman. Layout annotations in manuscript pencil on the verso. An alien lands on Earth in order to kidnap the perfect human woman to use to create a race of servants for his home world. He finds the answer in the laboratory of mad scientist Dr. Breedlove. Originally titled "Dr. Breedlove, or How I Learned to Stop Worrying and Love," then retitled "Kiss Me Quick" in order to exploit Billy Wilder's "Kiss Me Stupid." 8 x 10 inches. Very Good plus.…

Three vintage borderless reference photographs from the 1961 B-film. All three with the stamp of International Films on the verso, along with manuscript ink and pencil annotations noting the film's title. The only material we have ever handled from a film released by Sonney Amusement Enterprises or directed by the notorious low-budget director Peter Perry, Jr. Honeymooners on a supposedly abandoned beach on remote Thunder Island soon discover the island is not as abandoned as it appears. A notable horror cheapie that indulges early "nudie"-style sexploitation as well as "auteur" trappings (such as a title card reading "Finis" even though the film is an American production). Set in Las Vegas and on Thunder Island. 9.25 x 7 inches. Very Good overall.…

4to. [Approx. 250 pp (sections separately paginated, and unnumbered, some numbered in ink, several with duplicate numbering), consisting of typescript, musical score, and illustrations, many of the pages with extensive ink and/or pencil annotations, some updates, photocopies with additional revisions, many pages with updates taped onto the musical score, approx. 200 pp. preserved in archival mylar sleeves, remainder 3-hole punched at gutter margin and inserted. Contemporary black vinyl 3-ring binder (minor scuffing, edgewear), still VG exemplar. A wonderful original ballet director's art direction notebook for the Peter Pan ballet staged in 1984, intended to offer young up-and-coming ballet students at the time to experience live performances, and to unify Eastside/Westside Royal Academy of Dancing trained students. It would be 5 years before the Oregon Ballet and Pacific Ballet Theater would consolidate under the direction of James Canfield to form the Oregon Ballet Theatre. This ballet featured four acts, divided into The Nursery, Neverland, Ship of the Pirates, and Conclusion, featuring solos by Wendy, Tinker Bell, Peter, and Captain Hook over the length of the production. Dancers 4-5 years old were featured as the Neverland Fairies, 5-7 years old with 2 years of training, and pre-primary Royal Academy examinations behind them played Forest Fairies; Lost Children were 6-9 years old, and had performed Barre and footwork; followed by the Pirates and soloists, including Wendy (Heather Miller), Peter Pan (Laura Spradlin), Captain Hook (Elizabeth Johnson), and the mermaids drawn from the Lake Oswego School of Ballet under the directorship of Christine Donald. The original score by Anita Perry (b. 1960), an up-and-coming Canadian composer out of British Columbia where she had studied piano with Lee Kum Sing and composition with Cortland Hultberg. In her early 20's M. Perry had already won several composition awards, was known for her original ballet works, and wrote this score with orchestration for a variety of instruments, "lending to the performance. . . a more closely approximated real environment experienced by professional dancers." Peter Pan as a ballet required a fair amount of athleticism, and as indicated here in Higgins's artistic director's notebook required extensive choreography changes, scene adjustments, and revisions by M. Perry. Higgins studied and danced at the British Royal Ballet, later with Elvie DeMarko (1924-1989) of Ballet Russe, and then with Robert Barnett of the Atlanta Ballet. No similar notebooks, or programs survive for this 1984 ballet, and there are no recordings, or printed musical scores this cataloguer could uncover.…

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Technology Tips for Ensemble Teachers offers groundbreaking, innovative methods for the use of technology in music ensemble instruction.&Uumlber den AutorPeter Perry has traveled the world teaching and performing mu.…