peter troxler (34 résultats)

Etat : Sehr gut. Niklaus Troxler (illustrateur). 0 169 S. mit dem Text des Schauspiels und einigen s/w-Abbildungen, wenig benutzt, BB-5.

Etat : As New. Unread book in perfect condition.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Etat : New. As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyths that render invisible diverse local practices. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. The peer-reviewed articles present cultural-historical perspectives, technology and design histories and historiographies, and alternative histories related to postcolonial resistance. The contributions illustrate the relevance of craft to making as a reparative practice after the Salvadoran Civil War and as a leisure activity to spark »innovation« in mid-century corporate culture; the political-economic background to the diffusion and differentiation of community workshops in contemporary Spain and post-war Germany; and the various aesthetics and politics of technology culture manifestos over the years.The issue features an interview with Peter Harper of the Alternative Technology movement by Simon Sadler, as well as an interview with Felix Holm and Suné Stassen on the antecedents of making and design in South Africa. The special issue is rounded off with six short alternative (hi)stories of DIY making including multiple practices, geographies and temporalities.

Etat : New.

Paperback. Etat : new. Paperback. As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyths that render invisible diverse local practices. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. The peer-reviewed articles present cultural-historical perspectives, technology and design histories and historiographies, and alternative histories related to postcolonial resistance. The contributions illustrate the relevance of craft to making as a reparative practice after the Salvadoran Civil War and as a leisure activity to spark ?innovation? in mid-century corporate culture; the political-economic background to the diffusion and differentiation of community workshops in contemporary Spain and post-war Germany; and the various aesthetics and politics of technology culture manifestos over the years.The issue features an interview with Peter Harper of the Alternative Technology movement by Simon Sadler, as well as an interview with Felix Holm and Sune Stassen on the antecedents of making and design in South Africa. The special issue is rounded off with six short alternative (hi)stories of DIY making including multiple practices, geographies and temporalities. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : Good. 2nd Edition. Original grey cloth, 8vo.; Top right corner slightly bumped; small bump bottom front cover.

Etat : New.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : Very good.

Paperback. Etat : Brand New. 212 pages. 9.50x6.50x0.75 inches. In Stock.

Etat : New. As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyth.

Etat : Neu. 26 cm. [144] S. zahlr. Ill. Gebundene Ausgabe. xxx RARE BOOK xxx LETZTE EXEMPLARE AUF DEM MARKT xxx NEW BOOK xxx.

Etat : Very good.

Taschenbuch. Etat : Neu. Neuware - As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyths that render invisible diverse local practices. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. The peer-reviewed articles present cultural-historical perspectives, technology and design histories and historiographies, and alternative histories related to postcolonial resistance. The contributions illustrate the relevance of craft to making as a reparative practice after the Salvadoran Civil War and as a leisure activity to spark »innovation« in mid-century corporate culture; the political-economic background to the diffusion and differentiation of community workshops in contemporary Spain and post-war Germany; and the various aesthetics and politics of technology culture manifestos over the years.The issue features an interview with Peter Harper of the Alternative Technology movement by Simon Sadler, as well as an interview with Felix Holm and Suné Stassen on the antecedents of making and design in South Africa. The special issue is rounded off with six short alternative (hi)stories of DIY making including multiple practices, geographies and temporalities.

Paperback. Etat : new. Paperback. As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyths that render invisible diverse local practices. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. The peer-reviewed articles present cultural-historical perspectives, technology and design histories and historiographies, and alternative histories related to postcolonial resistance. The contributions illustrate the relevance of craft to making as a reparative practice after the Salvadoran Civil War and as a leisure activity to spark ?innovation? in mid-century corporate culture; the political-economic background to the diffusion and differentiation of community workshops in contemporary Spain and post-war Germany; and the various aesthetics and politics of technology culture manifestos over the years.The issue features an interview with Peter Harper of the Alternative Technology movement by Simon Sadler, as well as an interview with Felix Holm and Sune Stassen on the antecedents of making and design in South Africa. The special issue is rounded off with six short alternative (hi)stories of DIY making including multiple practices, geographies and temporalities. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : New. New Book, Direct from Publisher.

Taschenbuch. Etat : Neu. Digital Culture & Society (DCS) | Vol. 6, Issue 1/2020 - Alternative Histories in DIY Cultures and Maker Utopias | Cindy Kohtala (u. a.) | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 214 S. | Englisch | 2021 | transcript | EAN 9783837649550 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.

Paperback. Etat : New. As DIY digital maker culture proliferates globally, research on these practices is also maturing. Still, particular terminologies dominate beyond their Western contexts, and technocultural histories of making are often rendered as over-simplified technomyths that render invisible diverse local practices. This special issue brings together contributions that highlight how historicising plays a role in mythmaking and the creation of social imaginaries. The peer-reviewed articles present cultural-historical perspectives, technology and design histories and historiographies, and alternative histories related to postcolonial resistance. The contributions illustrate the relevance of craft to making as a reparative practice after the Salvadoran Civil War and as a leisure activity to spark »innovation« in mid-century corporate culture; the political-economic background to the diffusion and differentiation of community workshops in contemporary Spain and post-war Germany; and the various aesthetics and politics of technology culture manifestos over the years.The issue features an interview with Peter Harper of the Alternative Technology movement by Simon Sadler, as well as an interview with Felix Holm and Suné Stassen on the antecedents of making and design in South Africa. The special issue is rounded off with six short alternative (hi)stories of DIY making including multiple practices, geographies and temporalities.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Decorative Hardcover. Etat : Like New. Etat de la jaquette : No Jacket/Not Issued. Niklaus Troxler, Willisau, Schweiz (Book Design/Einbandgestaltung) (illustrateur). Band 28 (Volume 28)/© 2002 Oreos Verlag. 250 pp. Band 28 (Vol. 28) issue only! Text in German. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with crisp pages, clean text, and very light shelf wear. No dust jacket.

Etat : As New. Unread book in perfect condition.

Decorative Hardcover. Etat : Like New. Etat de la jaquette : No Jacket/Not Issued. Niklaus Troxler, Willisau {Schweiz} (Design/Einbandgestalltung) (illustrateur). © 2002, OREOS Verlag GmbH, D-83666 Waark. 239 + pp. Text in German. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, spotlessly clean text, and very light shelf wear. No dust jacket. // Text in deutscher Sprache. Ein hervorragendes, makellos sauberes Exemplar! Saubere, frische, gestochen scharfe, straffe, im Wesentlichen und praktisch fehlerfreie Texte mit gestochen scharfen Seiten, makellos sauberem Text und sehr leichten Abnutzungserscheinungen. Kein Schutzumschlag.