Pincus john (82 résultats)

Hardback. Etat : Good. Here's the revised, expanded, and updated new edition of the gold standard in laboratory medicine. Readers will find comprehensive, integrated scientific guidance for diagnosis and clinical management as well as disease prevention and health promotion. The new edition retains its focus on medical and laboratory problem-solving, enabling readers to develop a clear understanding of the order and sequence of lab tests, as well as the interpretation of results and incorporates the most current laboratory and diagnostic methods in use today.…

Hardback. Etat : Good. Here's the revised, expanded, and updated new edition of the gold standard in laboratory medicine. Readers will find comprehensive, integrated scientific guidance for diagnosis and clinical management as well as disease prevention and health promotion. The new edition retains its focus on medical and laboratory problem-solving, enabling readers to develop a clear understanding of the order and sequence of lab tests, as well as the interpretation of results and incorporates the most current laboratory and diagnostic methods in use today.…

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. 20th. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. 20th. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Mass Market Paperback. Etat : Acceptable. First Printing, October, 1969. This copy of "Guide to Filmmaking" is in good condition for a mass-market paperback from 1969. The cover shows minor wear typical of its age, including slight edge creasing. The binding remains intact, ensuring the book is fully readable. There are no inscriptions or library markings, preserving its original state. Overall, it is a well-preserved example of a first printing. No dust jacket (mass-market paperback). Photographs by David N. Hancock, Drawings by John E. Reid (illustrateur).…

Softcover, 32 pages, good condition, moderate wear to covers; no internal marks. (Blank blue spine) Foreign shipping may be extra.

Soft cover. Etat : Good. Softcover; fading and shelf wear to exterior; in good condition with clean text, firm binding.

Hardcover. Etat : Good. Hardcover; surplus library copy with the usual stampings; reference number written on spine; light fading, light shelf wear to exterior; synopsis of b ook taped inside front board; in good condition with clean text, firm bindi ng. No dust jacket.

Hardcover. Etat : Very Good. 20. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Broschiert. Etat : Gut. 176 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 235. …

gebundene Ausgabe. Etat : Gut. 221 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 595. …

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. 167 Pp. First Edition. Chocolate Brown Cloth. Interior As New. Dj As New. Limited To 3000 Copies. Color Plates (illustrateur).

221pp + booklist. Statistical tables & formulas. Ex-library, pockets removed from front endpapers, else VG+/no dj.

78 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. Traveled to Contemporary Arts Center, Cincinnati, Ohio, January 14 - February 21, 1982 and Contemporary Arts Museum, Houston, Texas, March 6 - April 18, 1982. Also traveled as "John Baldessari: Art as Riddle," held at University Art Galleries, Wright State University, Dayton, OH, January 1982 and to additional venues. Essays by Marcia Tucker and Robert Pincus-Witten. Includes an interview with the artist by Nancy Drew. Includes bibliography and exhibition history by Dan Cameron and Lore Lennon and an index. Good. Rubbing to covers. Remnants of a sticker on recto cover. Contents clean and unmarked.…

gebundene Ausgabe. Etat : Gut. 349 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 655. …

Paperback. Etat : Very Good. 1st. 355 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. Firm binding, clean inside copy. Corner crease/back cover. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Profusely illustrated. *** An important publication on Minimalist and Post-Minimalist sculpture, accompanied with scholarly essays by notable critics and art historians. Profusely illustrated. *** CONTENTS: Between geometry and gesture, by Richard Armstrong; Postminimalism: an Argentine glance, by Robert Pincus-Witten; Beyond illusion: American film and video art 1965-75, by John G. Hanhardt; New York letter; Eccentric abstraction, by Lucy R. Lippard; The art of Bruce Nauman, by Fidel A. Danieli; New York: Eva Hesse, Fischbach Gallery, by Emily Wasserman; Anti form, by Robert Morris; 9 in a warehouse: an attack on the status of the object, by Max Kozloff; Robert Morris presents anti-form: the Castelli Warehouse Show, by Gre goire Mu ller; Barry Le Va: distributional sculpture, by Jane Livingston; Cayuga Salt mine site, by Robert Smithson; Richard Serra: slow information, by Robert Pincus-Witten; New York: Alan Saret, Bykert Gallery, by Emily Wasserman; Keith Sonnier: materials and pictorialism, by Robert Pincus-Witten. New York: process, Whitney Museum; Theodoron Awards, Guggenheim, by Emily Wasserman; Notes on sculpture, Part 4: beyond objects, by Robert Morris; An interview with Eva Hesse, by Cindy Nemser; The art of Richard Tuttle, by Robert Pincus-Witten; PheNAUMANology, by Marcia Tucker; New York: Richard Serra, Castelli Warehouse, by Philip Leider; Alan Saret's studio exhibition, by Emily Wasserman; New York: Keith Sonnier, Castelli, by Robert Pincus-Witten; Eva Hesse: the circle, by Lucy R. Lippard; Bruce Nauman, by Willoughby Sharp; Keith Sonnier at the Modern, by Kenneth Baker; The real thing, by Barbara Rose; Robert Smithson's development, by Lawrence Alloway; Wire/pencil/shadow: elements of Richard Tuttle, by Ellen Lubell; Reviews: Richard Tuttle at Betty Parsons, by Lizzie Borden; Richard Serra: sculpture redrawn, by Rosalind E. Krauss. Foam structures, by Klaus Kertess; Joel Shapiro: works in progress, by Jeremy Gilbert-Rolfe; Lynda Benglis: the frozen gesture, by Robert Pincus-Witten; Reviews: Lynda Benglis, the Clocktower, by Jeremy Gilbert-Rolfe; Reviews: Joel Shapiro, Paula Cooper Gallery, by James Collins; Barry Le Va: the invisibility of content, by Robert Pincus-Witten; Reviews: Lynda Benglis, by Thomas Hess. Size: 4to. Collectible. …

Sprache: Deu XV, 400 Seite. OriginalGanzleinen, etwas berieben u. bestoßen. Schnitt leicht angeschmutzt. Ehemaliges Bibliotheksexemplar aus der Auflösung einer internen Ministeriumsbibliothek mit Rückensignatur u. Stempeln. Insgesamt guter Zustand..

300 S. mit zahlreichen Abbildungen. Englische Ausgabe (neuwertiges Exemplar, noch eingeschweisst). Sprache: Englisch Gewicht in Gramm: 3200 Gr.4° (33,5 x 29 cm). Orig.-Leinen mit Orig.-Umschlag.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Review Copy Slip Laid In. First Printing. Book.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. A clean and bright copy. Careful packing and fast, efficient shipping including delivery confirmation. Please note: International and Domestic Priority orders for this item will require additional shipping.

Trade Paperback. Etat : Good. 1st Edition. first edition. text clean and unmarked. binding tight. covers have some light wear along edges and at corners. fore-edge, head and foot of book have light soiling.

paperback. Etat : very good(+). Second. Illustrated in black-and-white. 355 pages. Tall 4to, white pictorial wrappers. New York: Whitney Museum,1990.A good(+) copy.

Etat : Gut. Erstauflage / First edition. Bll. + 356 S. Text, u. mit s/w. u. farbig. Abbildungen der Skulpturen, Installationen u.a. / Cremefarbig.-Papier sauber. Sprache: Englisch Gewicht in Gramm: 1500 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Minimal nachvergilbt. Gutes Exemplar.