Poole bryan (19 résultats)

Hardback. Etat : Good. Poole, Bryan (illustrateur).

Hardback. Etat : Good. Poole, Bryan (illustrateur).

Soft cover. Etat : Very Good+. First Edition. 160 pp. Trade paperback format. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Illustrated with colour photographs. There are too many recipes to list them all but some of the highlights are: Olives Baked in Vino; Port Cheese Spread; Thirsty Shrimp; Shaker Roast Beef; Veal Scallops Oporto; Whisky Pepper Steak; L'Orange Sorbet; Kingston Chops; Louisville Apple Ham; and many, many more. The places visited are: The Contents are: Scotland; Mexico; USA; England; Belgium; France; Jamaica; Ireland; Russia; Chile; Trididad and Tobago; Portugal; Germany; and Canada; followed by an index. Size: 4to. Book.…

Etat : acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers. Poole, Bryan (illustrateur).…

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Poole, Bryan (illustrateur).…

Hardcover. Etat : Very Good. No Jacket - as issued. 5 x 5.25"; not paginated; illustrated laminated boards; each fold out page has a pop-up picture; very good; Size: 24mo - over 5" - 5¾" tall. Book.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Poole, Bryan (illustrateur).…

hardcover. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Etat : very_good. Poole, Bryan (illustrateur).

Couverture rigide. Etat : bon. RO70277516: 1995. In-16. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 11 volets dépliants illustrés en relief couleurs. . . . Classification Dewey : 0-GENERALITES.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Poole, Bryan (illustrateur).

Etat : New.

Etat : New.

Hardcover. Etat : Brand New. 111 pages. 9.50x6.25x0.50 inches. In Stock.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardcover. pp.177 with col. illus. throughout. Small 4to. Title page signed by Bryan Poole. Fine hardback. Published to coincide with the artist's exhibition at The London Sketch Club. Signed by Author.

The London Sketch Club. London. 2019. Presentation copy from artist.4to. Hardback, laminate boards. Signed by the author to prelims, "To Richard Evans. With Best Wishes, Bryan Poole". Illustrated in full colour. Very slight shelfwear to extremities. Pages bright, a lovely copy.

No Binding. Etat : New. Original etching with aquatint. No. 45/100, signed by the artist. Image size: 57.5cm x 37.5cm. Sheet size: 75cm x 57cm. The etching process used by Bryan Poole: The etching process dates from the 16th century, and no photographic aids are used. The artist draws through a resin resist (which is impervious to acid) on to a copper plate with an etching needle. The plate is then immersed in ferric chloride acid so that it is etched along the needle lines. This etched linear drawing provides the foundation for all plates. The five other stages in the making of the plate involve aquatint, spit-bite aquatint, soft ground, oil of spike lavender and sugar lift, in varying degrees. Final highlights are then achieved by burnishing back into the surface of the plate exposing the linear structure of the image. The plates are then inked in four to seven colours and hand printed on to acid-free paper in an intaglio press. Hand colouring in water colour is completed once the prints are dry. Bryan Poole is a New Zealand-born Botanical and Natural History artist who has been working in the United Kingdom since the early 1980s for a variety of clients in this specialist area. These include The British Homeopathic Journal, The World Wide Fund for Nature (WWF), The Natural History Museum and the McMillan Press Publications for the Royal Horticultural Society. His formal training as a botanical artist stems from his association with The Royal Botanic Gardens at Kew, where he worked under Dr Christopher Grey-Wilson, former editor of The Kew Magazine (which incorporated Curtis Botanical Magazine in 1984), and author of numerous books on botanical and horticultural subjects, in particular the Illustrated Flora of Britain & Northern Europe. He is a member of the Royal Society of Painter Printmakers and is an RHS Gold Medal Winner. He has work in the Te Papa in Wellington, Otago University's Hocken Library, the Ralph Hotere Collection in Gore, the Smithsonian Institution in Washington DC, and the Natural History Museum at Kew. 0.…