pound daniel (100 résultats)

Soft cover. Etat : Very Good+. Illustrations by Gary Pound (illustrateur). American First. Complete number line from 1 to 10; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white drawings and maps. Book.

Hardcover. Etat : Acceptable.

First US edition. 302 pp w/index. Near fine in near fine dust jacket with sunning to spine and extrems.

Hardcover. Etat : Very Good. Ex-Library, leather spine.

1st edition. 8vo. Prelims. + 299pp. E.p. plans. Original boards. Pictorial d/w. with red and green lettering. ISBN 9781846558511 US$15.

1st edition. 8vo. Prelims. + 299pp. E.p. plans. Original boards. Pictorial d/w. with red and green lettering. ISBN 9781846558511 US$15.

Paperback. 200p. + ads, poetry, essays, fiction, very good paperback literary journal in gray pictorial wraps.

Hardcover. Etat : Very good condition. Etat de la jaquette : Very good. xxvi, 403 pp. LCC: 33552.

Softcover. Etat : Near Fine. First edition, trade issue. Square 16mo. 19pp. Illustrated frontispiece. Stapled French-folded wrappers. Modest wear, spine lightly sunned, and a tiny stain on the unprinted lower wrap, very good. One of 300 copies of the trade edition (of 350 total). Prints contributions by Charles Tomlinson, Elaine Feinstein, Omar S. Pound, Miles Burrows, Daniel Weissbort, John James, Anthony Rudolf, and Richard Burns.

Etat : As New. Red wraps with paper onlay to front cover. Much lit & poetry in translation, and three interviews, including Milosz. From the collection of Oregon Poet Laureate William Stafford.

Etat : New. Print on Demand.

Loose Leaf. Etat : New. Reproduction. Original title: John E. Millais German: John E. Millais French: John E. Millais Spanish: John E. Millais High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1859). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Etat : New. Reproduction. None. No.

First edition. xx + 245 pp. Fine in very near fine dust jacket.

Loose Leaf. Etat : New. Reproduction. Original title: Storming of San Sebastian German: Stürmen von San Sebastian French: Tempête de San Sebastian Spanish: Tormenta de San Sebastián High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 1th century (undated). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Hard cover. Etat : Nearly Like New. 318 pages. Nearly like new, but aged, sunning to dj.

1. Original-Stahlstich von Pound (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 12 x 9 cm, Kartongröße ca. 25 x 19 cm, sehr gut erhalten 1100 gr.

First edition. x+302 pages with index. Cloth. Fine in dustjacket. About the origins of Anglo-American poetic modernism, one thing is certain: it started with a notion of the image, described variously by Ezra Pound as an ideogram and a vortex. We have reason to be less confident, however, about the relation between these puzzling conceptions of the image and the doctrine of literary positivism that is generally held to be the most important legacy of Imagism. No satisfactory account exists, moreover, of what bearing these foundational principles may have on Pound's later engagement with fascism. Nor is it clear how figures such as the vortex and the ideogram might contribute generally to our understanding of modern visual culture and its compulsive appeal. "Radio Corpse" addresses these issues and offers a revision of one of the most powerful and persistent aesthetic ideologies of modernism. Focusing on the necrophilic dimension of Pound's earliest poetry and on the inflections of materiality authorized by the modernist image, Daniel Tiffany establishes a continuum between Decadent practice and the incipient avant-garde, between the prehistory of the image and its political afterlife, between what Pound calls the "corpse language" of late Victorian poetry and a conception of the image that borrows certain "radioactive" qualities from the historical discovery of radium and the development of radiography. Emphasizing the phantasmic effects of translation (and exchange) in Pound's poetry, Tiffany argues that the cadaverous - and radiological - properties of the image culminate, formally and ideologically, in Pound's fascist radio broadcasts during World War II. Ultimately, the invisibility of these "radiant" images places in question basic assumptions regarding the optical character of images - assumptions currently being challenged by imageric technologies such as magnetic resonance imaging and positron emission tomography.

Hardcover. First Edition; First Printing. Near Fine in a Very Good dust jacket.

1. Original-Stahlstich von Pound (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 16,5 x 13,5 cm, Kartongröße ca. 27 x 20 cm, sehr gut erhalten 2100 gr.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. Large paperback copy, no dustjacket as issued. 311pp. Not library copy, no inscriptions. (24/3).

1. großer Original-Stahlstich von Daniel John Pound (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung ca. 21,5 x 17 cm, Kartongröße ca. 40 x 26 cm, im breiten Rand außerhalb der bildlichen Darstellung leichte Alterspatina, wie immer bei dieser Edition geglättete Mittelfalz quer, ansonsten sehr gut erhalten 1100 gr.

Etat : Good. Stipple and line engraving on chine colle. 34 x 24.5 cm. (sheet). Very Good.

Etat : Good. Stipple and line engraving on chine colle. 35 x 26 cm. (sheet). Very Good. Some toning along sheet edges.

No Binding. Etat : Fair. Portrait of Samuel Carter Hall. Born 9 May 1800 in Waterford, Ireland. Died 11 March 1889 in London, UK. Steel engraving, and Stipple engraving by Daniel John Pound (fl. 1842 - 1877), after John Jabez Edwin Paisley Mayall (1813-1901), c. 1860. Reasonable condition. Ample margins. With some faint stains in the upper and lower margin. Faint horizontal fold in the center. Paper slightly browned and slightly soiled. Verso: blank. Dimensions: 215 x 170 mm. Samuel Carter Hall was Journalist, Victorian journalist, The Art Journal, Spiritualist, Chairman for the British National Association of Spiritualists, and Inner Temple. c. 1860. Print.

1st edition. Good copy only in the original half leather over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Spine compartments uniformly tooled in gilt. Spine bands and panel edges somewhat bumped and rubbed as with age. Front board detached. Remains quite well-preserved overall. Physical description; 1 volume : portraits ; 41 cm. Notes; Contains 26 portraits and memoirs. Subjects; Portraits Great Britain. 3 Kg.

1st edition. Good copy only in the original half leather over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Spine compartments uniformly tooled in gilt. Spine bands and panel edges somewhat bumped and rubbed as with age. Front board detached. Remains quite well-preserved overall. Physical description; 1 volume : portraits ; 41 cm. Notes; Contains 26 portraits and memoirs. Subjects; Portraits Great Britain. 1 Kg.

1st edition. Very good copy in the original calf over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Gilt blocked title to spine with raised bands. All edges gilt. Impressively engraved throughout. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; plates ; 41 cm. Subjects; Portraits. 3 Kg.

1st edition. Very good copy in the original calf over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Gilt blocked title to spine with raised bands. All edges gilt. Impressively engraved throughout. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; plates ; 41 cm. Subjects; Portraits. 1 Kg.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1860 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 16 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.