Price eoin (25 résultats)

Hardcover. Etat : Very Good. 2015 Palgrave hardcover edition. Light reading wear else very good condition.

Etat : New. In English.

Etat : New. This book illuminates the politics of Renaissance theatre culture and playbook publication by analysing how and why playhouses came to be referred to as 'public' or 'private'. Series: Early Modern Literature in History. Num Pages: 95 pages, 2 black & white illustrations, biography. BIC Classification: 1DBKE; 2AB; DSBD; DSGS. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 10. Weight in Grams: 286. . 2015. Hardback. . . . .…

Etat : New. pp. 105.

Hardcover. Etat : Brand New. 95 pages. 8.50x5.75x0.50 inches. In Stock.

Etat : New. This book illuminates the politics of Renaissance theatre culture and playbook publication by analysing how and why playhouses came to be referred to as 'public' or 'private'. Series: Early Modern Literature in History. Num Pages: 95 pages, 2 black & white illustrations, biography. BIC Classification: 1DBKE; 2AB; DSBD; DSGS. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 10. Weight in Grams: 286. . 2015. Hardback. . . . . Books ship from the US and Ireland.…

Etat : New.

hardcover. Etat : Neu. Neu Neuware, Importqualität, auf Lager - At the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.…

Hardback. Etat : New. Studies of early modern English drama in print and performance have often prioritized - or even fetishized - first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation.…

Etat : New. 2026. hardcover. . . . . .

Etat : New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Etat : New.

Hardcover. Etat : Brand New. 1st edition. 280 pages. 6.00x0.69x9.00 inches. In Stock.

Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Studies of early modern English drama in print and performance have often prioritized - or even fetishized - first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation.…

Hardback. Etat : New. Studies of early modern English drama in print and performance have often prioritized - or even fetishized - first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation.…

Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -At the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London. 95 pp. Englisch.…

Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Eoin Price is Tutor in English Literature at Swansea University, UK. He has published in Literature Compass, The Map of Early Modern London, and The Year s Work in English Studies. Eoin Price s lively, scholarly study of what it meant to call. …

Etat : New. Print on Demand pp. 105.

Etat : New. PRINT ON DEMAND pp. 105.

Hardcover. Etat : new. Hardcover. Studies of early modern English drama in print and performance have often prioritized or even fetishized first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation. Studies of early modern drama in print and performance have often prioritized or even fetishized first editions and first performances. Challenging ingrained assumptions about chronology, this collection urges us to refocus critical attention towards the various ways that Renaissance drama was repeated and renewed. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : new. Hardcover. Studies of early modern English drama in print and performance have often prioritized or even fetishized first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation. Studies of early modern drama in print and performance have often prioritized or even fetishized first editions and first performances. Challenging ingrained assumptions about chronology, this collection urges us to refocus critical attention towards the various ways that Renaissance drama was repeated and renewed. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. Print on Demand.

Etat : New. PRINT ON DEMAND.

Buch. Etat : Neu. Reprints and Revivals of Renaissance Drama | Eoin Price (u. a.) | Buch | Englisch | 2026 | Cambridge University Press | EAN 9781108844598 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardcover. Etat : new. Hardcover. Studies of early modern English drama in print and performance have often prioritized or even fetishized first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespeare and Ben Jonson-outside of the contexts in which they are ordinarily viewed. The chapters also demonstrates the significance of texts, authors, and forms of evidence that have been critically neglected, from lost plays and music manuscripts to playgoers' diaries and multi-author 'nonce' anthologies. As a whole, the collection opens up new areas of study and offers fresh perspectives on questions of temporality, commerce, aesthetics, agency, and canon-formation. Studies of early modern drama in print and performance have often prioritized or even fetishized first editions and first performances. Challenging ingrained assumptions about chronology, this collection urges us to refocus critical attention towards the various ways that Renaissance drama was repeated and renewed. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…