Pyle forest (112 résultats)

Paperback. Etat : Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Acceptable. A few notes and markings. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Etat : Like New. Clean copy. May have remainder mark.

Paperback. Etat : As New. Text clean and tight; 8vo 8" - 9" tall; 328 pages.

paperback. Etat : Good. first edition Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New. Exploring how the concept of the imagination is figured in some principal texts of English Romanticism, this book convincingly argues that this figuring is a deeply ideological activity which reveals important social and political investments. By attending to the textual figures of the imagination, the book sheds critical light not only on Romanticism but on the very workings of ideology. To demonstrate his thesis, the author undertakes critical re-readings of four major Romantic authors - Coleridge, Wordsworth, Shelley, and Keats - and shows how the legacy of ideology and imagination is reflected in the novels of George Eliot. He shows that for each of these writers, the imagination is neither a faculty that can be presumed nor one idea among others; it is something that must be theorized and, in Coleridge's words, "instituted." Once instituted, Coleridge asserts, the imagination can address England's fundamental social antagonisms and help restore national unity. More pointedly, the institution of the imagination is the cornerstone of a "revolution in philosophy" that would prevent the importation of a more radical - and more French - political revolution. In the process of re-reading the Romantic tradition, the author undertakes a critical reconsideration of the articulations between Marxism and deconstruction, particularly as expressed in the work of Louis Althusser and Paul de Man.…

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. Art's Undoing is about radical aestheticism, the term that best describes a recurring event in some of the most powerful and resonating texts of nineteenth-century British literature. Num Pages: 328 pages, black & white illustrations. BIC Classification: 2AB; DSBF; HPN. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 19. Weight in Grams: 432. . 2013. paperback. . . . . Books ship from the US and Ireland. …

Soft cover. Etat : Near Fine. Near fine reprint trade paperback, a clean copy.

Paperback. Etat : New. Exploring how the concept of the imagination is figured in some principal texts of English Romanticism, this book convincingly argues that this figuring is a deeply ideological activity which reveals important social and political investments. By attending to the textual figures of the imagination, the book sheds critical light not only on Romanticism but on the very workings of ideology. To demonstrate his thesis, the author undertakes critical re-readings of four major Romantic authors - Coleridge, Wordsworth, Shelley, and Keats - and shows how the legacy of ideology and imagination is reflected in the novels of George Eliot. He shows that for each of these writers, the imagination is neither a faculty that can be presumed nor one idea among others; it is something that must be theorized and, in Coleridge's words, "instituted." Once instituted, Coleridge asserts, the imagination can address England's fundamental social antagonisms and help restore national unity. More pointedly, the institution of the imagination is the cornerstone of a "revolution in philosophy" that would prevent the importation of a more radical - and more French - political revolution. In the process of re-reading the Romantic tradition, the author undertakes a critical reconsideration of the articulations between Marxism and deconstruction, particularly as expressed in the work of Louis Althusser and Paul de Man.…

Etat : New. Art's Undoing is about radical aestheticism, the term that best describes a recurring event in some of the most powerful and resonating texts of nineteenth-century British literature. Num Pages: 328 pages, black & white illustrations. BIC Classification: 2AB; DSBF; HPN. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 19. Weight in Grams: 432. . 2013. paperback. . . . . …

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. Exploring how the concept of the imagination is figured in principal texts of English Romanticism, this book argues that this figuring is an ideological activity that reveals a deep social and political investment. The author examines Coleridge, Wordsworth, Shelley, and Keats, and shows how their legacy of ideology and imagination is reflected in the novels of George Eliot. For these writers, the imagination is neither a faculty that can be presumed nor one idea among others; it must be theorized and, in Coleridge's words, 'instituted'. The author undertakes a critical reconsideration of the articulations between Marxism and deconstruction, countervailing the present historicist mood in Romantic studies and arguing that we can only begin to understand the meaning and nature of ideology by returning to its implication with the imagination in Romantic texts themselves. A book in the ongoing reevaluation of Romanticism. Pyle's rereading of five authors demonstrates that we can learn something about nineteenth-century social theory - and particularly the role of ideology - from Romantic representations of the imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Etat : new.

Paperback. Etat : New. Radical aestheticism describes a recurring event in some of the most powerful and resonating texts of nineteenth-century British literature, offering us the best way to reckon with what takes place at certain moments in texts by Shelley, Keats, Dickinson, Hopkins, Rossetti, and Wilde. This book explores what happens when these writers, deeply committed to certain versions of ethics, politics, or theology, nonetheless produce an encounter with a radical aestheticism that subjects the authors' projects to a fundamental crisis. A radical aestheticism offers no positive claims for art, whether on ethical or political grounds or on aesthetic grounds, as in "art for art's sake." It provides no transcendent or underlying ground for art's validation. In this sense, a radical aestheticism is the experience of a poesis that exerts so much pressure on the claims and workings of the aesthetic that it becomes a kind of black hole from which no illumination is possible. The radical aestheticism encountered in these writers, in its very extremity, takes us to the constitutive elements-the figures, the images, the semblances-that are at the root of any aestheticism, an encounter registered as evaporation, combustion, or undoing. It is, therefore, an undoing by and of art and aesthetic experience, one that leaves this important literary tradition in its wake. Art's Undoing embraces diverse theoretical projects, from Walter Benjamin to Jacques Derrida. These become something of a parallel text to its literary readings, revealing how some of the most significant theoretical and philosophical projects of our time remain within the wake of a radical aestheticism. …

Hardcover. Etat : Near Fine. No Jacket. Well-kept, clean and unopened in bright as new covers. Little spot to front endpage.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. pp. 240.

Etat : New.

Hardcover. Etat : Fine. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* FAST SHIPPING!.