Raffaele bedarida (92 résultats)

Paperback. Etat : Very Good+. Binding sound, text clean, light shelf wear. 128 pages. Book.

Etat : New. NEW, shipped from the UK.

Etat : Used: Like New. Near fine.

Etat : Buone. Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 112 pages; in English and Italian; very good condition clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice.In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.…

Brossura. Etat : new. Arezzo, 2023; br., pp. 72, ill., cm 28x23. Catalogo della mostra curata da Raffaele Bedarida al Center for Italian Modern Art (CIMA) di New York (12 ottobre 2023 - 27 gennaio 2024) e realizzata in collaborazione con l'Archivio Corrado Cagli di Roma. La mostra è dedicata all'artista ebreo Corrado Cagli (1910-1976) e fa luce sull'affascinante viaggio umano e intellettuale di Cagli durante i suoi anni di trasformazione negli Stati Uniti, dal 1938 al 1948. Libro.…

Etat : new.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Etat : VG+. Oblong Quarto. Illustrated paper wrapper. Unpaginated. Color illustrations. 23 x 28 cm.

Paperback. Etat : New. On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice.In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment.…

Paperback. Etat : new. Paperback. On the centenary of the fascist party's ascent to power in Italy, Curating Fascism examines the ways in which exhibitions organized from the fall of Benito Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices. Featuring contributions from an international group of art, architectural, design, and cultural historians, as well as journalists and curators, this book treats fascism as both a historical moment and as a major paradigm through which critics, curators, and the public at large have defined the present moment since World War II. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period. Through close analysis, the chapter authors unpack the multifaceted specificity of art shows, including architecture and exhibition design; curatorial choices and institutional history; cultural diplomacy and political history; theories of viewership; and constructed collective memory, to evaluate current curatorial practice.In offering fresh new perspectives on the historiography, collective memory, and understanding of fascist art and culture from a contemporary standpoint, Curating Fascism sheds light on the complex exhibition history of Italian fascism not just within Italy but in such countries as the USA, the UK, Germany, and Brazil. It also presents an innovative approach to the growing field of exhibition theory by bringing contributions from curators and exhibition historians, who critically reflect upon curatorial strategies with respect to the delicate subject of fascism and fascist art, into dialogue with scholars of Italian studies and art historians. In doing so, the book addresses the physical and cultural legacy of fascism in the context of the current historical moment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. 2022. 1st Edition. Paperback. . . . . .

Foldout Wrappers. Etat : Very Good. 206pp. Texts in Italian. Fold-out wrappers. Very Good w/ creasing on a cover edge, minute tanning on edges.

Etat : New.

Soft cover. Etat : Fine. Oblong 4to. 80 pp. Fine.

brossura paperback. Etat : Ottimo (Fine). AP.49Brossura editoriale,in lingua italiana e inglese, volume in ottime condizioni, in gran parte illustrato, copertina e interno in ottimo stato, legatura salda ,  111  pagine circaCopertina  come da fotoISBN/ASIN: 8836608698. Book.

brossura paperback. Etat : Good. Prima. Buone condizioni. Copertina flessibile, con segni d'uso. Pagine in buono stato. paperback 128 9788881588541 Buono (Good) . Book.

Etat : New. In English.

Etat : New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New.

Paperback. Etat : New.

Etat : BUONO USATO. Da revisionare ITALIANO Brossura illustrata mostrante quasi impercettibili segni di usura. Pagine minimamente ingiallite dal tempo ricche di illustrazioni in b/n. Dedica a penna dell'Autrice autografata di solo nome alla pagina di guardia. Rimanenza di etichetta precedente alla controguardia posteriore. Numero pagine 125.…

Etat : As New. Unread book in perfect condition.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : As New. Unread book in perfect condition.