Ramirez berg charles (80 résultats)

Hardcover. Etat : Very Good. Bilingual. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Lechon, Daniel (illustrateur).

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Lechon, Daniel (illustrateur).

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Lechon, Daniel (illustrateur).

Etat : Very Good. Very Good Condition. Five star seller - Buy with confidence. Lechon, Daniel (illustrateur).

paperback. Etat : Good.

hardcover. Etat : Good. Lechon, Daniel (illustrateur).

Etat : very_good. Item may have minor cosmetic defects marks, wears, cuts, bends, crushes on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in Product Details. Item may be missing bundled media.…

Etat : good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

paperback. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

1st printing of 1st edition. An in-depth examination of the major films and filmmakers of el Nuevo Cine, illustrated. Edgewear otherwise a clean, unmarked, complete very good paperback book in decorative wrappers (soft cover book).

Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Soft cover. Etat : Fine. 1st Edition.

Hardcover. Etat : As New. No Jacket, as Issued. 1st Edition. Inscribed by author Pat Mora: "To Tina, Joy!". Lechon, Daniel (illustrateur). Inscribed by Author(s).

Etat : New.

Etat : As New. Unread book in perfect condition.

paperback. Etat : Good. 2026.

Etat : New.

Paperback. Etat : New. The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady-these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles RamÍrez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as RaÚl Julia, Rosie PÉrez, JosÉ Ferrer, Lupe VÉlez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert RodrÍguez. He also presents an exclusive interview in which RodrÍguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.…

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : As New. Unread book in perfect condition.

paperback. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Good. 20276.

Paperback. Etat : new. Paperback. The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady - these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramirez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raul Julia, Rosie Perez, Jose Ferrer, Lupe Velez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyses Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodriguez.He also presents an exclusive interview in which Rodriguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system. Berg develops an innovative theory of stereotyping that accounts for the persistence of demeaning images of Latinos in US popular culture Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : New. From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood's paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano.Charles Ramírez Berg begins by locating the classical style's pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas' El Automóvil Gris, the crowning achievement of Mexico's silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.…

Etat : new.

Etat : acceptable. This book is in Acceptable condition. All pages are intact, but may have lots of notes, water damage or other issues and be ex library.

Etat : new.

Etat : New. In English.

Paperback. Etat : Brand New. 314 pages. 9.00x6.00x0.75 inches. In Stock.