renee riese hubert judd (23 résultats)

20.0 x 15.0cms 142pp very good paperback & cover Aragon mastered and played with the narrative devices of classical episodic fiction to free himself of mimeticism in fable meaning language and descend into the diabolic nirvana of dada.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Good. English edition Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

hardcover, Etat : Very Good, Granary Books, NY, 1999, 8-1/2"x10-3/4", hardcover, 265pp., VG/VG $.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 265 pages, 8 unnumbered pages of plates : illustrations (some color). Publisher's binding fresh, corner sharp; contents as new. Light wear to edges of dust jacket. 1080 grams.

8 1/2 x 10 1/2 in., 280 pp., smyth-sewn hardcover with printed dust jacket. This splendid volume expands upon and extends the work initiated by Renée Riese Hubert in Surrealism and the Book (University of California Press, 1987) by focusing acute critical attention on recent and contemporary artists' books. In The Cutting Edge of Reading, the Huberts develop a discourse which starts where discussion of the livre d'artiste leaves off. The study begins with a chapter on "Transitions" which examines the work of Pierre Alechinsky and Paolo Boni, among others, before developing and discussing, through close readings, such themes as "Visual Deviants and Typographical Departures" (Telfer Stokes & Helen Douglas, Sixtus, Walter Hamady); "Various Ways of Frustrating our Reading Habits" (Susan King, Janet Zweig and Dieter Roth among others); "Altering Books-The Cutting Edge of Editing" (Tom Phillips, Harry Reese, Buzz Spector, Jean Le Gac, Scott McCarney among others); "Variations on the Accordion" (Bertrand Dorny, Julie Cheng, Clifton Meador, and Philip Zimmermann, among others); "The Book, The Museum, and Public Art" (Jochen Gerz, Margot Lovejoy, Joan Lyons, Christian Boltanski, and Annette Messager, among others); "Satire" (Marcel Broodthaers, Terry Braunstein, Warren Lehrer & Dennis Bernstein, and Ruth Laxson); "Concretions of Memory" (Ligorano/Reese, Ed Epping, among others); "Narratives and Verbal Manipulations" (Johanna Drucker, Paul Zelevansky, Henri Chopin, Keith Smith, John Crombie, and Barbara Fahrner, among others); "Metamorphosis of Childish Games" (Erica Van Horn and Clarissa Sligh, among others); and "Fashioners of Books" (John Eric Broaddus and Timothy C. Ely). The Cutting Edge of Reading is a welcome addition to the growing body of serious critical work now being done on artists' books. Providing in-depth readings and analysis of many individual artists' books while establishing a useful international twentieth-century overview, it complements Johanna Drucker's The Century of Artists' Books (Granary Books, 1995) and is a necessary reference tool for scholars, critics, collectors, and librarians. Illustrated throughout in color and black and white. Designed by Philip Gallo. Printed offset. Bound in cloth over boards with printed dust jacket. This is from an edition of 1500 copies. Out-of-print. Quarter-inch tear to dust jacket at top of spine, with scuffs to rear corner of dust jacket; near fine.

Hardcover. Etat : fine/fine. First edition. Quarto. (27cm x 21cm) 265pp. A fine copy in dust jacket.

265 pp.; 27 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Critical theory publication on artists' books by Renee Riese Hubert and Judd D. Hubert. Includes a bibliography of writings on artists' books and an index. Artists include Telfer Stokes, Helen Douglas, Dieter Roth, Buzz Spector, Scott McCarney, Clifton Meador, Christian Boltanski, Annette Messager and others. Reference : No. 175 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 95. Very Good / Fine. Light bumping and rubbing along top edge of dust-jacket with 5.5 cm. and 3.1 cm. of soiling to verso, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. First Edition, 1999. 265 pages. Book measures 8.5 x 10.5". Book measures 8.5" x 10.5". Essays covering the work of many artists working within the medium of artists books, including Walter Hamady, Dieter Roth, Tom Philips, Christian Boltanski, Marcel Broodthaers, Henri Chopin, Susan King among many others. The text is generously illustrated through out with B&W plates of examples of works discussed, and a 4 page color spread of images. Fine in Near Fine dust jacket. Binding is square and tight.

265 S. Hardcover mit Schutzumschlag. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Schutzumschlag leicht berieben. Sonst sehr gut erhalten. Sprache: eng.

Hardcover. Etat : Clean & Unmarked. Etat de la jaquette : Very Good. A very clean and straight copy with clean text and a sturdy binding. Price clipped jacket has only ver slight wear and is still bright. 101 pp.

hardcover. Etat : Gut. 265 Seiten; 9781887123211.3 Gewicht in Gramm: 2.

leatherette, dust jacket. small 4to. leatherette, dust jacket. (vi), 266 pages. First edition. Fine in near fine jacket. This volume extends the work initiated by Renee Hubert in "Surrealism and the Book," (University of California Press, 1987), by focusing critical attention on recent and contemporary artists' books. The study begins with a chapter on "Transitions," which discusses the work of Pierre Alechinsky and Paolo Boni and others. It is illustrated throughout in black-and-white and includes a bibliography and index.

Etat : Sehr gut. 1st ed. 265 pp., ill. in b/w. 27 cm x 22 cm. Hardcover with dust jacket. Dust jacket slightly rubbed, otherwise very fine copy. Unzugeordnet Altersfreigabe FSK ab 0 Jahre Aufgrund der aktuellen Zoll-Situation ist zur Zeit kein Versand in die USA möglich. Sprache: Englisch Gewicht in Gramm: 1100.

paperback. Etat : Like New. First American Edition. Publisher: Exact Change, Boston, 1997. FINE softcover in illustrated wraps, as issued. First US Edition, First Printing. As new. Pristine.

Hardcover. Etat : New.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. Minor shelf wear to binding. Light wear and soiling to edges of text block with remainder mark on bottom edge. Text is unmarked. Dj lightly worn with creases, toning, fading & light soiling in a mylar cover.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

[13609].

hardcover. Etat : New. In shrink wrap. Looks like an interesting title!

Pp. [vi]+266(last blank), 8 coloured plates, black & white text illustrations, bibliography, index; post 4to; black art. leather, spine lettered in silver, fore-corners of boards slightly bruised; dust wrapper, a trifle scuffed, edges lightly rubbed and split; book label of David Levine, Sydney, on upper pastedown, edges of leaves slightly foxed; Granary Books, New York, 1999. First edition.

265 S., 23 farb. & 111 Textabb. Bibliographie, Reg. 4° Kart.mS. *Wissenschaftliche Annäherung an das Phänomen des Künsterlbücher, verfaßt von der Autorin des Standardwerks "Surrealism and the Book". Der besondere Reiz dieses faktenreichen Buches liegt in der Auswahl der Künstlerbücher: es werden viele Arbeiten besprochen, die in der bisher erschienenen Literatur nicht referiert wurden. *neuwertig*.