Ring bob (36 résultats)

Etat : Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. 178 (xii) pp. Illus. with B&W photos and drawings. Signed by Bob and Al Ring on the title page, with a slip laid in from Steven Ring. Binding tight, text clean. Signed by Author(s).

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : New.

Softcover. Etat : As New. At the age of twelve, twin brothers Bob and Ira Spring received free Eastman Kodak Box Brownie cameras as part of a corporate fiftieth anniversary promotion. This happy coincidence was the beginning of two legendary careers. Throughout their lives the Spring brothers nurtured the spark of their creativity and love of the mountains to create indelible images that introduced generations of climbers to the beauty of the Cascade and Olympic Mountains and the Canadian Rockies.While other photographers were recording expeditions to distant destinations, Bob and Ira were pioneers in photographing the remarkable climbers and peaks of the Northwest. Outfitted with goldline rope, leather boots, and cameras that weighed as much as 100 pounds, the brothers documented the development of equipment and technique in both mountaineering and photography, and cultivated friendships with renowned mountaineers such as Fred Beckey, Willi Unsoeld, and Jim and Lou Whittaker. The Springs' photographs captured the timeless beauty of the mountains of the Northwest in stunning black-and-white and were published in National Geographic, The Saturday Evening Post, Esquire, Life, and more than fifty books.High Rocks and Ice presents the brothers' most famous images accompanied by the stories behind the pictures as well as Ira's humorous accounts of his triumphs and mistakes, making this book both a fascinating chronicle of the Springs' work and an informal history of mountaineering during its "classic age" from the late 1930s to the early 1970s.…

Paperback. Etat : Very Good. Christie Green learned to hunt in order to complement the food she grew in her New Mexico garden. As an act of practical agency this fulfilled her needs, yet a restlessness stirred within. She longed for a life defined by something deeper than weekly schedules, work roles, and cultural norms. Could she travel beyond the supposed domain of women and venture into the world of animals, into the wild, where men were said to prevail? Outside the grip of the human realm, the moon beckons to Green to go beyond. Here, hunting in the wild, the moon cycles through her, rising and falling at dawn and dusk, whispering messages from the dark side. Rather than circle the hot insistence of a masculine sun, Green begins to attune to the more elusive, mysterious murmuration of the moon. Animals and dreams, lunar partners, choreograph Green through time and space. She longs to dream, toil, live and love at the edges of the fertile ecotones where she can withdraw inward, retreat like an animal into hiding, and then come into full, radiant view on her own terms. Layer by layer, hunt by hunt, Green peels away societal skins that adhere to a prescribed grid, a manufactured tick of time, a picture of perfection. Tracking and tracing, moving in darkness, watching, smelling, listening, and following the animals, Green sheds the burdens of her domestic self and witnesses the animals defying reason as they walk her into their world, ambling her along, straddling night and day, waking and sleeping. Through them, definitions of gender dissolve and boundaries blur. In the process, Green eclipses western society's definitions of her as a woman, mother, lover, and entrepreneur, courageously birthing her own independence through a profound connection to the animals and the places they call home. What she sought from these animals was food. What she found was freedom.…

Paperback. Etat : Good. Christie Green learned to hunt in order to complement the food she grew in her New Mexico garden. As an act of practical agency this fulfilled her needs, yet a restlessness stirred within. She longed for a life defined by something deeper than weekly schedules, work roles, and cultural norms. Could she travel beyond the supposed domain of women and venture into the world of animals, into the wild, where men were said to prevail? Outside the grip of the human realm, the moon beckons to Green to go beyond. Here, hunting in the wild, the moon cycles through her, rising and falling at dawn and dusk, whispering messages from the dark side. Rather than circle the hot insistence of a masculine sun, Green begins to attune to the more elusive, mysterious murmuration of the moon. Animals and dreams, lunar partners, choreograph Green through time and space. She longs to dream, toil, live and love at the edges of the fertile ecotones where she can withdraw inward, retreat like an animal into hiding, and then come into full, radiant view on her own terms. Layer by layer, hunt by hunt, Green peels away societal skins that adhere to a prescribed grid, a manufactured tick of time, a picture of perfection. Tracking and tracing, moving in darkness, watching, smelling, listening, and following the animals, Green sheds the burdens of her domestic self and witnesses the animals defying reason as they walk her into their world, ambling her along, straddling night and day, waking and sleeping. Through them, definitions of gender dissolve and boundaries blur. In the process, Green eclipses western society's definitions of her as a woman, mother, lover, and entrepreneur, courageously birthing her own independence through a profound connection to the animals and the places they call home. What she sought from these animals was food. What she found was freedom. …

Paperback. Etat : Very Good. Christie Green learned to hunt in order to complement the food she grew in her New Mexico garden. As an act of practical agency this fulfilled her needs, yet a restlessness stirred within. She longed for a life defined by something deeper than weekly schedules, work roles, and cultural norms. Could she travel beyond the supposed domain of women and venture into the world of animals, into the wild, where men were said to prevail? Outside the grip of the human realm, the moon beckons to Green to go beyond. Here, hunting in the wild, the moon cycles through her, rising and falling at dawn and dusk, whispering messages from the dark side. Rather than circle the hot insistence of a masculine sun, Green begins to attune to the more elusive, mysterious murmuration of the moon. Animals and dreams, lunar partners, choreograph Green through time and space. She longs to dream, toil, live and love at the edges of the fertile ecotones where she can withdraw inward, retreat like an animal into hiding, and then come into full, radiant view on her own terms. Layer by layer, hunt by hunt, Green peels away societal skins that adhere to a prescribed grid, a manufactured tick of time, a picture of perfection. Tracking and tracing, moving in darkness, watching, smelling, listening, and following the animals, Green sheds the burdens of her domestic self and witnesses the animals defying reason as they walk her into their world, ambling her along, straddling night and day, waking and sleeping. Through them, definitions of gender dissolve and boundaries blur. In the process, Green eclipses western society's definitions of her as a woman, mother, lover, and entrepreneur, courageously birthing her own independence through a profound connection to the animals and the places they call home. What she sought from these animals was food. What she found was freedom.…

Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Etat : Good. Christie Green learned to hunt in order to complement the food she grew in her New Mexico garden. As an act of practical agency this fulfilled her needs, yet a restlessness stirred within. She longed for a life defined by something deeper than weekly schedules, work roles, and cultural norms. Could she travel beyond the supposed domain of women and venture into the world of animals, into the wild, where men were said to prevail? Outside the grip of the human realm, the moon beckons to Green to go beyond. Here, hunting in the wild, the moon cycles through her, rising and falling at dawn and dusk, whispering messages from the dark side. Rather than circle the hot insistence of a masculine sun, Green begins to attune to the more elusive, mysterious murmuration of the moon. Animals and dreams, lunar partners, choreograph Green through time and space. She longs to dream, toil, live and love at the edges of the fertile ecotones where she can withdraw inward, retreat like an animal into hiding, and then come into full, radiant view on her own terms. Layer by layer, hunt by hunt, Green peels away societal skins that adhere to a prescribed grid, a manufactured tick of time, a picture of perfection. Tracking and tracing, moving in darkness, watching, smelling, listening, and following the animals, Green sheds the burdens of her domestic self and witnesses the animals defying reason as they walk her into their world, ambling her along, straddling night and day, waking and sleeping. Through them, definitions of gender dissolve and boundaries blur. In the process, Green eclipses western society's definitions of her as a woman, mother, lover, and entrepreneur, courageously birthing her own independence through a profound connection to the animals and the places they call home. What she sought from these animals was food. What she found was freedom. …

paperback. Etat : Good. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona. Slight edge wear and bumping.

Paperback. Etat : Good. Satisfaction 100% guaranteed.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Good. Paperback. NOT Ex-library. Good condition. Clean pages and tight binding. Until further notice, USPS Priority Mail only reliable option for Hawaii. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona.

Soft cover. Etat : Fine. First Edition. SIGNED by all three authors on title page. Unread, no marks or flaws. photos (illustrateur). Signed by Authors.

Soft cover. Etat : Fine. 1st Edition. First edition 1982. 68pp. Illustraions by Sarah Platts-Mills, photographs by Tom Eveson and Bob Ring. Calligraphy by Andy Goldsworthy. In fine condition with no inscriptions. Sarah Platts-Mills, Andy Goldsworthy, Tom Eveson, Bob Ring (illustrateur).

paperback. Etat : Fair. First Edition. Fair to good Condition.General folds & wear with lite coffee stain to to double spine stapled wraper covers, Text pages appear bit aged, but not written in, not abused. Includes looose green sheet with bottle offers from Hal Wagner. 16 1 page articles on various arcane topics.FLOOR PLAN OF SHOW.LIST OF DEALERS DISPLAYING AT SHOW .A great many small adverts by bottle sellers, etc.BLUE & WHITE COVER showing CROSSED aMERICAN fLAGS.; red titles on bright yellow couble spine stapled paper covers.; 6x9"; 95+pg thin pages; Fundamental glass making as relating to 19th century bottle production. Secrets revealed to date, evaluate 19th century. Illustrated by CHAMPLIN, NAT VILLAMAGNA, BOB CARTOONS (illustrateur).…

PAPERBACK. Etat : VG. Binding solid, pages crisp and clean, no markings found. Covers bright and shiny with light scuffs and dents. Extremities lightly bumped with minimal tip wear.

Soft cover. Etat : Good. 1st Edition. Signed by all three authors. Clean pages. Sturdy binding. Some cover wear. Ships in sturdy cardboard packaging. Booksellers since 1997 [s1]. Signed by Author(s).

Paperback. Etat : Like New. First Edition. First Edition, First Printing. Published by Wheatmark, 2007. Octavo. Paperback. Book is like new. Signed and inscribed by author on title page.

Etat : New. Etat de la jaquette : New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo. Mastrocinque, Andy; Cavin, Bob (illustrateur).

Etat : New.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Mastrocinque, Andy; Cavin, Bob (illustrateur).

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Mastrocinque, Andy; Cavin, Bob (illustrateur).