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Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 4-5 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good.

Etat : New.

paperback. Etat : As New. Paperback with light shelf wear. Pages are clean and unmarked.

Etat : New.

Paperback. Etat : New. 1. Edition.

Etat : Good. 2004. Facsimile Edition. 114 pages. No dust jacket. Red cloth. Binding remains firm. Pages remain bright and clear with pencil inscription to front free endpaper. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

Paperback. Etat : New. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of 'Otherness'. Nordic texts-chiefly based on the Edda and the supernatural Scandinavian ballad tradition-were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.…

Paperback. Etat : new. Paperback. Romantik. Journal for the Study of Romanticisms is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 17801840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms and not least the connections and disconnections between them hence, the use of the plural in the subtitle.Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS). The study of romantic modes of thought Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Etat : New. Nordic Terrors: Scandinavian Superstition in British Gothic Literature. Book.

Etat : New.

Paperback. Etat : New. In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain's northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of 'Otherness'. Nordic texts-chiefly based on the Edda and the supernatural Scandinavian ballad tradition-were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.…

Etat : New.

Paperback. Etat : New. In Roman religion, Terminus was an agrarian god who protected boundary markers. Stones were often used to provide an effective means for marking these boundaries, although a stump or a tree sometimes served to demarcate adjacent properties. The need to demarcate boundaries and define ends continues to shape our way of thinking at the most fundamental level. The articles in this book investigate among other things developments in literature, film, historiography and new digital entertainment to see how they reflect cultural anxieties about 'the end' and/or how they are determined by the need to mark boundaries. The contributions in the present volume are organised so that they reflect thematic, national and chronological perspectives. But they also show that it is possible to identify several threads of continuity in the way that 'the end' has been conceptualised. A collection of essays on terminus is to make a beginning. By examining ideas of culmination, conclusion, closure, finale and termination from the perspective of a number of various genres, cultural formations and historical contexts, the purpose is to discuss how endings are carriers of meaning in social and cultural contexts.…

Paperback. Etat : new. Paperback. In Roman religion, Terminus was an agrarian god who protected boundary markers. Stones were often used to provide an effective means for marking these boundaries, although a stump or a tree sometimes served to demarcate adjacent properties. The need to demarcate boundaries and define ends continues to shape our way of thinking at the most fundamental level. The articles in this book investigate among other things developments in literature, film, historiography and new digital entertainment to see how they reflect cultural anxieties about 'the end' and/or how they are determined by the need to mark boundaries. The contributions in the present volume are organised so that they reflect thematic, national and chronological perspectives. But they also show that it is possible to identify several threads of continuity in the way that 'the end' has been conceptualised. A collection of essays on terminus is to make a beginning. By examining ideas of culmination, conclusion, closure, finale and termination from the perspective of a number of various genres, cultural formations and historical contexts, the purpose is to discuss how endings are carriers of meaning in social and cultural contexts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

paperback. Etat : New. 1st.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.