Robert thew (24 résultats)

Loose Leaf. Etat : New. Reproduction. Original title: King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London) German: König Richard der Zweite, Akt V, Szene II (Der Eingang von König Richard & Bolingbroke in London) French: Le roi Richard le second, Acte V, Scène II (L'entrée du roi Richard & Bolingbroke à Londres) Spanish: Segundo rey Ricardo, Acto V, Escena II (La entrada del rey Ricardo y Bolingbroke en Londres) High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1801). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling" German: MacBeth, Akt I,V Szene I: "Eine dunkle Höhle in der Mitte eines Kessels" French: MacBeth, Acte I,V Scène I : "Une grotte sombre au milieu d'un chaudron" Spanish: MacBeth, Acto I, V Escena I: "Una cueva oscura en el medio de un caldero hirviendo" High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York) German: König Richard III: Akt III, Szene I (Das Treffen von Edward V. und seinem Bruder, Richard, Herzog von York) French: Roi Richard III: Acte III, Scène I (Réunion d'Edward V et de son frère, Richard, duc d'York) Spanish: Rey Ricardo III: Acto III, Escena I (El Encuentro de Eduardo V y Su Hermano, Ricardo, Duque de York) High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 18th century (1789). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Timon of Athens, Act IV, Scene III, A Wood--Timon, Phyrma, etc. German: Timon von Athen, Akt IV, Szene III, A Wood--Timon, Phyrma, etc. French: Timon d'Athènes, Acte IV, Scène III, A Wood--Timon, Phyrma, etc. Spanish: Timón de Atenas, Acto IV, Escena III, A Madera--Timón, Firma, etc. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc. German: Heinrich VIII, Akt IV, Szene II, Abtei von Leicester. Wolsey, Northumberland, und Teilnehmer, Abt von Leicester, etc. French: Henry VIII, Acte IV, Scène II, Abbaye de Leicester. Wolsey, Northumberland, et assistants, Abbé de Leicester, etc. Spanish: Enrique VIII, Acto IV, Escena II, Abadía de Leicester. Wolsey, Northumberland, y Asistentes, Abad de Leicester, etc. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle German: Henry VI, Teil I: Akt II, Szene iii, Die Gräfin von Auvergnes Schloss French: Henry VI, Partie I: Acte II, Scène iii, La Comtesse du Château d'Auvergne Spanish: Enrique VI, Parte I: Acto II, Escena iii, La Condesa del Castillo de Auvernia High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: Henry VIII: Act III, Scene I, A Room in the Queen's Apartments German: Henry VIII: Akt III, Szene I, Ein Zimmer in den Queen's Apartments French: Henry VIII: Acte III, Scène I, Une chambre dans les appartements de la Reine Spanish: Enrique VIII: Acto III, Escena I, Una habitación en los apartamentos de la reina High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Etat : New. Reproduction. Original title: King Henry the Eighth: Act IV Scene II: Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc. German: König Heinrich der Achte: Akt IV Szene II: Abtei von Leicester. Wolsey, Northumberland, und Teilnehmer, Abt von Leicester, etc. French: Roi Henri le Huitième: Acte IV Scène II: Abbaye de Leicester. Wolsey, Northumberland, et assistants, Abbé de Leicester, etc. Spanish: Rey Enrique VIII: Acto IV Escena II: Abadía de Leicester. Wolsey, Northumberland, y asistentes, Abad de Leicester, etc. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 18th century (1798). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost German: Hamlet, Prinz von Dänemark: Akt I, Szene iv, Plattform vor dem Palast von Elsineur--Hamlet, Horatio, Marcellus und der Geist French: Hamlet, Prince du Danemark: Acte I, Scène IV, Plateforme devant le Palais d'Elsineur--Hamlet, Horatio, Marcellus et le Fantôme Spanish: Hamlet, Príncipe de Dinamarca: Acto I, Escena IV, Plataforma ante el Palacio de Elsineur--Hamlet, Horatio, Marcelo y el Fantasma High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Shakespeare, Macbeth Act IV, Scene I German: Shakespeare, Macbeth Akt IV, Szene I French: Shakespeare, Macbeth Act IV, Scène I Spanish: Shakespeare, Acto Macbeth IV, Escena I High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1802). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. None. No.

Loose Leaf. Etat : New. Reproduction. Original title: Henry IV, Part I, Act II, Scene IV: " The Boar's Head" German: Henry IV, Teil I, Akt II, Szene IV: "Der Kopf des Boars" French: Henry IV, Partie I, Acte II, Scène IV: "La tête du sanglier" Spanish: Enrique IV, Parte I, Acto II, Escena IV: "La cabeza del jabalí" High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Henry IV, Part II: Act IV, The Palace at Westminster German: Heinrich IV, Teil II: Akt IV, Der Palast in Westminster French: Henry IV, Partie II: Acte IV, Le Palais à Westminster Spanish: Enrique IV, Parte II: Acto IV, El Palacio de Westminster High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer) German: König Heinrich VI., Teil I: Akt II, Szene V., Ein Raum im Turm (Der Tod des Mortimers) French: Roi Henri VI, Partie I: Acte II, Scène V, Une salle dans la tour (La mort de Mortimer) Spanish: Rey Enrique VI, Parte I: Acto II, Escena V, Una habitación en la torre (La muerte de Mortimer) High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 18th century (1792). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Etat : New. Reproduction. Original title: Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc. German: Henry V: Akt II, Szene ii, Southamptom. Der König, Scroop, etc. French: Henry V: Acte II, Scène II, Southamptom. Le Roi, Scroop, etc. Spanish: Enrique V: Acto II, Escena II, Southamptom. El Rey, Scroop, etc. High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Paper Covers. Etat : Fair. None. First Edition. 21 cm, 105 pp, b&w photo to title page, paper covers - creased and torn, with rusted staples. Internally good. Small note of former owner tipped into the prelims. Overall only fair; but a serviceable reading copy of a scarce title. Published in Timaru in 1916, the 105-page book functions both as a personal life story and a historical document detailing the early development, rural expansion, and infrastructure (such as the harbor) of the South Canterbury region, alongside a collection of miscellaneous personal papers.…

XXVII, 211 S. 4° (29,5 x 21 cm). Original-Karton. Kataloge bayerischer Musiksammlungen, (Band 2). - Einband mit minimalen Lagerspuren, Rücken gering gebräunt. Schönes Exemplar. Gewicht (Gramm): 800.

Sin Encuadernar. Etat : Muy bien. 1ª Edición. 67 x 52,5 cm. En buen papel de hilo. Grabado calcográfico original, primer tirage. Chalcographic engraving Original, first edition. Robert Smirke (illustrateur).

Vintage reference photograph from the 1917 silent film, showing Vivian Martin and Tom Forman. A rich young man loves a newly wealthy bricklayer's daughter, and disguises himself as a hod-carrier in order to woo her. 10 x 8 inches. Very Good, with short closed tears to the left and right sides, and dampstaining and light foxing to the right edge.…

Vintage portrait photograph of a menacing James Rennie from the 1931 film. Ann and Dick live happily together out of wedlock due to Ann's "modern" beliefs about love. After marrying due to social pressure, both prove to be unfaithful, and attempt to salvage their love by separating and dating. Stanwyck's first starring role, and the screenwriting debut of Robert Riskin. Set in New York City. 8 x 10 inches. Very Good plus, with light edgewear and pinholes at the corners, and a faint vertical crease to the upper left. …

Original copper engraving (60 x 44 cm, overall sheet 69 x 55 cm). Some foxing to margins, two small (3cm) tears to left margin, not affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).…

Original copper engraving (44 x 60 cm, overall sheet 55 x 68 cm). Tissue guard to verso. Some foxing to outer edges of margins, small dampstain to upper margin, neither affecting plate. From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library). …

Original copper engraving (c. 60 x 44 cm, overall sheet c. 68.5 x 55 cm). From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).…

Original copper engraving (44 x 60 cm, overall sheet 55 x 68 cm). From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).…