Robert ward editors (24 résultats)

Soft cover. Etat : Very Good. 1st Edition. 97 pages. V.S. Pritchett (Short story, 1st appearance); P. T. Bauer (Foreign Aid, Forever); J.P. Ward (T-Group); poetry (Michael Langley, Alan Ross, Alan Brownjohn, Gavin Ewart, Tadeusz Rozewicz, Elizabeth Jennings); Peter Schmid (Between Mao and Mohammed); George Martelli (Propagandist's Propaganda); Gordon Lee (Quest for Cundu); Laurence Lerner (Samuel Richardson);Chaim Raphael (JJesus or Christ?); Tao Tao Sanders (Ming Mayhem); robert Moss (Chile's Coup and after); Joel Carmichael (German Money & Bolshevik Honour); Sidney Hook (Anyone for Objectivity?). …

Hardcover. Etat : Good. Etat de la jaquette : Good. Spine ends bumped, jacket shows light rubbing and crease, contents bright & unmarked.

xii, 242 pages. Paperback: H 23cm x L 15cm. Paper covers lightly rubbed. Interior pages are bright and clean. Binding remains crisp. A near fine copy. Introduction by editors Richard H. King and Helen Taylor with Afterword by Richard Gray. Features twelve chapters divided into three parts titled as "Southern Cultures," Southern Music," and "Southern Images." Chapters are by Charles Joyner, Paul Binding, Maria Lauret, Robert Lewis, Diane Roberts, Simon Frith, Paul Wells, Brian Ward and Jenny Walker, Connie Atkinson, Richard Dyer, Jane Gaines, and Judith McWillie. ISBN 0814746845.…

Paperback. Etat : Fine. Routledge 1999 Fine/ Unread. Bright pages. In Plastic.

Hardcover. Etat : Near Fine. Etat de la jaquette : N/A. First Collected. Red cloth, lettered in black. Minor rubbing along bottom edge. Firm binding, clean interior. [vii],268 pp., illus. w/ b&w photographs, plans. Nine articles on various aspects of Medieval architectuure. Size: 4to - over 9¾" - 12" tall. Book. …

Soft cover. Etat : Near Fine. First Edition. Near fine with rubbing on the back panel.

Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good+. Book Club Edition. (viii) 593 pp. Please note, this is a somewhat heavy book and, depending where in the world you are, the shipping will likely be higher than normal. Brown boards lettered in yellow on the spine; headband. Book Club Code 18S. Light rubbing on the corners of the dustjacket; no interior markings. Dj art by Richard Powers. This contains: Arm by Larry Niven; Angel of Truth by Gordon Eklund; Mazes by Ursula K. Le Guin; For All Poor Folks at Picketwire by R. A. Lafferty; Growing Up in Edge City by Frederik Pohl; Durance by Ward Moore; The Ghost of a Model T by Clifford D. Simak; Planet Story by Kate Wilhelm; Graduation Day by W. Macfarlane; Timetipping by Jack Dann; Encounter with a Carnivore by Joseph Green; Lady Sunshine and the Magoon of Beatus by Alexei and Cory Panshin; for a single yesterday by George R. R. Martin; Bloodstream by Lou Fisher; Existence by Joanna Russ; Interface by A. A. Attanasio; Blooded on Arachne by Michael Bishop; Leviticus: In the Ark by Barry N. Malzberg; Cambridge 1:58 A.M. by Gregory Benford; Run from the Fire by Harry Harrison; The Aperture Moment by Brian W. Aldiss; Nightbeat by Neal Barrett Jr.; Uneasy Chrysalids Our Memories by John Shirley; and The Dogtown Tourist Agency by Jack Vance. Size: 8vo. Richard Powers; (illustrateur). Book.…

Hardcover. Etat : Good. 2nd Edition. Numbers are printed inside, 10 9 8 7 6 5 4 3 2 1. Firmly bound, green cloth boards. Small handling wear on the ends of the spine. Small pen deleting, a staple and inscriptions on front end paper. No jacket. The countries of Great Britain, France, The German Federal Republic and The Soviet union are included.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Book Club Edition. (viii) 593 pp. Brown boards lettered in yellow on the spine; headband. Book Club Code 18S. Light wear on the corners of the dustjacket; no interior markings. Dj art by Richard Powers. This anthology contains: Mazes by Ursula K. Le Guin; For All Poor Folks at Picketwire by R. A. Lafferty; Arm by Larry Niven; Angel of Truth by Gordon Eklund; Growing Up in Edge City by Frederik Pohl; Durance by Ward Moore; The Ghost of a Model T by Clifford D. Simak; Planet Story by Kate Wilhelm; Graduation Day by W. Macfarlane; Timetipping by Jack Dann; Encounter with a Carnivore by Joseph Green; Lady Sunshine and the Magoon of Beatus by Alexei and Cory Panshin; For a Single Yesterday by George R. R. Martin; Bloodstream by Lou Fisher; Existence by Joanna Russ; Interface by A. A. Attanasio; Blooded on Arachne by Michael Bishop; Leviticus: In the Ark by Barry N. Malzberg; Cambridge 1:58 A.M. by Gregory Benford; Run from the Fire by Harry Harrison; The Aperture Moment by Brian W. Aldiss; Nightbeat by Neal Barrett Jr.; Uneasy Chrysalids Our Memories by John Shirley; and The Dogtown Tourist Agency by Jack Vance. Size: 8vo. Richard Powers; (illustrateur). Book.…

Magazine. 116p. includes covers, 8.5x11 inches, explicit b&w and color photos and art of SM, Bondage and Rough Trade/Leathermen, stories, news, reviews, Dear Sir section of personal ads, very good erotic men's magazine in stapled pictorial wraps. Includes 16p. Source Section. Aaron Travis on Rubber Sex. Mark I. Chester: Metamorphosis.…

Magazine. 102p, 8.5x11 inches, photos, art, stories, resources, reviews, ads, very good rough trade magazine in stapled pictorial wraps.

Paperback. Etat : Good. Reprint. 692 pages. A comprehensive overview of British Columbia's history. Includes 31 readings which concentrate upon four areas: Indian-European relations; racial tensions; labour militancy and radicalism; and economic development. Excellent reference. Moderate wear. Clean and unmarked. Solid copy.…

Etat : Very Good. Hardcover in a bright dust jacket, 408 pages. The only biographical account of More by one of his contemporaries. Ward's almost hagiographical tone is testimony to the high regard in which More was held by his admirers. This account testifies to the continuing impact of More's ideas in the enlightenment. This volume prints the only modern edition of Ward's biography printed in 1710 together with the manuscript account of More's writings published here for the first time. Clean copy. Record # 386774.…

Magazine. 96p. includes covers, 8.5x11 inches, explicit b&w and color photos and art of SM, Bondage and Rough Trade/Leathermen, stories, news, reviews, very good erotic men's magazine in stapled pictorial wraps.

Magazine. 96p. includes covers, 8.5x11 inches, explicit b&w and color photos and art of SM, Bondage and Rough Trade/Leathermen, stories, news, reviews, lightly worn erotic men's magazine in stapled pictorial wraps. An excerpt from Rice's sequel to "The Claiming of Sleeping Beauty" illustrated by Olaf. Also Payne's paean to masturbation heavily and explicitly illustrated. Also Knights Templar Initiation, Bound & Gagged and Rites of Endurance.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 393 pp. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge. A great, almost spotlessly clean copy and dust jacket! Solidly and tightly bound, essentially and nearly flawless copy and dust jacket with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Dust jacket shows minimal wear around edges. …

Magazine. 96p. includes covers, 8.5x11 inches, explicit b&w and color photos and art of SM, Bondage and Rough Trade/Leathermen, stories, news, reviews, lightly worn erotic men's magazine in stapled pictorial wraps.

Hardcover. Etat : Good. Near Very Good Hardcover; attractively bound in color glossy boards with photographs on covers and bright, distinct lettering on covers and spine; 102 pages including many photos; a section bordered in pen on page 53, otherwise in Fine condition; a securely bound and attractive book.…

Soft cover. Etat : Good. 1st Edition. 236 pp., xiii. NAP. Contents divided into three Parts. Part I: RELIGIOUS CULTURE IN JEFFERSON'S VIRGINIA 1. Mark A. Beliles, "The Christian Communities, Religious Revivals, and Political Culture of the Central Virginia Piedmont, 1737-1813"; 2. Thomas C. Thompson, "Perceptions of a ' Deist Church ' in Early National Virginia"; Part II: THEOLOGICAL AND PHILOSOPHICAL INFLUENCES ON JEFFERSON AND MADISON 3. Charles B. Sanford, "The Religious Beliefs of Thomas Jefferson"; 4. Garrett Ward Sheldon, "Liberalism, Classicism, and Christianity in Jefferson's Political Thought"; 5. Douglas L. Wilson, "Jefferson and Bolingbroke: Some Notes on the Question of Influence"; 6. Mary-Elaine Swanson, "James Madison and the Presbyterian Idea of Man and Government"; Part III: JEFFERSON AND MADISON ON CHURCH AND STATE 7. Daniel L. Dreisbach, "Church-State Debate in the Virginia Legislature: From the Declaration of Rights to the Statute for Establishing Religious Freedom"; 8. Robert L. Cord, "Mr. Jefferson's ' Nonabsolute ' Wall of Separation Between Church and State"; 9. Daniel L. Dreisbach, "Religion and Legal Reforms in Revolutionary Virginia: A Reexamination of Jefferson's Views on Religious Freedom in Church-State Separation"; 10. Donald L. Drakeman, "James Madison and the First Amendment Establishment of Religion Clause"; About the Contributors, pp. 235-236. .Glossy olive wrappers with title lettering in black over olive on top third front cover, above large color portrait of Jefferson (White House Collection); editor names in small white letters across bottom front cover. Blue ink underlining and occasional marginalia found in the Editor's Preface (4 pages); Ch. 1 (4 pages); Ch. 2 (14 pages); Ch. 3 (21 pages; Ch. 4 (7 pages); Ch. 7 (11 pages) = 61 pp. of 236 pp. Most of the underlining is intermittent, short lengths, rather than lengthy stretches; marginalia is not common (on only 13 of 61 pp, and consists of a single word, such as "Really?". The artifact itself is in Near Fine condition, with tiny hint of wear at corners; slight, thin white line of wear down right spine edge and intermittent flecks of white down left spine edge; thin, superficial scuff line across fore-edge at 1 3/4" down from top fore-edge (extremely nugatory impact, NO tears to pages; would appear to have been incurred in manufacture of book); two superficial soft creases on the diagonal (1/2" above 1 1/2") at top left rear cover corner (essentially flat, undetectable on inside rear cover at corresponding places); 1/4" similar superficial soft crease at front cover bottom right corner (Not detectable on inside front cover there): Artifact describes much worse than it is, but there you have it. Tight binding (NO creases); corners essentially sharp; NO previous owner names; NO remainder marks. Still a solid copy. …

Softcover. First Edition; First Printing. Near Fine in wraps.

Hard. Etat : Very Good. Etat de la jaquette : Good. First Edition. Pages clean and bright, light spotting on head of closed edge, boards slightly cocked but binding firm, 9cm closed tear on rear of dust jacket, 1cm closed tear on foot of front jacket, light foxing to dust jacket. Size: 8vo.

[1963], an unnumbered copy from a limited edition of 1500. (Hardcover) Very good plus, no dust jacket. 324pp. Red morocco with ribbed spine and gilt decoration. Top edge gilt, patterned endpapers, illustrations, index. There is a previous owner's label. Foreword by Lawrence A. Appley. (Business, Communication, Management). …

Secker & Warburg, London - 1980 - Grand in-8, cartonnage sous jaquette illustrée de l'éditeur - 393 pages - Reproductions photographiques en N&B in et hors texte - Ouvrage en anglais Bon état - Jaquette quelque peu défraichie (plis, frottement) - Déchirures sur le bord supérieur de la jaquette avec petit renfort au scotch.…

Prints. Etat : Near Fine. Folio [39 cm] Two suites of loose prints (the suites are issued in two states). 13 prints printed on white paper, 12 of which are signed; 13 prints printed on cream-colored paper, 12 of which are signed. The images on the cream-colored paper are the same as the images on the white paper, the only difference being the paper. The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. *Does not contain the introduction by Leonard Baskin or the descriptive letterpress text.*. With signed self-portraits by the following artists: -Fred Becker (1913-2004). Born in Oakland, California, and active in St. Louis, Missouri and New England. -Jack Coughlin (b. 1932). Born in Greenwich, Connecticut. He studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is most known for his portrait wood engravings, etchings, and lithographs of literary figures and musicians. (Information obtained from Brier Hill Gallery, Boston, MA). -John DePol (1913-2004). A New York printmaker and wood engraver. His press was Endgrain Press. -Fritz Eichenberg (1901-1990). A German/American artist. Considered a master of wood engraving. Eichenberg's first big commissions came with Crime and Punishment and Gulliver's Travels for the Limited Editions Club. His images often depict suffering and poverty. His positions included director of Graphic Arts Center in Brooklyn and a teacher of Graphics at New York's Pratt Institute. (Westmont Ridley-Tree Museum of Art) -Raymond Gloeckler (1928-2022). Born in Portage, Wisconsin. While still a student, he taught art, via a government program, in rural schools. Later, he was employed as a professor at UW-Madison between 1961-1993. "Gloeckler is known for his highly detailed caricatures, and bold, expressive, satire and commentary. His prints and paintings comment on humanity's follies and foibles in a unique light-hearted style defying art world trends." - Gallery of Wisconsin Art -James Grashow (b. 1942). An American sculptor and woodcut artist. "James Grashow was born in Brooklyn in 1942 and has been creating works that address themes of man, nature and mortality since the 1960's" "The scale of his work ranges from large environmental installations, through which the viewer traverses, to the delicate and contained world of his houseplants, where homes and buildings replace flowers and buds in intricately constructed bouquets." - The artist's website -Judith Jaidinger (b. 1941). One of the two female artists represented here. Born in Chicago, Illinois. "Judith Jaidinger's obsession with cutting began in her 1960s student days at the School of the Art Institute, and is linked to her equally long, frankly sensuous relationship with boxwood. She was introduced to both in an engraving class taught by British-born print-master Adrian Troy. "At the same time, printing industry technology had moved on, supplanting woodblock engravings with line drawings and photography. 'A dying art,' Jaidinger says. It was also a seriously slumping industry. But in the 1960s in Chicago, hub of an enormous catalog business, there were still a few commercial wood-engraving establishments turning out the precise, detailed images more typical of the previous century. One of them, Sander Wood Engraving, on Dearborn Street, was where Professor Troy, a committed modernist, sent his students to buy the best material: rare, English-grown, boxwood blocks. "'He warned us,' Jaidinger recalls, 'If you go to Sander and buy your wood from them, don't look at what those engravers are doing. I don't want you to be influenced by them.' "That made it irresistible." - Reader- Chicago's alternative nonprofit newsroom -Stefan Martin (1936-1994). Born in Elgin, Illinois, and a graduate of the Art Institute of Chicago. He was also active in Roosevelt, New Jersey. His work is held in private museums and collections throughout the world, including the Metropolitan Museum and the Smithsonian Institution. -Michael McCurdy (1942-2016). American author, illustrator, and publisher. Born in New York City. McCurdy served as an instructor at the School of the Museum of Fine Arts, at Concord Academy, and at the Book Arts Laboratory of the Wellesley College Library. He founded Penmaen Press (1968-1985). (Information obtained from Brier Hill Gallery, Boston, MA). -Barry Moser (b. 1940). The owner and operator of The Pennyroyal Press, and the illustrator of over 250 books, including Moby Dick, The Divine Comedy, and a highly regarded edition of The Bible. "Barry Moser is probably the most important book illustrator working in America today." - Nicholas Basbanes -Gillian Tyler (b. 1935). Born in Baltimore, Maryland. She is an illustrator that works primarily in children's books. -Herbert Ogdon Waters (1903-1996). Born in China. Waters came to the United States and studied at the Pennsylvania Museum School of Industrial Art in Philadelphia, the Art Institute of Chicago, and Harvard University. He was a public school art instructor under the auspices of the Works Progress Administration's Federal Arts Project. He later taught art at the University of New Hampshire at Durham, and at the Holderness School in Plymouth, New Hampshire. (Information obtained from Brier Hill Gallery, Boston, MA). -**Lynd Ward (1905-1985). **The 13th print in each suite is by Lynd Ward, which are not signed, as he passed away in June of 1985, just before the project was completed. Originally issued in an edition of 250 boxed sets. Limited Edition "Out of Series" Print Set (not numbered, not in linen slipcase/box).…