Roger e fry (65 résultats)

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Etat : New. Transformations: Critical and Speculative Essays on Art. Book.

Hardcover. Etat : Good. No Jacket. Hardcover. Used good condition, scattered underlining in pencil; owner's stamps. Ross, E. Denison, ed., Fry, Roger, Gadd, C. J., Creswell, K. A. C., Binyon, Lawrence, Rackham, Bernard, Ashton, Leigh, and Tattersall, C.E.C. PERSIAN ART. 1931, 108 p. 20 illustrations, 3 in color, fold-out map of Persia, 20 x 12.5 cm. A small book published by Luzac and Company, published for the International Exhibition of Persian Art, Royal Academy, London. Chapters by various authorities: historical introduction from the 6th century BC to current times (Denison), art (Fry), early Persian art (Gadd), architecture (Creswell), painting (Binyon), pottery and glass (Rackham), textile art (Ashton), carpets (Tattersall) and metal-work (Ashton). Book.…

Paperback. Etat : Good. First Edition. Book.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : Good. First Edition. Book.

Rústica. Etat : New. Etat de la jaquette : Nuevo. LIBRO.

Hardcover. Etat : Very Good. 1st Edition. First Edition (NAP, MDCCCCXI on the title page). 80 Plates. I turned over every page and all 80 are present and in excellent condition. Some have one or two small tan spots at their white margin, most don't. The first section contains descriptions of all the plates. All of these pages (1 to 121) are exceptionally clean. I may have missed something, but I didn't see any spots or soiling at all. A bump at the front top corner of the covers did create a corresponding crease below the top corners of these papers, far from the print. Page 125 through to page 132 contains the various Indexes. The next section is the presentation of the Plates. The verso side of each plate is blank and in between the pages with the plates there is a bound-in tissue guard. So you have the blank verso of Plate I, then Plate I, then the tissue guard, then Plate II, then two blank facing pages, then Plate III, and so on. All of the tissue guards are present. All are bound-in, none are loose. The condition of the tissue guards is very good. I don't think I saw any tears. Most are free of creasing, a relatively small number have corner creases, a few have more significant creasing. This is the case with the tissue guard between the frontispiece and the title page. A small number of the tissue guards have a little tan spot or two. The aforementioned top corner crease continues through the section of Plates, generally getting lighter and lighter, never reaching the plates themselves. There are no markings in the book. There are no attachments of any kind. And no one has written their name or anything else anywhere. The page edges look pretty good. The middle and bottom page edges are deckled or rough-cut. You can see the covers in the photos. The front and rear look clean. There is some toning at the margins of the rear cover. The gilt lettering on the spine is still fairly bright. The red of the spine is dulled. There is also some soiling on the spine (second photo. There is wear at both spine ends, little tears and a couple of tiny spots of rub-through. There is a bump/crease at the rear top corner and at both corners on the front. The cover edges look very good, no rub-through, just a very tiny bit of superficial rubbing at the two bottom ones. Three of the corners have some crinkling from the bumps, but I don't see any rub-through, just a little bit of superficial rubbing. The book is square and the spine looks pretty straight. The front cover has a little bit of give if you pull on it from the side but there is no space between the front inside cover and front end paper (the first of the two front end papers has some tanning, as does one side of the rear end paper, no soiling on them. Both inside covers are very clean and free of tanning). The binding of the pages seems pretty solid throughout. I didn't find any conspicuous issues. There is a very thin space between two of the blank facing versos near the end of the book (both pages are tightly bound from top to bottom. The rear cover is solidly bound, no issues there. It feels like this book should not be this inexpensive but I am pricing it competitively.…

Etat : Very Good. 8 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Etat : Very Good. 6 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Etat : New.

Hardcover. Etat : Very Good. First edition. 48pp., followed by 23 plates, including three photogravures. Binding lightly soiled and toned, modest wrinkling to the paper boards, light foxing and offsetting on the endleaves, very good.

Soft cover. Etat : Very Good. 1st Edition. 107, [1] pages, 21 unnumbered leaves of plates : colour frontispiece, illustrations (some colour), folded map, plans ; 19 cm. Contents: Historical introduction, by E.D. Ross Persian art, by R. Fry Early Persian art, by C.J. Gadd Architecture, by K.A.C. Creswell Painting, by L. Binyon Pottery and glass, by B. Rackham Textile art, by L. Ashton Carpets, by C.E.C. Tattersall Metal-work, by L. Ashton. …

Etat : New.

1st edition, hardback, large 8vo, (viii),48pp, 23 b/w plates, scattered light foxing, text clean and binding sound, printed boards and quarter-cloth, spine slightly browned, board corners rubbed, Good condition / no dustwrapper.

Etat : New.

First Edition. Good copy in the original gilt-blocked cloth. Decorative blind-tooling to boards. Spine bands and panel edges somewhat bumped and rubbed as with age. Boards sun-toned, with some minor staining to lower boards. Scattered pencil annotations - unobtrusive. Remains quite well-preserved overall. Further scans, images etc. and additional bibliographical material available on request.; 8vo 8" - 9" tall; 134 pages; Physical description: xiv, 134p, frontispiece, 64 leaves of plates, 28cm. Subjects: Grafton Galleries (London) -- Art -- Exhibition catalogues. 2 Kg.…

Paperback. Etat : New. Print on Demand. This book passionately analyzes Bellini's paintings to form a coherent narrative of his life and work. It positions his art within the broader context of Venetian and Paduan art during the Italian Renaissance and explores the historical and cultural context of his masterpieces through the eyes of a modern-day critic. The intricate symbolism, thematic depth, and philosophical ideas embedded within Bellini's work are examined closely, drawing the reader into the radiant yet humble universe of a man who sought to portray divine truths through earthly beauty. With access to the artist's personal documents and a trained eye for visual storytelling, the author unravels the influences that shaped Bellini's artistic vision, and celebrates his unique role in the rich tapestry of Italian art history. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Etat : As New. Unread book in perfect condition.

Hard Back. Etat : Fine. First Edition. Fine copy clean red cloth bright giltworkclean pages tight binding. 266 x 195mm. ppxiv,133 + 80 monochrome plates.

Taschenbuch. Etat : Neu. Neuware - 'Transformations: Critical and Speculative Essays on Art' is a foundational collection of writings by the influential critic Roger Fry, a leading figure of the Bloomsbury Group. In these essays, Fry explores the intricate relationship between the formal qualities of art and the emotional response of the viewer, further refining the theories of Post-Impressionism that he helped introduce to the English-speaking world.The work traverses a wide breadth of subjects, ranging from the classical sculpture of ancient Greece and the Renaissance to the artistic traditions of India and China. Fry applies a rigorous, formalist analysis to these diverse styles, seeking to uncover the universal principles of aesthetic design and plasticity that transcend cultural boundaries. His speculative inquiries delve into the psychological foundations of artistic appreciation and the evolving role of the critic in interpreting visual language.A landmark in 20th-century art criticism, 'Transformations' remains a vital resource for understanding the development of modern aesthetic theory. Fry's eloquent prose and keen observational skills provide readers with a profound framework for engaging with art, emphasizing the primacy of form and the enduring power of visual expression.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

First Edition. Good copy in the original gilt-blocked cloth. Decorative blind-tooling to boards. Spine bands and panel edges somewhat bumped and rubbed as with age. Boards sun-toned, with some minor staining to lower boards. Scattered pencil annotations - unobtrusive. Remains quite well-preserved overall. Further scans, images etc. and additional bibliographical material available on request.; 8vo 8" - 9" tall; 134 pages; Physical description: xiv, 134p, frontispiece, 64 leaves of plates, 28cm. Subjects: Grafton Galleries (London) -- Art -- Exhibition catalogues. 2 Kg.…

First edition. 4to. [xiv], 133 pp. Frontispiece, 80 illustrations. Full vellum binding, embossed gilt decoration on covers, covers bowed, else very good copy. (88194).

paperback. Etat : New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date :2005-04-01 Pages: 207 Language: Chinese Publisher: Jiangsu Education Publishing House. Western Art History Series: Vision and Design is the English formalist critic Roger Fry in 1900 to 1920 two decade anthology on art paper . the basic career . including criticism of its front half of the writings . All articles and artistic practice have a relationship. which has a wealth of theoretical ideas and a lot polemical discussion of the article . These articles epitomizes Roge.Four Satisfaction guaranteed,or money back.…

Buch. Etat : Neu. Neuware - 'Transformations: Critical and Speculative Essays on Art' is a foundational collection of writings by the influential critic Roger Fry, a leading figure of the Bloomsbury Group. In these essays, Fry explores the intricate relationship between the formal qualities of art and the emotional response of the viewer, further refining the theories of Post-Impressionism that he helped introduce to the English-speaking world.The work traverses a wide breadth of subjects, ranging from the classical sculpture of ancient Greece and the Renaissance to the artistic traditions of India and China. Fry applies a rigorous, formalist analysis to these diverse styles, seeking to uncover the universal principles of aesthetic design and plasticity that transcend cultural boundaries. His speculative inquiries delve into the psychological foundations of artistic appreciation and the evolving role of the critic in interpreting visual language.A landmark in 20th-century art criticism, 'Transformations' remains a vital resource for understanding the development of modern aesthetic theory. Fry's eloquent prose and keen observational skills provide readers with a profound framework for engaging with art, emphasizing the primacy of form and the enduring power of visual expression.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…