Rohan chhetri (26 résultats)

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Paperback. Etat : New. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : very_good.

Trade Paperback. Etat : Near Fine. First Edition. Stated First Edition. A Near Fine copy in black printed wraps with minimal shelfwear. Internally clean and free of markings with an uncreased spine. 56 pp. Winner of the Kundiman Prize for exceptional work by an Asian American poet. // ' 'In Rohan Chhetri's Lost, Hurt, or in Transit Beautiful, ? inherited literary forms-- the ode, the lyric, and pristine tercets-- are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a 'ruined field' that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit what is possible within our most solitary reflections, defining even those 'vague dreams' that in the end we greet alone. 'This is how violence enters / a poem, ' he explains, 'through a screen / door crawling out & Mother asleep on the couch.' These pieces are as lyrical as they are grounded, and as understated as they are ambitious. 'In my language, there is a name for this music, ' he tells us. As his stunning collection unfolds, Chhetri reminds us, with subtlety and grace, that the smallest stylistic decisions in poetry are politically charged. This is a haunting book.' --from the Judge's Citation by Kristina Marie Darling' -- publisher.…

Paperback. Etat : Good.

Etat : New.

Etat : New. pp. 72.

Paperback. Etat : New. "In Rohan Chhetri's Lost, Hurt, or in Transit Beautiful,? inherited literary forms- the ode, the lyric, and pristine tercets- are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a 'ruined field' that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit what is possible within our most solitary reflections, defining even those 'vague dreams' that in the end we greet alone. 'This is how violence enters / a poem,' he explains, 'through a screen / door crawling out and Mother asleep on the couch.' These pieces are as lyrical as they are grounded, and as understated as they are ambitious. 'In my language, there is a name for this music,' he tells us. As his stunning collection unfolds, Chhetri reminds us, with subtlety and grace, that the smallest stylistic decisions in poetry are politically charged. This is a haunting book."-from the Judge's Citation by Kristina Marie Darling.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : As New. Winner of the Kundiman Poetry Prize. ; 6 x 9"; 56 pages.

Soft cover. Etat : New. 'This book has pain and it has discovery. It has wonder. It has the spell of a story and the effortlessness of a song. Which is why I hope it finds its way into you, your hands, readers.' Ilya Kaminsky, author of Deaf Republic In Rohan Chhetri's much-awaited second collection, inherited literary forms-the ode, the lyric, and pristine tercets-are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. Winner of the prestigious Kundiman Prize for Poetry, Lost, Hurt, Or in Transit Beautiful is a luminous and haunting book.…

Soft cover. Etat : New. Winner of a PEN/Heim Translation Fund Grant Born in Assam, Avinash Shrestha migrated permanently to Kathmandu in 1990. His first three collections, Parewa: Seto Kala (1977), Samvedna, O Samvedna! (1981) and, particularly, Anubhuti Yatrama (1990) forged a quintessentially modern Nepali diction and imagery and created a stir in the Nepali literary scene. His work brought in influences from the regional poetry movements in India -Assamese, Urdu, Hindi, Bengali - and world poetry, ranging from the French symbolists to the Spanish surrealist Federico García Lorca, into the idiom of Nepali poetry which had, until then, been mired in social critique. His fourth collection, Karodoun Suryaharuko Andhakar (2003), blends his distinct brand of surrealism with themes of climate justice, mourning the ecological degradation in the Eastern Himalayas. The Dust Draws Its Face on the Wind, translated brilliantly by the award-winning Rohan Chhetri, is the first selection of Nepali poetry to be widely available in English, and maps the oeuvre of one of the most significant contemporary poets writing in the language today.…

Soft cover. Etat : Near Fine. Great copy. Presents as new and unread (see pictures). All our books at the moment are reduced so the price you see reflects a 33% discount. You may be interested in The Literaticus Book Service. We specialise in tracking down those harder to find editions, among other bookish services such as gift fulfilment. Get in touch to send us your Book Wants or ask a bookish question. If this is intended as a gift, please email first and I can gift wrap for no extra charge. If you would like special delivery but don't see an option for it, just email first and I'll obtain a quote. If you have any questions, require more information or if you would like more pictures, do not hesitate to get in touch. 2023.…

Etat : New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Etat : New. 2021. Paperback. . . . . .

Paperback. Etat : Brand New. 60 pages. 9.00x5.80x0.30 inches. In Stock.

paperback. Etat : Very Good.

paperback. Etat : As New.

Taschenbuch. Etat : Neu. Neuware - 'In Rohan Chhetri's Lost, Hurt, or in Transit Beautiful, inherited literary forms-- the ode, the lyric, and pristine tercets-- are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a 'ruined field' that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit what is possible within our most solitary reflections, defining even those 'vague dreams' that in the end we greet alone. 'This is how violence enters / a poem, ' he explains, 'through a screen / door crawling out & Mother asleep on the couch.' These pieces are as lyrical as they are grounded, and as understated as they are ambitious. 'In my language, there is a name for this music, ' he tells us. As his stunning collection unfolds, Chhetri reminds us, with subtlety and grace, that the smallest stylistic decisions in poetry are politically charged. This is a haunting book.' --from the Judge's Citation by Kristina Marie Darling.…

Etat : New.

Paperback. Etat : New. "In Rohan Chhetri's Lost, Hurt, or in Transit Beautiful,? inherited literary forms- the ode, the lyric, and pristine tercets- are juxtaposed with gorgeously fractured and stylistically daring hybrid pieces. The end result is a work in which poetic technique is brought to bear on lingering questions of identity, artistic tradition, and the cruelty implicit in language itself. Here, form, grammar, and syntax function as a kind of containment, but also, a 'ruined field' that is rife with possibility. Chhetri dramatizes and resists the ways language, and its implicit logic, limit what is possible within our most solitary reflections, defining even those 'vague dreams' that in the end we greet alone. 'This is how violence enters / a poem,' he explains, 'through a screen / door crawling out and Mother asleep on the couch.' These pieces are as lyrical as they are grounded, and as understated as they are ambitious. 'In my language, there is a name for this music,' he tells us. As his stunning collection unfolds, Chhetri reminds us, with subtlety and grace, that the smallest stylistic decisions in poetry are politically charged. This is a haunting book."-from the Judge's Citation by Kristina Marie Darling.…