rubin william armstrong matthew (32 résultats)

Paperback. Etat : Good. Revised. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Etat : Good. Used book that is in clean, average condition without any missing pages.

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 2.45.

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 2.45.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.45.

softcover. Etat : Nearly fine copy. Profusely illustrated (illustrateur). 1st. 4to, 192 pp., Slight peeling of lamination on rear cover, else fine.

Etat : Good. Used book that is in clean, average condition without any missing pages.

Etat : Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Softcover. 180 p. Very good condition. The reading pages are clean and unmarked. Slight signs of storage and wear. Otherwise a very good copy. 9780870701931 Sprache: Englisch Gewicht in Gramm: 1500.

31,3 x 24,7 cm. 180 Seiten mit vielen, teils farbigen Abbildungen. Original-Leinen mit Schutzumschlag, dieser ein wenig angestaubt.

Softcover. Etat : Very Good. No Jacket. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Softcover. 3rd Printing. Folio Size [24x31cm approx]. Very Good condition. Corners lightly bumped. Illustrated with colour and black & white reproductions. 180 pages. A highly personal collection of eighty-four paintings, sculptures, prints and drawings. Robust, professional packaging and tracking provided for all parcels.

Paperback. Etat : Very Good. Color & b/w Illustrations (illustrateur). First Edition. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. First edition. 180 pages. Profusely illustrated. Fine condition in dust jacket that has some light edgewear, a 1" closed tear back and some rubbing to back. (ART13).

Softcover. Etat : Very Good. Size: 10"-12" Tall. Quantity Available: 1. Category: Art & Design; ISBN: 0870701932. ISBN/EAN: 9780870701931. Pictures of this item not already displayed here available upon request. Inventory No: 42999.

Soft Cover. Etat : As New. 1st paperback trade edition, paperwraps, 12 x 9.5 inche); 179 pp; art catalog of a 1992 exhibition of modern art from the William S. Paley collection; color photographs of each work, with background on the artist, the works place in the collection, as well as detailed catalog and notes; just a little bit of rubbing to softcovers, otherwise in almost EXCELLENT COND.

Soft cover. Etat : NEAR FINE +++. VARIOUS KNOW ARTISTS (illustrateur). REVISED EDITION. BOOK IN ABSOLUTELY SUPERB CONDITION. SOLID & CLEAN, NO MARKINGS. 176 [PAGES., 131 ILLUSTRATIONS, 84 IN VIVID COLOR. PALEY WHO WAS THE FOUNDER OF CBS HAD ONE OF THE MOST IMPORTANT PRIVATE ART COLLECTION IN THE WORLD. MAY BE SLIGHTLY OVERSIZE FOR CERTAIN DESTINATIONS. SCANS ON REQUEST, THANKS.

Softcover. Etat : Very Good. Foreword by Richard E. Oldenburg. Includes catalogue and notes. First published in conjunction with an exhibition of the William S. Paley Collection at The Museum of Modern Art, New York, February 2 - May 7, 1992. International tour organized under the auspices of the International Council of The Museum of Modern Art, New York. (234 illustrations, 73 in colour) 180 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art; Art & Design; ISBN: 0870701932. ISBN/EAN: 9780870701931. Inventory No: 257522.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Over-sized hardbound (folio/coffee table type). First edition: no later printings listed. Blind embossed name stamp lower right corner of the title page. Small sticker stain inside the front cover. Otherwise, as new. No wear to the binding. No slope, no twist from reading or improper shelving. No bumped corners. No broken hinges. Pages are tight and clean with no marks. No musty odor. No tobacco odor. No water damage. No soiling. The dust jacket shows light edge wear, no sun fading.

Trade Paperback. Etat : As New. New paperback, still in publisher's shrinkwrap.

Paperback. Size: 9.5" x 12", 176pp, profusely illustrated. Near new condition, covers bright, text clean and binding tight.

Soft cover. Etat : Fine. No Jacket. 2nd Edition. Over-sized softbound (folio). Revised edition stated. AS NEW No wear to the covers. No spine creasing from opening. Pages are tight and clean with no marks. No name of previous owner. No musty odor. No tobacco odor. No water damage. No soiling. No sun fading.

Paperback. Etat : Near Fine. xi, 180 pages, illustrations (some colour); 32 cm. Catalogue of an exhibition held February 2 to May 7, 1992. Near fine. Firm binding, clean inside copy. Slightly bumped/tail of spine. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** The head of CBS was a notable collector of modern & contemporary art. Size: Folio.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Softcover/Paperback. Etat : Very Good. First Edition. Exhibition catalogue. The collection of the founder of CBS: 19th and 20th century Art, a perfect fit for MOMA; 234 illustrations, 73 full page colour with short essay accompanying each of the latter. Pictorial wrappers. Owner signature. Very good. book.

Hardback, 24.5x31cm, 180pp. Good condition (light wear; cocked spine; bumped corners) in good dustwrapper (general light wear and scuff marks; chipped corners). ISBN: 0870701703.

Trade Paperback. Etat : Used - Very Good. Very nice clean, tight copy free of any marks.

Hardcover. Etat : Used - Like New. Etat de la jaquette : Very Good. Dust jacket slightly faded on spine; otherwise, very nice, clean, like-new copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.

Spiral Bound. Etat : Near Fine. (xii) 180 pages, numerous b/w and color illustrations, folio, blue wraps, illustrated front cover. Cover near fine; contents fine.

Hardcover. Etat : Very good. Etat de la jaquette : Good. Presumed First Edition, First printing. The format is approximately 9.5 inches by 12.25 inches. xi, [1], 180 pages. Illustrations (234, 73 in color). The dust jacket has some wear, tears and soiling. Illustrated dust jacket. This was published in connections with an exhibition of the William S. Paley Collection at The Museum of Modern Art, New York, February 2--May 7, 1992, organized by William Burin, Director emeritus, Department of Painting and Sculpture. Foreword by Richard E. Oldenburg. Preface by William Rubin. Catalogue and Notes. William Stanley Rubin (August 11, 1927 January 22, 2006) was an American art scholar, a distinguished curator, critic, collector, art historian and teacher of modern art. From 1968 to 1988, Rubin was a curator at The Museum of Modern Art located in New York City and, from 1973 to 1988, he served as director of the Painting and Sculpture Department. He played a key role in building MoMA's collection, in particular acquiring work of abstract expressionism, and organized many groundbreaking exhibitions. Rubin's post at the Museum of Modern Art made him one of the most powerful and influential individuals in the art world of his day, but he eventually realized that it was time for a younger generation to take over, so he retired in 1988. Matthew Armstrong (Columbia General Studies, '84) is the former curator of the PaineWebber and UBS art collections and is now a private curator and art advisor. The William S. Paley Collection at The Museum of Modern Art, which constitutes one of the most important private collections to be entrusted to a public institution in recent years, will be shown to the public in its entirety for the first time. Mr. Paley, founder and guiding spirit of CBS and a towering figure in the modern entertainment, communication, and news-dissemination industries, left his collection of more than eighty works of art to the William S. Paley Foundation for donation to The Museum of Modern Art, where he was chairman emeritus at the time of his death in October 1990. This exhibition pays tribute to Mr. Paley's dedicated service to the Museum over a period of more than half a century. The Paley Collection, which includes paintings, sculpture, and drawings, ranges in date from the latter half of the nineteenth century through the early 1970s. It is especially rich in works by Cezanne, Matisse, and Picasso, and includes as well significant works by Toulouse-Lautrec, Degas, Derain, Bonnard, Gauguin, Rouault, and other modern masters. Among the pieces on view in the exhibition are Gauguin's splendid The Seed of the Areoi (Te aa no areois) (1892), an important female nude from the artist's first sojourn in Tahiti; Cezanne's superb Milk Can and Apples (187980); a large and exquisite late pastel by Degas, Two Dancers (1905); Derain's dynamic Fauve painting Bridge over the Riou (1906); Picasso's celebrated monumental painting Boy Leading a Horse (190506); and Matisse's striking masterpiece from his years in Nice, Woman with a Veil (1927). Many of the pieces in the collection fill important gaps in the Museum's collection, while others further enrich areas of strength. The William S. Paley Collection is a highly personal one, built according to the dictates of private taste rather than to any more public concerns. As William Rubin notes in his preface to the catalogue accompanying the exhibition, in the middle 1930s, when William Paley bought many of his paintings, "there were relatively few collectors of modern artand nothing chic about possessing it." Mr. Paley's passion for art made his collection a fundamental component of his private world. The works are, for the most part, intimate in both format and character, scaled for personal enjoyment and contemplation. Mr. Paley's affiliation with The Museum of Modern art commenced in 1937, only eight years after the Museum was founded. He served successively as trustee, chairman of the Painting and Sculpture Committee, president of the Museum, and chairman of the Board, under whom the 198284 expansion was carried out. He was chairman emeritus from 1985 until his death.