Rustam mehta (64 résultats)

Soft cover. Etat : Near Fine. No Jacket. 1st Edition. 4to, stiff wrappers. 184 pp, numerous color illustrations.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Unknown. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Etat : As New. First Edition. Very few student-written and -published academic journals are this finely and handsomely produced. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. Bright-red card stock wraps, with a pasted-on Inuit couple on front cover. Double-column text. [8], 9-184 pp. Another fine contribution to the Yale Journal of Architecture, published by the Yale School of Architecture.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Trade Paperback. Etat : New. The Grand Tour was once the culmination of an architect's education. As ajourney to the cultural sites of Europe, the Tour's agenda was clearly defined: tostudy ancient monuments in order to reproduce them at home. Architects returned fromtheir Grand Tours with rolls of measured drawings and less tangible spoils: patronage, commissions, and cultural cachet. Although no longer carried out underthe same name, the practices inscribed by the Grand Tour have continued relevancefor contemporary architects. This edition of Perspecta--the oldest and mostdistinguished student-edited architectural journal in America--uses the Grand Tour, broadly conceived, as a model for understanding the history, current incarnation, and future of architectural travel. Perspecta 41 asks: where do we go, how do werecord what we see, what do we bring back, and how does it change us? Contributionsinclude explorations of architects' travels in times of war; Peter Eisenman'saccount of his career-defining 1962 trip with Colin Rowe around Europe in aVolkswagen; Robert Venturi and Denise Scott Brown's discussion of their travelingand its effect on their collecting, teaching, and design work; drawings documentingthe monolithic churches of Lalibela, Ethiopia; an account of how James Gamble Rogersdesigned Yale's Sterling Library and residential colleges using his collection ofpostcards; and a proposed itinerary for a contemporary Grand Tour--inAmerica.ContributorsEsra Akcan, Aaron Betsky, Ljiljana Blagojevic [acute accent overc], Edward Burtynsky, Matthew Coolidge and CLUI, Gillian Darley, Brook Denison, Helen Dorey, Keller Easterling, Peter Eisenman, Dan Graham and Mark Wasiuta, JefferyInaba and C-Lab, Sam Jacob, Michael Meredith, Colin Montgomery, Dietrich Neumann, Enrique Ramirez, Mary-Ann Ray and Robert Mangurian, Kazys Varnelis, Robert Venturiand Denise Scott Brown, Enrique Walker Architectural travel, from the Eternal City to the generic city.…

Trade Paperback. Etat : Used - Very Good. The Grand Tour was once the culmination of an architect's education. As ajourney to the cultural sites of Europe, the Tour's agenda was clearly defined: tostudy ancient monuments in order to reproduce them at home. Architects returned fromtheir Grand Tours with rolls of measured drawings and less tangible spoils: patronage, commissions, and cultural cachet. Although no longer carried out underthe same name, the practices inscribed by the Grand Tour have continued relevancefor contemporary architects. This edition of Perspecta--the oldest and mostdistinguished student-edited architectural journal in America--uses the Grand Tour, broadly conceived, as a model for understanding the history, current incarnation, and future of architectural travel. Perspecta 41 asks: where do we go, how do werecord what we see, what do we bring back, and how does it change us? Contributionsinclude explorations of architects' travels in times of war; Peter Eisenman'saccount of his career-defining 1962 trip with Colin Rowe around Europe in aVolkswagen; Robert Venturi and Denise Scott Brown's discussion of their travelingand its effect on their collecting, teaching, and design work; drawings documentingthe monolithic churches of Lalibela, Ethiopia; an account of how James Gamble Rogersdesigned Yale's Sterling Library and residential colleges using his collection ofpostcards; and a proposed itinerary for a contemporary Grand Tour--inAmerica.ContributorsEsra Akcan, Aaron Betsky, Ljiljana Blagojevic [acute accent overc], Edward Burtynsky, Matthew Coolidge and CLUI, Gillian Darley, Brook Denison, Helen Dorey, Keller Easterling, Peter Eisenman, Dan Graham and Mark Wasiuta, JefferyInaba and C-Lab, Sam Jacob, Michael Meredith, Colin Montgomery, Dietrich Neumann, Enrique Ramirez, Mary-Ann Ray and Robert Mangurian, Kazys Varnelis, Robert Venturiand Denise Scott Brown, Enrique Walker Architectural travel, from the Eternal City to the generic city. Very nice clean, tight copy free of any marks.…

Hardcover. Etat : Good. 1st Edition. 157pp; Index; color and monochrome plates. Owner's name stamped on front endpaper. Underlines in text. Stated First Edition. 28.5 cm x 22 cm.

Paperback. Etat : Near Fine. A near fine paperback. 1st American Printing 1967.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. First Published. CLEAN Fine 1980 First Edition Hard Cover with very good dust jacket.

Etat : Good. 1981. 2nd Edition, Revised. 48 pages. Pictorial dust jacket over black cloth. Black and white photographic plates throughout. Pages and plates are lightly tanned throughout. Binding remains firm. Boards have light shelf-wear with corner bumping. Spine is in good condition. Unclipped jacket has light edgewear with chips and creasing.…

28 x 22 cm. Etat : Gut. 56 pages, 100 plates Hardcover, original cardboard cover in good condition. Inside and out, with only slight signs of storage or wear. Please see our pictures. Hardcover, original Pappeinband in gutem Zustand. Innen wie außen mit nur leichten Lager- oder Gebrauchspuren. Bitte beachten Sie unsere Bilder. Büro 26 Sprache: Englisch Gewicht in Gramm: 740.…

Hardcover. Etat : Good. Dust Jacket Included. hbk 4to 67pp of text + a section of 95 photographic plates lacks dj maroon cloth boards with gilt titles damage to bottom corner of front board (with some attendant staining to the corner tips of early pages) and some lifting to the cloth otherwise a very good clean tight unmarked copy.…

Hardcover. Etat : Used - Very Good. Used copy with dj. Binding is tight no interior marks.

4°, 56 S./pp., 88 Tafeln im Anhang / plates in the appendix, Originalleineneinband (publisher's cloth binding), gutes Exemplar (fine), Sprache: englisch.

Hardcover. Etat : Good. Etat de la jaquette : Good. Good hardback copy in good dustjacket. viii, 50pp, plus 100 b/w plates. Size: 28x22cms.

Hardcover. Etat : Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of boards and ends of spine strip. Light scuffing and smudging to boards and spine strip. Secure packaging for safe delivery. …

Hardcover. Etat : Fair. 360 pages. DJ worn, Text tanned.

Hardcover. Etat : Good. Etat de la jaquette : Poor. 1st Edition. Internally clean, tight, solid copy with firm hinges, sharp corners. Scattered fading to boards where DJ had chips and tears. DJ complete with heavy wear to rear panel, especially along top edge. Wear to corners, spine. Looks good in mylar but worn. BP/Textiles/India.…

Hardcover. Etat : Gut. 28x21,5cm; Bombay, D. B. Taraporevala Sons & Co. 50; Hardcover. Sprache: Englisch, 100 SW Abb.; Zustand: Gut gering bis leicht gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag (hat leichte Gebrauchsspuren); * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Etat : Good. 1979. Reprint. 56 pages. Blue pictorial dust jacket over beige cloth. Black and white illustrative plates. Pages are lightly tanned at the edges, with light foxing. Occasional thumb marks to pages edges. Binding has remained firm. Boards have slight shelf wear with bumping to corners. Spine ends are a little crushed. Light tanning to spine and edges. Light wear to unclipped dust jacket with tears, nicks and creases to spine, edge and corners. …

hard cover. Etat : Good. No Jacket. Illustrated with black and white photographs. 24 cm. VIII, 115 pages G. Good condition with shelf wear and edge wear to covers, some staining and discolouration, pages browned.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. Boards are rubbed and marked.One inscription.Tanning.Excellent binding.With 4 plates in colour and 150 monochrome plates illustrating about 500 examples of handicrafts,specimens of industrial art and modes of work.[R.K]. Our orders are shipped using tracked courier delivery services.…

Hardcover. Etat : Good. Good hardback copy. No dustjacket. 74pp, b/w illustrations. Size: 24x19cms. Book.

Quarto, pictorial cloth boards, colour frontis and 3 other colour plates, b&w plates, pp xiii, 157. Over 150 plates, slight damage to several. Previous owner's bookplate, good condition.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Bombay 1960/, pp. 151 + many color illust. Folio. Scholarly text.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. Wear on DJ along the edges. Intact. No shelfwear to the hardcover. No markings on the text.

46, (2)pp., 100 plates. Lrg. 4to. Cloth. D.j.

Hardcover. Etat : Very Good. 1st Edition. Large-format volume, measuring approximately 9" x 11.5", is bound in original dark green cloth, with bright pictorial designs in white, red, yellow, gray and green. Book displays light shelfwear, with mild foxing to top and fore edge of text block. Binding is firm. Interior is clean and bright. Text appears in double columns, with 4 color & 150 monochrome plates illustrating circa 500 examples. xiii/157 pages. A pictorial and descriptive survey of Indian craftsmanship as seen in masterpieces of jewellery and metal crafts, arms and armour, furniture and inlay crafts, stone and ivory carving, lacquer crafts and lac-turnery . pottery and glassware, clay figures and folk toys, hand-woven textiles . the Bandhani and Patola, carpets and rugs, leather crafts and shell work, baskets and mats.…