Sarah e fraser (58 résultats)

Etat : New. Soh, Sarah (illustrateur).

Etat : As New. Unread book in perfect condition. Soh, Sarah (illustrateur).

Hardbound. Etat : Very Good. Royal octavo in dust jacket, xx, 342 pp., maps, b/w illustrations and drawings, color photos, notes, bibliography, character list, general index, index of paintings and manuscripts cited.

Etat : New.

Hardcover. Etat : Near Fine. near fine. Reprint. 10 1/4'' x 7 1/4''. 342pp. with index. Illustrated.

Etat : As New. Unread book in perfect condition.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : New.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition; First Printing. Stanford: Stanford University Press, 2004 [2003]. First Edition, First Printing. 10" x 7.25". xvi,342pp, Index, Character List, Notes, Bibliography. Cloth, fine condition in fine dj. Illustrations in color and b&w. From dj: "new perspective on the practice of wall paintings at Dunhuang, one of China's largest and most important Buddhist site". ISBN 0804745331; 10 x 7.25 inches; 342 pages. …

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. Clean and unmarked: no inscriptions, marginalia, underlining, etc. Dust jacket is lightly rubbed.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardback. Etat : New. Performing the Visual explores the practice of wall painting in China from a new perspective. Relying on rare, virtually unpublished drawings on Buddhist themes from a long-hidden medieval library in western China, the author analyzes the painters' pictorial strategies. She also examines the financial accounting of Buddhist temples, providing practical information that ninth- and tenth-century critics ignored: how artists were paid and when, the temple's role as mediator between patrons and artists, and the way painters functioned outside the monastic system, working in guilds and secular academies affiliated with local government. Based on the careful study of hundreds of inaccessible wall paintings at Dunhuang, arguably Asia's largest and most important Buddhist site, the author shows that although critics celebrated spontaneous feats with brush and ink, artists at Dunhuang were heavily dependent on concrete tools such as sketches in the preparation of wall painting.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : new. New Copy. Customer Service Guaranteed.

Etat : As New. Unread book in perfect condition.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Ex library, small quarto, black cloth boards with gilt lettering to spine, brown textured eps, xvi + 342pp, illus, VG+ (relatively light library markings, slight sellotape residue stains to boards) in d/w, VG+.

Etat : new.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : New. This book provides an insightful new study, drawn from the largely unpublished Buddhist paintings at Dunhuang, of medieval Chinese wall painting, workshop production, and artistic performance in theory and practice. Num Pages: 400 pages, 4 tables, 155 illustrations, maps. BIC Classification: 1FC; 1FPC; AFC; AGR; HBT; HRE. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 6452 x 4522 x 29. Weight in Grams: 975. . 2003. 1st Edition. Hardcover. . . . .…

Hardback. Etat : New. Performing the Visual explores the practice of wall painting in China from a new perspective. Relying on rare, virtually unpublished drawings on Buddhist themes from a long-hidden medieval library in western China, the author analyzes the painters' pictorial strategies. She also examines the financial accounting of Buddhist temples, providing practical information that ninth- and tenth-century critics ignored: how artists were paid and when, the temple's role as mediator between patrons and artists, and the way painters functioned outside the monastic system, working in guilds and secular academies affiliated with local government. Based on the careful study of hundreds of inaccessible wall paintings at Dunhuang, arguably Asia's largest and most important Buddhist site, the author shows that although critics celebrated spontaneous feats with brush and ink, artists at Dunhuang were heavily dependent on concrete tools such as sketches in the preparation of wall painting.…

Gebunden. Etat : New. This book provides an insightful new study, drawn from the largely unpublished Buddhist paintings at Dunhuang, of medieval Chinese wall painting, workshop production, and artistic performance in theory and practice.&Uumlber den Autor.