Schmenner will (11 résultats)

Soft cover. Etat : Good. No Jacket. 1st Edition. Softcover without dust jacket in Good+ condition. Some rubbing and scratches to cover with bumping to corners and mild bumping to edges. Pages clean and unmarked with many illustrations. Director Alfred Hitchcock carefully cultivated his reputation as the solitary genius behind his films. In reality Hitchcock was a deeply collaborative artist, working intensely with actors, producers, cinematographers, screenwriters, editors, and production designers to create what the public knew as "an Alfre Hitchcock picture". This lavishly illustrated book presents multiple perspectives on Hitchcock as artist and provides a rare view into the working documents--sketches, production and costume designs, drawings, storyboards, and camera-angle diagrams, that helped shape his cinematic style.…

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Minor shelf/edge wear. Un-creased spine, binding tight. In very good condition. Text clean & unmarked. Different cover design.

Etat : Near Fine. First Edition. xii. + 154pp. Profusely illustrated in color and black & white: film stills, out-takes, story boards, costume designs. xii. + 154 pages. Index. French fold pictorial wrappers (paperback with flaps). Presumed First Edition, none stated. Published in conjunction with an Exhibition: Sept. 29 - Dec. 9, 2007. Additional contributor's: Tom Gunning; Bill Krohn; Jan Olsson; Will Schmenner. NEAR FINE. Estate acquisition. Covers faintly scuffed/scratched else a clean/tight/crisp copy. NO names, no cover edge or spine creasing. LARGE PAPERBACK. (9.5 x 10 inches).…

Softcover. Etat : Very Good+. A tight, clean copy. ; 0.5 x 9.9 x 9.5 Inches; 168 pages.

Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Softcover. Etat : Fine. As new. In original shrink wrap. ; 9.90 X 9.50 X 0.50 inches; 168 pages.

Paperback. Etat : Brand New. 1st edition. 155 pages. 10.00x10.00x0.50 inches. In Stock.

Etat : New. Satisfaction Guaranteed or your money back.

Paperback. Etat : New. Alfred Hitchcock is often held up as the prime example of the one-man filmmaker, conceiving and controlling all aspects of his films' development - the archetype of genius over collaboration. An exhibition at the Block Museum of Art at Northwestern University, however, put the lie to Hitchcock-as-auteur, presenting more than seventy-five sketches, designs, watercolors, paintings, and storyboards that, together, examine Hitchcock's very collaborative filmmaking process. The four essays in this collection were written to accompany the exhibition and delve further into Hitchcock's contributions to the collaborative process of art in film. Scott Curtis considers the four functions of Hitchcock's sketches and storyboards and how they undermine the impression of Hitchcock as a lone artist. Tom Gunning examines the visual vocabulary and cultural weight of Hitchcock's movies. Bill Krohn focuses sharply on the film "I Confess", tracking its making over a very cooperative path. Finally, Jan Olsson draws on the television series, "Alfred Hitchcock Presents," to show the ways that collaboration contributes to the formation of his well known public performance. Anchored by editor Will Schmenner's introduction, this book represents an important contribution to Hitchcock scholarship and a provocative glimpse at his unsung strength as a collaborative artist.…