Langue: anglais
Edité par Museum für Kunst und Gewerbe, 2018
ISBN 10 : 3923859880 ISBN 13 : 9783923859887
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Ajouter au panierBuch. Etat : Neu. Neuware -The painter Ikeda Koson (1803-1868) compiled woodblock-printed copybooks with compositions by his teacher Sakai H itsu (1761-1828) and his self-proclaimed predecessor Ogata K rin (1658-1716). He thus promoted himself as part of an artistic genealogy known today as Rinpa. Wibke Schrape's study of Koson's paintings and publications broadens the understanding of Rinpa as an artistic and art historical construct. Her application of actor-network-theory (ANT) as a methodical approach to Koson's paintings challenges art-historical categories such as style and painting school by analyzing images as mediators in intertwined processes of artistic meaning and art historical knowledge production. Schrape thereby sheds light on the yet understudied painting production of the late Tokugawa period (1615-1868) and contributes to the reevaluation of the nineteenth century in Japanese art history. 291 pp. Englisch.
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Ajouter au panierBuch. Etat : Neu. Neuware -The painter Ikeda Koson (1803-1868) compiled woodblock-printed copybooks with compositions by his teacher Sakai H itsu (1761-1828) and his self-proclaimed predecessor Ogata K rin (1658-1716). He thus promoted himself as part of an artistic genealogy known today as Rinpa. Wibke Schrape's study of Koson's paintings and publications broadens the understanding of Rinpa as an artistic and art historical construct. Her application of actor-network-theory (ANT) as a methodical approach to Koson's paintings challenges art-historical categories such as style and painting school by analyzing images as mediators in intertwined processes of artistic meaning and art historical knowledge production. Schrape thereby sheds light on the yet understudied painting production of the late Tokugawa period (1615-1868) and contributes to the reevaluation of the nineteenth century in Japanese art history. 291 pp. Englisch.
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Ajouter au panierBuch. Etat : Neu. Neuware -The painter Ikeda Koson (1803-1868) compiled woodblock-printed copybooks with compositions by his teacher Sakai Hoitsu (1761-1828) and his self-proclaimed predecessor Ogata Korin (1658-1716). He thus promoted himself as part of an artistic genealogy known today as Rinpa. Wibke Schrape's study of Koson's paintings and publications broadens the understanding of Rinpa as an artistic and art historical construct. Her application of actor-network-theory (ANT) as a methodical approach to Koson's paintings challenges art-historical categories such as style and painting school by analyzing images as mediators in intertwined processes of artistic meaning and art historical knowledge production. Schrape thereby sheds light on the yet understudied painting production of the late Tokugawa period (1615-1868) and contributes to the reevaluation of the nineteenth century in Japanese art history.
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Langue: anglais
Edité par VDG Weimar - Verlag und Datenbank für Geisteswissenschaften, 2023
ISBN 10 : 3897399822 ISBN 13 : 9783897399822
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Ajouter au panierBuch. Etat : Neu. Neuware -The painter Ikeda Koson (1803-1868) compiled woodblock-printed copybooks with compositions by his teacher Sakai Hoitsu (1761-1828) and his self-proclaimed predecessor Ogata Korin (1658-1716). He thus promoted himself as part of an artistic genealogy known today as Rinpa. Wibke Schrape's study of Koson's paintings and publications broadens the understanding of Rinpa as an artistic and art historical construct. Her application of actor-network-theory (ANT) as a methodical approach to Koson's paintings challenges art-historical categories such as style and painting school by analyzing images as mediators in intertwined processes of artistic meaning and art historical knowledge production. Schrape thereby sheds light on the yet understudied painting production of the late Tokugawa period (1615-1868) and contributes to the reevaluation of the nineteenth century in Japanese art history.VDG, Eselsweg 17, 99441 Kromsdorf/Weimar 291 pp. Englisch.
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Ajouter au panierBuch. Etat : Neu. Neuware - The painter Ikeda Koson (1803-1868) compiled woodblock-printed copybooks with compositions by his teacher Sakai H itsu (1761-1828) and his self-proclaimed predecessor Ogata K rin (1658-1716). He thus promoted himself as part of an artistic genealogy known today as Rinpa. Wibke Schrape's study of Koson's paintings and publications broadens the understanding of Rinpa as an artistic and art historical construct. Her application of actor-network-theory (ANT) as a methodical approach to Koson's paintings challenges art-historical categories such as style and painting school by analyzing images as mediators in intertwined processes of artistic meaning and art historical knowledge production. Schrape thereby sheds light on the yet understudied painting production of the late Tokugawa period (1615-1868) and contributes to the reevaluation of the nineteenth century in Japanese art history.
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Ajouter au panierBuch. Etat : Neu. Ikeda Koson and the Construction of Rinpa | Pictorial Negotiation of Art History in Nineteenth Century Japan | Wibke Schrape | Buch | Studies of East Asian Art History/ Studien zur Ostasiatischen Kunstgeschichte, Freie Universität Berlin | Einband - fest (Hardcover) | Englisch | 2023 | VDG | EAN 9783897399822 | Verantwortliche Person für die EU: Bauhaus-Universitätsverlag Weimar, ein Imprint von arts + science weimar GmbH, Eselsweg 17, 99510 Ilmtal-Weinstraße, info[at]asw-verlage[dot]de | Anbieter: preigu.
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Ajouter au panierBuch. Etat : Neu. Neuware -The painter Ikeda Koson (1803-1868) compiled woodblock-printed copybooks with compositions by his teacher Sakai Hoitsu (1761-1828) and his self-proclaimed predecessor Ogata Korin (1658-1716). He thus promoted himself as part of an artistic genealogy known today as Rinpa. Wibke Schrape's study of Koson's paintings and publications broadens the understanding of Rinpa as an artistic and art historical construct. Her application of actor-network-theory (ANT) as a methodical approach to Koson's paintings challenges art-historical categories such as style and painting school by analyzing images as mediators in intertwined processes of artistic meaning and art historical knowledge production. Schrape thereby sheds light on the yet understudied painting production of the late Tokugawa period (1615-1868) and contributes to the reevaluation of the nineteenth century in Japanese art history. 291 pp. Englisch.
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Ajouter au panierEtat : Sehr gut. Zustand: Sehr gut | Seiten: 50 | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.