Scott john anthony ed (17 résultats)

Soft cover. Etat : Fine. 1st Edition. First edition, first printing of this collection of 8 pieces of writing including a novella and short stories. Featured are Press Enter by John Varley (novella), Technology on Vzigs by Martin Gardner (short story), The Evil Drink Does by Isaac Asimov (short story), Buzzy Gone Blue by Marc Laidlaw (short story), Close of Night by Daphne Castell (short story), Salvage by Jane Yolen (short story), Still Life with Scorpion by Scott Baker (short story) and A Citizen of 3V by Ronald Anthony Cross (short story). In Fine Condition.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Book Club Edition. 46 Original stories. Hardcover. Oversized. 830 pages. BCE. DJ: nominal edge wear. Black boards with pink spine text. May have prior owner's Ex-Libros plate obverse upper board. May have other minor incidental cosmetic defects expected with age. Else tight and square. Dangerous Visions, #2. SCIFI/SHORTSTORIES/HORROR/FANTASY/SERIES. Ed Emshwiller (illustrateur).…

SingleIssueMagazine. Etat : Very Good. Vol. 2, No. 2. Edited by Donald J. Pfiel. Cover art by Norm Walker. Includes "Hayes and the heterogyne" (novelette) by Ed Bryant; "Bloodstream" by John Brunner; "In the House of Double Minds" by Robert Silverberg; "Ki" by Piers Anthony & Roberto Fuentes; "Potpourri" by Various Authors; "The Seedlings" by Herman Wrede; "Occurrence in a Cincinnati Bog" by Scott Edelstein; "Human Beings Are A Nation's Best Resources" by Leonard Tushnet; "Sixteen and Vanilla" by Ted White; "Stardrift" by Alan Nevas. Feature Articles: 'Vertex Previews The Terminal Man" by Harlan Ellison; "Spin-Off" by Igor Bohassian; "Ghost Universe" by James Sutherland. Special Feature: "A Reply to a Lady" by Poul Anderson. Illustrated by Monte Rogers, Bruce Day, Stevan Arnold, Rodger MacGowen, Alicia Austin, Tim Kirk, Susan Jenkins, George Barr,and others. A l;ittle stress; rubbing./. Book. …

Hardcover. Etat : Very Good. Hardcover. Very Good. 2nd printing. Includes dustjacket. Note: Dustjacket clipped. Gently used with minor wear. Some writing inside front cover. Binding in excellent condition. Pages are clean and unmarked. All orders shipped securely in a bubble envelope or box/hard mailer.…

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

hardcover. Etat : Very Good. Signed. SIGNED LIMITED EDITION; number 94 of 300 copies signed by artist Thomas Cornell on each of 21 prints and on limitation page. Six unbound signatures housed in gilt-stamped brown leather portfolio inside a clamshell box. A lovely copy.

Hardbound. full leather chemise laid in a cloth-covered clamshell box with a light tan leather spine. (ii), 83, (5) pages in addition to 21 etched portraits printed on special paper and loosely inserted throughout the text. This is copy C.108 of 250 printed in this format (and 300 printed in total). Signed by the artist-etcher Thomas Cornell. First Edition. 4to., full leather chemise laid in a cloth-covered clamshell box with a leather spine. (ii), 83, (5) pages in addition to 21 etched portraits printed on special paper and loosely inserted throughout the text. The paper is Nideggen made in Germany, and the pressman was Harold McGrath. The suite of etchings were printed by Emiliano Sorini in New York and it was designed and produced by Leonard Baskin. Printed in an edition limited to 300 numbered copies. This is called a "printer's copy", signed by Leonard Baskin. which contains twenty-one etched portraits signed by Thomas Cornell on blue Fabriano, enclosed in unbound, uncut signatures. Brook 36; Baskin 36. Selected for translation in this volume is the first part of Babeuf's general defense. Includes a prospectus for the publication. VG+, never used or abused an exquisite copy. …

Hardcover. Etat : Fine in Near Fine DJ. Limited Edition. Limited Edition. Hardcover. 20 loose portraits, hand-printed on blue Fabriano, each etching signed by the artist. Baskin 36. Ownership plate at front pastedown, else tight, bright and unmarred. Loose signatures in full brown leather over board portfolio, gilt lettering; quarterbound archival traycase, brown leather spine, gilt lettering. Small 4to. 84pp plus np plates. Illus. (b/w plates). Numbered limited edition, this being 151 of 250. Signed by Leonard Baskin; each plate signed by Cornell.…

No Binding. Etat : Near Fine. First edition in English translation (edited and abridged), copy 6 of 300. Quarto, 12 unbound, uncut and unopened signatures loose in chemise with frontispiece etching by Thomas Cornell, unsigned, the pages 31.8 x 21.8 cm, interleaved with 20 loose etchings 31.2 x 21.2 cm by Cornell on blue Fabriano laid paper, each titled in blind and signed "Cornell" in pencil. Letterpress in Baskerville type printed by Harold McGrath on linen Nideggen laid paper moldmade in Germany. Collates as six quires of unsigned quartos in twos, one of each pair inserted into the fold of the other, [1]1-2, [2]1-4, [1]3-4, etc.: [2ll.] (blanks), 1 l. (half-title recto, frontispiece etching of Gracchus Babeuf verso), 1 l. (title recto), pp. 1-[59] (Babeuf's Address to the Jury), [60] (notes), 61- [64] (Sylvain Maréchal's Manifeste des Égaux, 1796), 65-[78] (essay by John Anthony Scott, "François-Noël Babeuf and the Conspiracy des Égaux"), 79-[84] (Biographical Notes), [1 l.] (blank), 1 l. (colophon and press device in red, variant X, recto), [1 l.] (blank); the interleaved 20 loose etchings placed generally before the 1st, 3rd, 5th and 7th leaves of each quire. Tan calf chemise 32.2 x 22.5 cm, edges blind-ruled, spine lettered and ruled in gilt, Nideggen paper pastedowns, in a folding tray case 38.8 x 28.5 cm. in olive bookcloth lined with Nideggen paper. Separate suite of 21 etchings, each titled, numbered 6/50, dated 1964 and signed Cornell in pencil, on heavy off-white Rives wove paper 37.8 x 27.8 cm, in a matching portfolio case, together with two watercolors of Clootz (Jean-Baptiste du Val-de-Grâce, baron de Cloots), one 33 x 25 cm, corresponding to the profile view of the etching (in reverse), signed in pencil "Thomas Cornell," the other 25 x 21 cm, three-quarter view, initialed "C" in grey ink and numbered "16" in pencil lower right verso, both on cream wove watercolor paper. The tray case and portfolio are contained in a matching quarter-leather clamshell box, 40 x 30 cm, the black calf spine with tan calf title label and footer date strip lettered and ruled in gilt. Leonard Baskin designed the work; Emiliano Sorini printed the etchings in New York; Arno Werner executed the bindings. Clamshell box with corner and edge wear to spine leather, top front corner of spine worn through, chipping of labels and bumping of outside top corner of bottom cover; all else fine. One of 21 copies (numbered 1-21) with a watercolor, of the 50 copies with the separate suite, of the total edition of 300; this copy is not signed or numbered by Cornell on the colophon but is identified as copy 6 by the numbers "6/50" on the suite; it contains an additional, very forceful watercolor of Clootz not used in the etchings and may be a collaborator's copy. Reference: The Gehenna Press, The Work of Fifty Years, 1942-1992, The Bridwell Library & The Gehenna Press (1992), biblio. no. 36, pp. 56-8; ill. (title page), exh. no. 20, p. 158; see also p. 17 (assessment by Colin Franklin). This work is a collaboration of Baskin's design and McGrath's presswork in the heyday of The Gehenna Press. Colin Franklin quotes its prospectus in his assessment in the Bridwell Library catalogue, "After the Apology of Socrates before the Jury of Five Hundred, Babeuf's plea before the tribunal of the Directory during the final hours of the French Revolution is perhaps the most splendid testament ever uttered in behalf of the freedom of man's mind." Baskin relates in his note to the entry in the catalogue: "The book is an exemplar of an ideal that the press strove for in those years. A meaningful text, generally unavailable, set forth in handsome & apposite typography & enhanced with a set of etchings, woodcuts or lithographs, that enlarge or augment or deepen the text. To make this glorious work more widely known the University of Massachusetts Press published a popular edition of it.".…

Leather Bound. Etat : New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1831. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 2, Pages:- 582, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 582 582.…