Sharon corwin (41 résultats)

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Good.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. In Fine condition with Fine DJ. First edition, first printing. American Modern, the beautifully illustrated companion volume to the exhibit of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White. More broadly, the book maps the formation of what we now identify as "documentary style," showing how a marginalized genre associated with Progressive reform politics was transformed into a major component of modern art and public culture in America. The essays by Sharon Corwin, Jessica May, and Terri Weissman describe how each of these three photographers developed a different model of photography--as well as a particular understanding of modernism and modernity--which each believed would set the standard for future generations of artists. American Modern identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.…

hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 198pp.

Etat : Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Used: Good. VG; catalog is clean and tight.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. complete number line - 1st printing therefore 1st edition, Signed by all three Authors on the half title page, dj now enclosed in mylar wrap with original price sticker from the Amon Carter Museum to lower left of rear panel, black & white photographs. Signed by Author(s). …

Etat : Very Good. Hardcover in a bright dust jacket, 208 pages, color plates. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This book surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages, and met Ada del Moro, his wife and muse. The essays in this book contextualize Katz?s painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising, and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Record # 372022.…

Hardcover with dustjacket, 198 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : As New. No Jacket. 1st Edition. A clean unmarked copy in excellent condition. 167 pages.

Hardcover. Etat : Fine. near fine. first edition. 10 x 12 in. 375 pp. Cloth boards. Lavish color plates. Condition is FINE ; like new on all points. Text spotless. DJ is NEAR FINE ; extremely clean, like near new. Extra shipping may apply. Art. RGR.

Hardcover. Etat : Good. Etat de la jaquette : Good. Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. Secure packaging for safe delivery.

Etat : As New. Unread book in perfect condition.

Etat : New.

Hardcover. Etat : As New. Etat de la jaquette : As New. Seal of former owner on bottom tip of ffep; Very light wear to dustcover, very light wear to dustcover, very clean, no markings, solid --cannot sent priority flat mail or international; 9.9 X 1.7 X 12.2 inches; 380 pages.

Hardcover. Etat : New, in shrinkwrap. Quarto. Hardcover. Crimson cloth/boards; gilt lettering. Crimson, color-illus. dj with black/white lettering on spine. vii, 163 pp. with color images throughout. Catalogue from the exhibition held July 2016 to January 2017. "A Usable Past brings together paintings, sculptures, and works on paper by self-trained artists working in the eastern part of what is now the United States during the long nineteenth century. Produced and originally circulated outside the elite sphere of fine art, these objects emerged from vernacular traditions that favored decorative aesthetics over mimesis. In the twentieth century, artists, scholars, and collectors came to believe that artworks like these expressed such supposedly quintessential American values as industriousness and ingenuity, and that they also served as native precursors to Modernism. A Usable Past features highlights of the Museum's extensive holdings of folk art of the United States supplemented by loans from distinguished New England collections. The exhibition includes many artworks from the American Heritage collection of Edith and Ellerton Jetté-one of the earliest collections to enter the Colby College Museum of Art." - from the Colby College web site.…

Hardcover. Etat : New. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This book surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages, and met Ada del Moro, his wife and muse. The essays in this book contextualize Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising, and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Celebrating an experimental decade in the career of Alex Katz, this book introduces audiences to a relatively unknown body of his work. Fans of Katz will be inspired by the radicality of his early work, and those being introduced to the artist will be struck by its freshness and relevance.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Brand New. 160 pages. 10.25x8.75x0.75 inches. In Stock.

Hardcover. Etat : Brand New. 160 pages. 10.25x8.75x0.75 inches. In Stock.

Hardcover. Etat : New.

Etat : New.

Soft cover. Etat : Fine. Colby College Museum of Art, 2006. Softcover exhibition catalog. Inscribed by the artist on the half-title page. 23 pages of text, and 95 unnumbered pages of plates: illustrations. Condition: Fine. Other than the artist's inscription, there are no extraneous marks or writing to this book. Binding is tight and square. No sign of wear. Inscribed by Author(s).…