Sharp daniel b (63 résultats)

Etat : very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Etat : Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Etat : New. 2014. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Etat : New. 2014. paperback. . Not a first edition copy. . . .

paperback. Etat : Very Good. No marks or highlighting in the book. Our copy is paperback showing shelf-wear. Bumped at lower corner causing creases in a few pages.

Etat : New.

Paperback. Etat : new. Paperback. The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Nana's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Nana's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Nana made music as complex and contemporary as the ARP synthesizers in vogue at the time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Naná's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Naná's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Naná made music as complex and contemporary as the ARP synthesizers in vogue at the time.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. 2021. Paperback. . . . . .

Etat : New.

Etat : new.

Paperback. Etat : Brand New. 128 pages. 7.75x5.00x0.75 inches. In Stock.

Etat : New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Etat : New.

Etat : New.

Etat : New.

Paperback. Etat : Brand New. 159 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Etat : new. Paperback. The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Nana's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Nana's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Nana made music as complex and contemporary as the ARP synthesizers in vogue at the time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Etat : Neu. Neuware - The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Naná's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Naná's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Naná made music as complex and contemporary as the ARP synthesizers in vogue at the time.…

Paperback. Etat : new. Paperback. The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Nana's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Nana's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Nana made music as complex and contemporary as the ARP synthesizers in vogue at the time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Etat : New. &Uumlber den AutorDaniel B. Sharp is Associate Professor at Tulane University, USA, jointly appointed in music and Latin American studies. He is currently chair of the Tulane music department. He is the author of Between Nosta.

Etat : Very Good. No dust jacket. The cover is in very good condition with small scuffs and scratches. The content is in new condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : As New. As new.