Sheldon museum (46 résultats)

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Etat : As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of…Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . . Books ship from the US and Ireland.

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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandeKennys Bookshop and Art Galleries Ltd.
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Etat : As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of…Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . .
Edité par Alaska State Museums, 1999
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- Édition originale
Vendeur : Tacoma Book Center, Tacoma, WA, Etats-UnisTacoma Book Center
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Ajouter au panierPaperback. Etat : Fine. No Dustjacket. First Edition. ISBN . Trade Paperback. No statement of later printing on copyright page. Very slight wear to corners and edges; otherwise tight, sound and unmarked in Very Good condition. No Signature.

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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-UnisMidtown Scholar Bookstore
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Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-UnisMidtown Scholar Bookstore
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Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.
Edité par Sheldon Jackson Museum, 1999
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- Édition originale
Vendeur : Tacoma Book Center, Tacoma, WA, Etats-UnisTacoma Book Center
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Ajouter au panierTrade Paperback. Etat : Near Fine. No Dust Jacket. First Edition. Trade paperback. No other dates listed. Slight wear to corners and edges; slight rubs on front cover near spine; otherwise tight, sound and unmarked in Very Good to Near Fine condition.
Edité par Sheldon Jackson College, Sitka, AK, 1976
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Vendeur : Carothers and Carothers, Albany, CA, Etats-UnisCarothers and Carothers
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Ajouter au panierSoft cover. Etat : Good. 166 pages . : illustrations. Publisher's pictorial paper wrappers clean and attractive, light wear to edges; contents fine. 330 grams.

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Vendeur : INDOO, Avenel, NJ, Etats-UnisINDOO
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EUR 38,19
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Etat : New. Brand New.
Isabel Bishop
Tucson. University of Arizona Museum of Art. Catalog by Sheldon Reich; Introduction by Martin H. Bush
Edité par University of Arizona Museum of Art, 1974
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- Édition originale
Vendeur : Joel Rudikoff Art Books, White Plains, NY, Etats-UnisJoel Rudikoff Art Books
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Ajouter au panierHardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First Sq. 4to, cloth, 221 pp, 153 illustrations (6 in color), bibliography. Ed. 2500. Catalog of the first major retrospective of Bishop's work in America, with additional showings at the Whitney Museum and the Brooks Memorial Art Gallery of Wichita State… University. Freitag 735; Karpel M31a. Limited to 2,500 copies. Very good in dj.

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Vendeur : Basi6 International, Irving, TX, Etats-UnisBasi6 International
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Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Langue : anglais
Edité par Friends of the Earth, Washington, D.C., U.S.A., 1972
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- Signé
Vendeur : Popeks Used and Rare Books, IOBA, Oneonta, NY, Etats-UnisPopeks Used and Rare Books, IOBA
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EUR 48,49
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Hard Cover. Etat : Collectible-Very Good. Collectible-Good. 10.5 x 14 hard cover book. Black lettering on the white dust jacket spine with a color illustrated cover. A Sense of Place, walking with several painters through American scenery, sets out on a course entirely and stimulatingly different from the courses taken by the tw…enty-five Sierra Club and Friends of the Earth Books in this format that have gone before. Implicit here is an insight into what will happen if, through mistaken ideas of progress, we continue to throw the geometric curve of increasing demand at American space and wildness. 160 pages. Inscription and signature of Gussow on first illustrated. Owner's name written on first blank several times. Tight binding. Some soil to jacket. Illustrated (illustrateur). Signed By Author.

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Etat : As New. Unread book in perfect condition.

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Etat : New.

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Vendeur : California Books, Miami, FL, Etats-UnisCalifornia Books
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Etat : New.

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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Maurice Prendergast [ La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works]
Mathews, Nancy Mowll. ; Williams College.; Museum of Art. [Prendergast, Maurice Brazil, 1858-1924. ] ; photos, Geoffrey Clements, Sheldon C Collins, Joseph Szaszfai, Lee Stalsworth, E. Irving Blomstrann; art, Pierre Bonnard Mary Cassatt Arthur Bowen Davies William Glackens Wassily Kandinsky Henri Matisse Elmer MacRae Alfred Maurer Brenda Kuhn Paul Cezanne August Renoir Morton L Schamberg George Seurat F. Hopkinson Smith James McNeill Whistler
Langue : anglais
Edité par Munich : Prestel ; Williamstown, Mass. : Williams College Museum of Art ; New York, NY, USA : Distributed in the USA and Canada by teNeues Pub. Co., 1990, 1990
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Hardcover. Etat : Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whitn…ey Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.

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Paperback. Etat : new. Paperback. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstract…ion, its translation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its translation into an American context, and its current direction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Etat : New. In.

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Paperback. Etat : new. Paperback. In this volume, the Sheldon Museum of Art presents more than one hundred examples from its distinguished photography collection, which contains nearly twenty-five hundred objects. Encompassing the full range of photographic history, Encounters showcases recognized masterpieces, recent acquisitio…ns, and rarely seen treasures by a diverse range of artists, including Berenice Abbott, Manuel Alvarez Bravo, Julia Margaret Cameron, Gertrude Kasebier, Andre Kertesz, Robert Mapplethorpe, Yinka Shonibare, Paul Strand, William Henry Fox Talbot, and Carrie Mae Weems. Encounters explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image. Arranged thematically rather than chronologically, the catalog addresses issues such as tourism, souvenir production, and the search for authenticity in the face of increasing industrialization; the transmission of American, European, and Mexican forms of modernism; gender identity and sexuality; the real and perceived tensions between nature and the built environment; and the convergences of art and science, craft and technology. Images are set within their context by the catalog's principal author, Brandon K. Ruud, and are accompanied by lively, thought-provoking essays by a team of scholars that includes Zeynep Celik, Keith F. Davis, Gregory Nosan, Robert G. O'Meally, Britt Salveson, and the museum's director, Jorge Daniel Veneciano. In this volume, the Sheldon Museum of Art presents more than one hundred examples from its distinguished photography collection, which contains nearly twenty-five hundred objects. Encompassing the full range of photographic history, Encounters showcases recognized masterpieces, recent acquisitions, and rarely seen treasures by a diverse range of artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Etat : New. Inspired by the Sheldon Museum of Art's holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the European genesis of geometric abstraction, its tr…anslation into an American context, and its current direction, charting the style's aesthetic, intellectual, and social implications. Sharon L. Kennedy's essay draws on the Sheldon's collection to trace the style's beginnings and its various transformations by twentieth-century American artists. Peter Halley invokes contemporary theory in rethinking how postmodern artists engage with geometry while challenging its most basic presumptions. Jeremy Gilbert-Rolfe delves into the work of four contemporary artists who are taking geometry in new directions, and Jorge Daniel Veneciano reveals the persistent manner in which theorists and defenders of geometric abstraction have obscured aspects of its history and contributed to the esoteric aura of modern art. Featured throughout are full-color reproductions of art from both the Sheldon and private collections, including paintings, sculptures, and works on paper by diverse artists such as Ilya Bolotowsky, Carmen Herrera, Donald Judd, Agnes Martin, Piet Mondrian, Odili Donald Odita, Frank Stella, and Charmion von Wiegand.

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Etat : New.

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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandeKennys Bookshop and Art Galleries Ltd.
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Etat : New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P)… Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . .

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EUR 47,20
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Etat : As New. Unread book in perfect condition.

The Geometric Unconscious A Century of Abstraction
Veneciano, Jorge Daniel (Editor)/ Sheldon Museum of Art (Corporate Author)
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Vendeur : Revaluation Books, Exeter, Royaume-UniRevaluation Books
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Paperback. Etat : Brand New. 208 pages. 11.90x8.80x0.70 inches. In Stock.

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Paperback. Etat : Brand New. 0th edition edition. 256 pages. 11.75x9.00x0.75 inches. In Stock.

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Vendeur : Kennys Bookstore, Olney, MD, Etats-UnisKennys Bookstore
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Etat : New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P)… Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Books ship from the US and Ireland.

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Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-UniTHE SAINT BOOKSTORE
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Paperback / softback. Etat : New. New copy - Usually dispatched within 3 working days.

Edité par Arizona : Tuscon Museum of Art, 1988
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- Édition originale
Vendeur : MW Books Ltd., Galway, IrlandeMW Books Ltd.
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EUR 35,00
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Ajouter au panierFirst Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 145 pages; Description: 145 p. : front., chiefly col. ill. ; 33 cm. Subjects: Davis, James G. --Artists --Artists --Exhibition. 2 Kg.

Structures And Artifacts: Photographs 1933-1954. (Exhibition: Morris Wright ; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, October 21 - November 16, 1975.)
Wright Morris; Sheldon Memorial Art Gallery; Sioux City Art Center; Stuhr Museum of the Prairie Pioneer.
Edité par Lincoln, Neb.: University of Nebraska Press Sheldon Memorial Art Gallery., 1975
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- Manuscrit ou document de collection
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-UnisWittenborn Art Books
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EUR 44,08
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Ajouter au panierEtat : Good. 8vo. 124 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear to wraps, front and verso. Light spots of foxing to title page, else pages fine. B&W plates throughout.From the Collection of the Art Historian Peter Selz.ISBN: 9780803276451 0803276451.