Shell oliver (18 résultats)

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Etat : Very Good. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE.

hardcover. Etat : Very Good. Hardcover. Clean and unmarked. Binding strong. Light wear.

Hardcover. Etat : Good.

Etat : Very Good. Hardcover without dustjacket as issued, 296 pages; very good condition; except corner tips of covers lightly bumped; no internal marks. Foreign shipping may be extra for this item.

Hardbound. White illustrated boards and black cloth spine. xv, 295 pp, profusely illustrated in color and few bw. Generally known for his innovative modernist paintings and works on paper, Matisse also produced a large number of sculptures that were equally groundbreaking. This illustrated book studies more than forty of his sculptures and compares them to his paintings, drawings, prints, and collages to investigate the relationship between his two-dimensional and three-dimensional work. Published to accompant a travelling exhibition. A delight and a pleasure to read. VG, museum docent library stamp on title page, card pocket in rear used twice.…

Hardcover. Etat : Very Good. Oversized hardback book (255 pages) illustrated with color photographs/reproductions of the works of Dali, Miro and Picasso and others. With exhibit brochure laid in. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULBDRM#3-R-Front) rareviewbooks. …

Hardcover. black boards w/ red printing. 256 pgs w/ color, bw illustrations. blue, multi-color dustjacket w/ black printing. ".In this engrossing volume, essays by experts in the field and more than 130 color images showcase the experimental and international extent of Surrealist art during these years. Three of the book's featured artists, Dalí, Miró, and Pablo Picasso, were from Spain, where tensions between right and left after the formation of the republic in 1931 led, five years later, to full-blown civil war. The victory of General Francisco Franco's Nationalist forces over the Republicans in April 1939 was a blow to anti-Fascist hopes throughout the West. Picasso's 'Guernica', painted in response to the bombing of a Basque village in April 1937, was exhibited in Paris at the Exposition Internationale and made a strong case for the relevance of visual art in political discourse. With the onset of World War II in September 1939, brutal hostilities engulfed the whole continent and then the world. Unlike Picasso, who remained in Paris throughout the war, many artists became refugees, and some fled to safety in the Americas. Despite (or because of) the political and personal turmoil, this was a period of surprising brilliance and fertility: avant-garde artists on both sides of the Atlantic pushed themselves to engage artistically with the psychological forces propelling contemporary history. Tapping into classical mythology, folklore, and witchcraft iconography, artists found ways to communicate their feelings and fears in this 'time of distress,' implementing a wide spectrum of new techniques. In the 1930s and 1940s, monstrosities in the real world bred monsters on canvas, in sculpture, on film, and in the pages of journals and artists' books. 'Monsters & Myths' brings together the most vivid and potent of these creations, showing us war through the eyes of some of the twentieth century's most celebrated artists."--WorldCat. Good+ (spine lean; textblock & pgs firm & intact. light wear to boards & corners. dustjacket has an approx 2inch tear to front spine edge; edge-wear; creasing to front upper edge.).…

Hardcover. Etat : New. None Issued. First Edition. This is a New and Unread copy of the first edition in the sealed publisher's shrink wrap as issued.

Cloth. Etat : Fine Condition. Etat de la jaquette : No Jacket, As Issued. 312 pages. Hardcover. Text in English. Minor soiling to the white boards, with a touch of shelf wear to the bottom edge, otherwise fine. Illustrated endpapers. 294 illustrations, 252 in color. Bound in illustrated paper covered boards with black cloth spine and issued without a dustjackert. Foreword by Doreen Bolger, John R. Lane, and Steven Nash. Includes acknowledgments, checklist, references and bibliography, photography and copyright credits, and index. Published on the occasion of the exhibition from the Dallas Museum of Art with the Nasher Sculpture Center, Dallas TX January 21-April 29, 2007, San Francisco Museum of Modern Art, San Francisco CA June 9-September 16, 2007, and The Baltimore Museum of Art, Baltimore MD October 28, 2007-February 3, 2008. Book.…

Etat : very_good.

Hardcover. Etat : New. Brand New in shrink wrap.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. Baltimore and Hartford: The Baltimore Museum of Art; Wadsworth Museum of Art; RizzoliElecta, 2018. First edition, first printing, 2018. Stunningly illustrated in color. Black hardcover lettered in red, 256 pages, illustrated dustjacket. Fine condition, looks and feels new and unread, tight binding, clean pages, no names or other markings, dustjacket in mylar protector. Includes several pages of typewritten notes about the exhibit used by a docent at the Wadsworth Atheneum. First Edition. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall.…

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Etat : Fine. First edition. Hardback. New sealed hardback. Quarto. 288pp. Fine and unread.

Etat : Very Good.

Gebunden. Etat : New. Oliver Tostmann is Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum Museum of Art in Hartford, Conn. Previously he was a curator at the Isabella Stewart Gardner Museum, Boston, where he curated the exhibitions Anders Zorn. A E.

Hardcover. Etat : Brand New. 256 pages. 11.25x10.00x1.00 inches. In Stock.